Showing posts sorted by relevance for query pico house. Sort by date Show all posts
Showing posts sorted by relevance for query pico house. Sort by date Show all posts

Friday, September 2, 2016

The Frenchmen of the Pico House


Every Los Angeles local knows who Pio Pico was.

Most are aware of the Pico House Hotel, which (miraculously) has survived to the present day.

Virtually nobody is aware that multiple Frenchmen plied various trades at the Pico House.

Construction on the Pico House began in 1869 and finished in 1870. By then, Pio Pico had led quite a life - last Mexican governor of Alta California, rancher, and entrepreneur. The Pico House, built opposite the Plaza, was by far the most lavish hotel in Los Angeles at the time (Remi Nadeau would later build a hotel that would make the Pico House look like a farmhouse, but that's a story for a future entry).

Southern California's very first drugstore, owned by one A. Chevalier, initially stood in a building across the street (probably the Signoret building; at least one surviving photo suggests a pharmacy onsite), and was later moved to the ground floor of the Pico House. (Why not? Travelers get sick and injured too.)

Most good-sized hotels have at least one restaurant, and the Pico House was no exception. In a clear sign of the times (remember, Los Angeles was about 20% French by the 1860s), the restaurant featured French food, French-language menus, and a maitre d' known as "French Charlie" Laugier.

Gov. Pico was having financial problems by the late 1870s, and lost the hotel to the San Francisco Savings and Loan Company.  The hotel changed hands a few more times.

By the 1890s, Pico House had been renamed the National Hotel and was owned by Pascale Ballade.

When the French Republic celebrated its 100th anniversary in 1892, French Angelenos paraded from Aliso Street to the Plaza. But the celebration really went into high gear at the Pico House/National Hotel, which hosted an extravagant banquet and ball.

Owner Pascal Ballade, born in France in 1838, had arrived in Los Angeles in 1860. He founded the Hotel des Pyrénées, Los Angeles' largest boarding house. The Hotel stood at 300-302 Aliso Street, held up to 1,000 guests at a time, and catered to newly-arrived French Basques - so much so, in fact, that it held weekly jeu de paume (handball) competitions attracting players from all over the USA.

Ballade also owned a combination grocery/liquor store (in the 1880s, he lived above the shop). Perhaps not surprisingly, he also owned two saloons (one at 700 Olive Street and another at 742 S. Main). On top of those responsibilities, he was a City Councilman, belonged to the Golden Rule Lodge and La Fraternité (a Knights of Pythias chapter which seems to have been composed entirely of French Angelenos), and had a sheep ranch in San Juan Capistrano.

Ballade and his wife Marie (who was also from France) had three children - John (sometimes recorded as "Juan"), Marie, and Antoinette. The Ballades and their daughter Antoinette are buried at Calvary Cemetery (Marie married into the Royére family and is buried in their plot at Angelus Rosedale; I have been unable to locate a gravesite for John).

The 1900 census indicates that the Ballade family had boarders - one of whom was Edward Naud Jr. He was of French parentage, and you'll read more about him later.

It isn't clear when the Ballades sold the Pico House, but Pascal did pass away in 1904, not too long after the business district moved further away, leading to the neighborhood's decline. I am sure the Ballade family would have sold it with no regrets at that point. The State of California has owned the Pico House since 1953.

It is interesting to note that Felix Signoret's business block stood opposite Pico House. Like Ballade, Signoret took in boarders and owned a saloon, held down a regular job as well, and was a City Councilman. Signoret was also the leader of the lynch mob that finally took down Michel Lachenais in 1870...and the Pico House is VERY close to the site of the Chinese Massacre of 1871.

The Pico House itself hosted a temporary exhibition on Los Angeles' lost French community from December 3, 2007 to January 13, 2008. Pioneers and Entrepreneurs: French Immigrants in the Making of L.A. 1827-1927 was presented by the nonprofit foundation FLAX (France Los Angeles eXchange), with the support of the French Consulate. Although the exhibition lasted less than six weeks, an accompanying book was published (I did find one factual error, but the book is nonetheless an excellent primer on LA's forgotten French colony). What are you waiting for? Go read it!

Tuesday, October 8, 2019

Eugene Garnier Just Couldn't Take It Anymore

It's high time I introduced my readers to the four French families who owned Rancho Los Encinos - one of my favorite places in Los Angeles - one after the other, for close to a century.

Quick overview for context:

Rancho Los Encinos (sometimes called Rancho El Encino, now Los Encinos State Historic Park) was a Spanish land grant given to LA's first mayor, Francisco Reyes. When the authorities discovered Reyes had been mistreating his Native American hired hands, they revoked the grant and Governor Pio Pico reassigned it to three of the very same workers Reyes had been exploiting.

Don Vicente de la Osa bought the rancho from the Tongva ranchers, raised cattle, built the adobe house that still stands on what's left of the property (it's the second oldest structure in the Valley), turned the house into a stagecoach stop and roadhouse when the cattle market collapsed, and eventually sold the rancho to a Yankee named Jim Thompson.

Jim Thompson sold Rancho Los Encinos in 1869. The buyers, Eugene and Philippe Garnier, were immigrants from France. (There were other Garnier brothers - Abel, Camille, and Léon, but little is known about them except that Camille and Léon were two of the city's biggest spenders and could often be seen dining at one of Victor Dol's restaurants.)

Philippe merits his own entry, and you'll understand why when you read it. Anyway...

Faux marbre dining salon at Rancho Los Encinos

Like so many other French immigrants who settled in Southern California in the 19th century, the Garniers were in the sheep business, and had a reputation for producing high-quality wool.

The rancho was still on the stagecoach route (today it's Ventura Boulevard). And, being from France, the Garniers knew how to top even Don Vicente's fine hospitality.

The brothers had the adobe's dining room painted with stunning faux marbre panels. Despite being almost 20 miles from what was then the heart of the city (long before the 101 existed...or, for that matter, the car), the Garniers served such good food that Andrés Pico - brother of Pio Pico - made a point of bringing VIP guests to the rancho for breakfast. In those days, it was a tiring, 15-mile horseback trip on a dirt road from Pico's house. I can't even imagine getting up before dawn and spending a couple of hours on a rough, sweaty horseback ride just to eat breakfast in Encino*, but apparently it was worth the trip for Pico and his guests.

Eugene built a two-story limestone house - a copy of the family home in France - opposite the adobe. The Garniers lived in the adobe; the limestone house was a bunkhouse for the ranch hands and for tired travelers. Today, the house is Rancho Los Encinos' visitor center.

Eugene Garnier's French farmhouse at Rancho Los Encinos

Rancho Los Encinos had its own freshwater spring - a VERY desirable feature anywhere in Los Angeles County, and especially in the hot, dry San Fernando Valley. Eugene built a brick-lined pond to collect the spring water - and he took care to shape it like a Spanish guitar. Novelty shaped swimming pools - i.e. Jayne Mansfield's heart-shaped pool - may well owe a debt to Eugene Garnier's guitar-shaped pond.

Eugene put a great deal of work into making Rancho Los Encinos what it was at its peak - and what it still is today.

Unfortunately, it wouldn't last.

In the late 1870s, the wool market collapsed. And it couldn't have collapsed at a worse time for the Garniers, who had overextended themselves financially during a brutal drought that dried up their grazing fields. And to make matters worse, the roadhouse business had waned due to fear of stagecoach robbers...followed by stagecoach service ending when the railroad came to Los Angeles in 1876.

The Garniers continued to run a tavern on the premises, but like so many other French immigrants in the sheep trade, they had to find a new primary source of income.

Isaac Newton Van Nuys, who owned most of the southern Valley, had introduced dryland grain farming a few years previously. It was a no-brainer for the Garniers to turn their grazing land into wheat fields.

Unfortunately, there was the matter of their other neighbor, Don Miguel Leonis.

Leonis, possibly the most ambitious transplant in the history of Greater Los Angeles (and THAT is saying something), snapped up land whenever he could, and controlled most of the western Valley. Rancho Los Encinos, right next to Leonis' Rancho El Escorpion, was a very desirable property - especially because it had its own supply of fresh water.

You know where this is going, right?

In 1878, Eugene Garnier stated, under oath in a Los Angeles courtroom, that Leonis and his hired thugs had beaten the Garniers' hired hands and burned the rancho's wheat fields.

When asked if Leonis was his enemy, Eugene confirmed this, adding that he was forced to testify and that he would not be in the same courtroom with Leonis if he'd had a choice.

Having lost their wheat crop, the Garniers couldn't pay the bills anymore, and the rancho was bought at auction by Gaston Oxarat (who had previously obtained a lien on the rancho when he loaned money to the brothers).

Eugene Garnier went back to France soon after that day in court, never to permanently return to Los Angeles.

But can you blame the guy? He just couldn't take it anymore.

*This is not a snobby Westsider jab at Encino. I'm from Sherman Oaks.

Sunday, October 27, 2019

Never Give In: Philippe Garnier

Winston Churchill said it best: "If you're going through hell, keep going."

The Garnier brothers' glory days at Rancho Los Encinos had ended in financial ruin, foreclosure, and Eugene Garnier returning to France.

Philippe Garnier had no money and a family to support. He could have thrown in the towel and gone back to France, just like Eugene.

But he didn't give up. And he had a profound effect on a treasured surviving portion of Old Los Angeles.

In 1878, Philippe Garnier was flat broke.

In 1879, Philippe began serving as a director of the Farmers and Merchants Bank and slowly rebuilt his savings.

Between 1888 and 1890, Philippe Garnier built three commercial buildings in the Plaza area.
Jennette Block, housing the Hotel de Paris
The Jennette Block stood at Los Angeles and Arcadia Streets, with the Hotel de Paris occupying the building. (It's sometimes reported that the Jennette Block was at Los Angeles and Aliso Streets. Most of the French-owned hotels fell within a one-block radius of Alameda and Aliso Streets. However, a surviving picture of the Jennette Block puts it right next to the Garnier Building. It's much more likely that the Hotel de Paris was based in different buildings at different times, since there are records of a Hotel de Paris at Alameda and Aliso and at Main and Turner opposite the Pico House.)

In any case, the Jennette Block was razed for the 101 Freeway.

Garnier Block
(Home of La Plaza de Cultura y Artes)
Many years ago, a French sea captain (no, not that one - he lived on the next block) and his wife lived in the Plaza, across Main Street from the Pico House. Their adobe house was demolished to build the two-story Garnier Block. Retail stores occupied the ground floor; the tiny Plaza House Hotel was on the second floor.

In 1946, the County of Los Angeles purchased the building. It was used as County office space, with a Sheriff's Department crime lab on the second floor. Unfortunately, the 1971 earthquake shook some of the elaborate exterior ornamentation loose, which prompted the County to remove ALL of it (blasphemy!), board up the building, and leave the Garnier Block to rot (double blasphemy!).

The Garnier Block was renovated into the La Plaza de Cultura y Artes, which opened in 2011.

Garnier Building
(Home of the Chinese American Museum)
Although LA's first Chinese market opened during Damien Marchesseault's tenure as Mayor nearly thirty years earlier, Chinese Angelenos often didn't have an easy time securing commercial buildings to rent, and they weren't legally permitted to own property in the United States.

Philippe Garnier commissioned architect Abram Edelman (co-designer of the Shrine Auditorium) to design a long, two-story sandstone and red brick building - the Garnier Building - with Chinese tenants in mind. The lease was signed before the building was even finished, and for the first three years of the lease, the rent on the entire building was only $200 a month. The building used to be much larger (the southern wing was razed in the 1950s along with the Jennette Block), so Philippe's tenants were initially paying below market rate.

Chinese-American social organizations, businesses, schools, and churches were all based in the Garnier Building. It was, in effect, Chinatown City Hall from 1890 to 1953 (when the state purchased the Plaza buildings). The original Chinatown was razed for Union Station, so the Garnier Building is the only remaining structure from Old Chinatown.

Interestingly, the building occupies the corner of Arcadia and Los Angeles Streets - where the 1871 Chinese Massacre broke out.

Today, the remaining half of the Garnier Building houses the Chinese American Museum.

Take a moment to consider this: the Plaza is known for its Spanish/Mexican history and character, so much so that angry activists vocally opposed plans to restore the Italian Hall (also in the Plaza) and reopen it as a museum. Yet, no one ever talks about the fact that the Plaza is also home to a historic property commissioned by a French immigrant, designed by a Polish-Jewish architect, and built for the city's most hated ethnic group of the era - the Chinese. And only half of that building was lost to freeway construction. That's pretty amazing.

Philippe Garnier may not be well remembered today, but two (well, one and a half) of his buildings remain in the Plaza.

Saturday, May 11, 2019

They Paved Frenchtown and Put Up a Parking Lot

One of the most frustrating things about digging through Los Angeles history is finding out something with character, charm, historical significance, or cultural significance was lost long ago...to build a parking lot. Yeah, THAT's a fair trade-off.

Obviously, Los Angeles needs parking facilities. I just wish developers would tear down something ugly for once.

I've been mapping historically French sites in Southern California for six years. I've inventoried almost 500. Many more have been torn down for other reasons. These historic locations, associated with Los Angeles' lost French community, have all been partially or completely replaced by parking lots (and, in some cases, parking garages).

Consider this list a "work in progress." I've been meaning to write it for a few years now...but I keep finding parking lots (and every time I do, a little piece of me dies). I'll be adding them to the list as I continue to dig. If you know of a site I should add, please comment below.

Cue "Big Yellow Taxi"...

Plaza/Chinatown
  • Mayor Joseph Mascarel's adobe house. The Talamontes-Mascarel adobe, built in 1834, was torn down in 1957. The Huntington Library has the only surviving picture of which I'm aware, and I am eternally grateful to them for letting me see it in person. Now it's Olvera Street parking.
  • L'Union Nouvelle offices. Los Angeles' most popular French-language newspaper (which was still being published when the Los Angeles Herald-Examiner ran its last edition) had offices at Arcadia and Main Streets for many years. Now Plaza employees park there. 
  • Viole-Lopizich Pharmacy site. The Viole family served Los Angeles as pharmacists and physicians for many years. Their pharmacy is now a Plaza parking lot.
  • Signoret Block. This classy mansard-roofed brick building also housed Chevalier's pharmacy. Part of the same parking lot as the Viole-Lopizich pharmacy site. 
  • Another Viole-Lopizich Pharmacy site (and residence). Stood several doors down from the previous Viole-Lopizich pharmacy. Part of the same parking lot.
  • Oriental Café. Co-owned by Benjamin Flotte, Victor Dol's uncle. Dol later ran the Restaurant Française in the same building. Part of the same parking lot as the Viole-Lopizich pharmacies and Signoret Block.
  • Brunswig Annex. Formerly adjoined the Vickrey-Brunswig Building, which survived and houses La Plaza de Cultura y Artes. Again, same parking lot as the Oriental Café building and Viole-Lopizich pharmacies.
  • Le Progrés offices. This politically independent weekly French-language newspaper stood on New High Street in the late 19th century...and its offices disappeared for the same Olvera Street parking lot as the Talamontes-Mascarel adobe. 
  • Sentous Block. Christine Sterling dressed in widow's weeds and hung a black wreath on the main door when this building was condemned. Pio Pico lived in one of the upstairs apartments after losing everything. Like Mayor Mascarel's house a few doors down, it was demolished in 1957 for Olvera Street parking.
  • Jean Bernard's brickyard. A motel and private parking facility stand on the site today.
  • Former site of Naud's warehouse. Yes, it burned down. But it also gave the neighborhood (Naud Junction) its name. And now it's parking spaces.
  • Prudent Beaudry's house/real estate office. Southern California's first large-scale developer (and builder, two-term mayor, and investor) was working from home way back in the 1880s, owning a house/office on New High Street, behind the Brunswig Building. Now the site is part of a Plaza parking lot. (The Beaudry brothers predicted that people would flood into Southern California once the railroad came to town. They were correct...beyond anyone's wildest dreams. Now LA is overcrowded. Oh, the irony.)
  • At least one plot owned by Georges Le Mesnager. 1660 N. Main Street, owned by George before he got into wine and liquor production, is now a parking lot for a DWP facility.
  • Georges Le Mesnager's Hermitage Winery. 207-209 N. Los Angeles Street, formerly Georges' walled vineyard (Harris Newmark compared it to a European chateau) is now part of the Los Angeles Mall...and its underground parking garage. Doesn't seem like a fair tradeoff, does it?
  • The Amestoy Building. Built in 1888 in the same block that is home to City Hall, the three-story building was dubbed the city's "first skyscraper" (even though the Nadeau Hotel was taller) and formerly housed the Los Angeles Supreme Court. The Amestoy building survived the Civic Center's redevelopment in the 1920s/1930s...only to be demolished in 1958 for a City Hall parking lot. 
Downtown/Little Tokyo
  • Original site of Philippe'sThe Geffen Contemporary at MOCA, including its adjoining parking lot, stands on the approximate location of Philippe's original (1908-1918) sandwich shop. (It could be worse...the site of Philippe and Arbin Mathieu's previous restaurant currently hosts the city jail.) 
  • Michel Lachenais' ranchOkay, Lachenais was a violent convicted murderer. But his former homestead now boasts a Paragon Parking location, so it still makes this list. 
  • Ducommun Yard. This site has had quite a history of its own! Well within the original boundaries of Frenchtown, it housed Los Angeles' first passenger depot and locomotive roundhouse, and by the 1920s it was a DWP facility (fittingly, Charles Ducommun was one of the DWP's original stockholders). Ducommun Industries operated on the site before moving to South Los Angeles in 1941. The property is currently a large depot and parking facility for buses.
  • One of Louis Mesmer's New York Bakery sites. Part of the Ducommun Yard property, on Alameda Street.
  • Hotel de Strasbourg. Ducommun Yard on Alameda Street, again.
  • M. Sainsevain's feed store. Also part of the Ducommun Yard property.
  • Much of El Aliso/Sainsevain Brothers Vineyard. Jean-Louis Vignes' 104-acre property has been divided over and over, so multiple parking lots/garages are on this chunk of land roughly bordered by the Los Angeles River to the west and the 101 Freeway to the north. 
  • Former Larronde-Etchemendy mansion. The beautiful Victorian mansion at 237 N. Hope St., home to the blended Larronde-Etchemendy family for nearly 80 years, was torn down along with the rest of Old Bunker Hill. The house stood about where the DWP parking lot is today. 
  • Raymond Alexandre's Roundhouse. LA's earliest known example of fantasy architecture, LA's earliest amusement park, LA's earliest kindergarten...and within the former grounds is a large Paragon Parking lot.
  • Ponet Square Hotel. Formerly the largest apartment building in Los Angeles (built 1906), this hotel was torn down in the days immediately following a deadly arson fire in 1970 (which led to a badly needed update to the 1943 fire code) and promptly turned into (what else...) a parking lot. It's been a parking lot ever since.
  • Two other portions of Ponet Square itself. Ponet Square includes two additional parking lots, albeit smaller ones.
  • Pershing Square. Technically still there, but mostly paved over and altered beyond recognition. This is the worst public park in Southern California, partly because building an underground parking garage and elevating the park to allow for said garage has led to too much concrete and not enough tree shade. Pershing Square can be scorching hot on 60-degree days. The previous design should have been left the hell alone (if it isn't broken, don't "fix" it!). Oh well, at least the Doughboy isn't going anywhere.
  • Mesmer Building. Louis Mesmer built a two-story building at the corner of Los Angeles and Requeña Streets, later opening Requeña to Alameda Street. Requeña Street was renamed Market Street and no longer exists. Mesmer's building was replaced by a City Hall parking garage.
  • The entire Sentous tract, including the Sentous Street School. Razed in 1969 to build a massive parking lot for the Los Angeles Convention Center. The Staples Center (and its parking garages) now take up much of the land. Sentous Street was renamed L.A. Live Way.
  • First Methodist Church. While most French Angelenos were Catholic, Melvina Lapointe Lott - niece of Remi Nadeau - belonged to this church and donated three Tiffany mosaic panels said to be Tiffany's very finest work. The church was razed (for a parking lot, what else) in the 1980s (thankfully, the Tiffany panels now belong to the Lake Merritt United Methodist Church in Oakland). On a personal note, I have used that parking lot many times...and I became very nauseous when I realized I'd repeatedly parked on the former site of a Tiffany masterpiece.
  • Germain Pellissier's house. Entire block is now occupied by a hideous multi-level parking facility across the street from the Walt Disney Concert Hall. 
  • Jean Sentous' dairy farm. The farm, bordered by Grand, Washington, Main, and 21st Streets, changed hands a few times, becoming Chutes Park in 1900. There are now several parking lots and a courthouse parking structure on the land.
  • One of Pascale Ballade's saloons. Ballade had a few drinking establishments to his name, and the one at 742 S. Main Street is now a parking lot!
  • Remi Nadeau's city block. Nadeau's land holdings included most of the block bordered by Hill, 4th, Broadway, and 5th Streets. His freighting business was headquartered here - corrals, stables, blacksmiths, and a wagon repair shop stood on the land. Today, there are multiple commercial properties, a government office...and two parking lots. 
  • Louis Mesmer's house. The approximate location of 127 S. Broadway is now the entrance to a courthouse parking garage.
  • André Briswalter's home (possibly). Briswalter lived at the corner of Washington Boulevard and Main Street. One of the four corners of the intersection is now a large parking lot. 
  • Dehail House Hotel. Like all the other French-owned boarding houses in the area, it's long gone. Most would have been too close to the 101 Freeway to survive the 1950s, but this one is - you guessed it - a Little Tokyo parking lot. 
  • Charles Ducommun's mansion. By 1892, the Ducommuns had moved out, and the house became a boarding house for newsies and other young working boys. It later became a men's boarding house, and finally a boarding house for Japanese tenants. And now the site is a parking facility.
  • Victor Dol's house. There's ONE parking lot on this block...and its location corresponds to the talented chef's address. 
  • Old Calvary Catholic Cemetery. The Diocese of Los Angeles decided the cemetery would better serve its needs as Cathedral High School's parking lot and athletic fields. Numerous Catholic Angelenos, many of them French, had to be re-interred at New Calvary. (Marcelina Leonis' original headstone is installed in the field fence like it's an art piece...as if dying of smallpox at age 20 wasn't bad enough. I, personally, find it disrespectful.)
  • City Cemetery. The French Benevolent Society had its own parcel at the cemetery for members. Now it's a parking lot for the Board of Education.
  • Champ d'Or Hotel/Taix Restaurant. The Taix family tore down their circa-1882 bakery to build the hotel in 1912. In 1927, Marius Taix Jr. took over the ground-floor restaurant from a tenant. Taix opened its current location in Echo Park in 1962. The 1912 building was torn down in 1964...for a very large parking structure across Alameda Street from the Justice Department and the Metropolitan Detention Center.
Koreatown
  • Portions of Germain Pellissier's sheep ranch. It's unclear how much land Pellissier actually owned (sources disagree wildly). However, there are parking facilities adjacent to the Wiltern Theatre, which was built by Pellissier's grandson on land Pellissier had owned (and now my newer readers know why the entire 12-story structure is called the Pellissier Building).
  • The Godissart home. Cosmetics mogul Joseph Godissart and his family moved to 810 S. Harvard Boulevard, which has been replaced by an apartment block...with a parking garage.
Mid-City
  • Léon Bary's home. French actor/director Léon Bary's home is now an auto body shop...and its parking lot.
South Los Angeles
  • Firmin "Frank" Toulet's house. Frank Toulet, founder of Musso and Frank Grill, was living at 1813 W. 79th Street at the time of his death. Now it's a fenced parking lot behind a commercial property.

The Hollywoods
  • Paul de Longpré's home and gardens. The great painter's roses are long gone, with a parking garage occupying part of the site. 
  • Various swaths of Victor Ponet's farm. Ponet owned much of modern-day West Hollywood. There are too many parking facilities, public and private, to list.
Santa Monica
  • L. Giroux's grocery and home. Monsieur Giroux spotted Santa Monica, fell in love with it, and built a combination home/grocery store (Santa Monica's second house, supposedly, after Eugene Aune's). The house is long gone and the land is occupied by Parking Structure 6. (And I thought I'd run out of reasons to hate the Third Street Promenade!)
Glendale
  • Le Mesnager vineyard. As glad as I am that the Le Mesnager family's barn survived (and reopened to the public in 2022), Deukmejian Wilderness Park's parking lot IS uncomfortably close to the buildings. I'm just saying, it *could* have been placed closer to the park's entrance.
And one "near miss" that was saved...

In 1962, the Leonis Adobe was very nearly torn down to make way for a grocery store parking lot (are you #$%@ing kidding me?!). For the second time in its existence, the adobe had been abandoned for years and left to rot. Thankfully, the newly established Cultural Heritage Board intervened...and the Leonis Adobe became Los Angeles Historic-Cultural Monument #1.

Honorable Mention: the original intersection of Alameda and Aliso - the core of the French Colony - was erased and paved in the 1950s. When you drive under the Alameda Street overpass on the 101, you’re driving through Frenchtown. In theory, the 101 is a freeway. In practice, it becomes a sort of parking lot when traffic is heavy enough.

Saturday, July 16, 2016

One Clever Bastard: John C. Frémont in Early L.A.

At the dawn of the nineteenth century in Virginia, seventeen-year-old Anne Beverley Whiting, whose stepfather had squandered her family's fortune, was married off to Major John Pryor, a wealthy man in his early sixties.

In 1810, the Major hired a French Canadian immigrant, Charles Fremon, to tutor his young wife. By July of 1811, he discovered they were having an affair, confronted the couple, and filed for divorce.

In 2016, this isn't too surprising (for jaded Angelenos, anyway). But in 1811, it was extremely shameful. In spite of the scandal, the Virginia House of Delegates refused to grant the Major's divorce petition, meaning that Anne and Charles could not marry. Undaunted, they moved to Savannah, Georgia and lived together as a married couple. Their first child, John Charles Fremon, was born January 21, 1813.

Charles Fremon's real name was, in fact, Louis-René Frémont. He had escaped from a British prison and changed his name to evade British naval agents. John began using his father's true surname in 1838 at the age of 25.

Much has been written about Frémont's career as a military officer; for brevity's sake, this entry will only concern his actions in Southern California. I will, therefore, skip to the Mexican-American War, a few weeks after the famous Battle of San Pasqual. (Contrary to misconception, Frémont was not in that particular battle.)

Late in 1846, Frémont was ordered to lead 300 men from the California Battalion to capture Santa Barbara. Frémont's unit crossed the Santa Ynez mountains at San Marcos Pass on the night of December 24, 1846 - with great difficulty. It was raining heavily, and the mountains became so muddy and slippery that many horses, mules, and cannon were lost. Still, the men regrouped in the morning, bloodlessly taking the Presidio and the rest of the city.

In January 1847, Frémont and his men were entering the northern San Fernando Valley when an (unknown) Frenchman from Los Angeles rode up, carrying a message ordering Frémont to bring in his men as reinforcements for General Kearny, who had taken Los Angeles. Frémont ignored the message, electing to negotiate with the Californios himself.

A few months previously, Frémont had saved insurgent José de Jesús Pico, cousin of Pio Pico, from execution with the caveat that he accompany Frémont to Los Angeles. Once the troops had set up camp on Mission San Fernando's grounds, Frémont dispatched Pico to the defeated Californios' camp in the Verdugo Hills. (I told you he was clever!)

By this point in the war, just 120 Californio rebels remained, and they were running out of weapons and ammunition. The U.S. forces numbered 1,000, and were quite well-armed. The writing was on the wall. Commandante Flores (who was also a cousin of José de Jesús Pico) was none too happy with Pico for fighting alongside Americans, but agreed that the Californios could negotiate with Frémont as long as he treated them with honor (something Frémont's superior, Commodore Stockton, had refused to do).

A delegation of the remaining Californios met Frémont the following morning. They were prepared to end the war, provided they were treated respectfully and their leaders were included. If that did not happen, they were prepared to adopt guerrilla tactics and even destroy their own properties.

Having been privately promised the future governorship of California by Stockton, Frémont knew making friends with the Californios he would eventually govern would make his job much easier. He declared a détente and invited the Californios to bring their wounded to Mission San Fernando, where they could be attended to by his own surgeon. Negotiations commenced that afternoon, with three Battalion officers, prominent Californio José Antonio Carrillo, and former California Assembly secretary Agustín Olvera hammering out the terms of the agreement.

Andres Pico, brother of exiled Mexican governor Pio Pico, was the leader of the California Lancers and acting governor of Alta California. On January 13, he and Frémont sat down at the kitchen table in an aging adobe house in Campo de Cahuenga and signed the Treaty of Cahuenga. (That kitchen table can now be seen at the Natural History Museum of Los Angeles.)

The treaty, written in both English and Spanish, called for Californios to give up their weapons, refrain from taking up arms for the duration of the war, and obey the laws of the United States. The trade-off was that Californios were to be allowed the same rights and privileges as U.S. citizens, were to be allowed to return to their homes and ranchos, were not required to swear allegiance to the United States until a formal peace treaty was signed, and were permitted to leave the country if they so desired. (Remember, this was a time when people of color were not considered people in the eyes of U.S. law, and Catholics were eyed with great suspicion by the WASPy majority. Giving equal rights to Californios, some of whom were mixed race, was a major compromise for the time.)

In spite of his intelligence and remarkable abilities, Frémont had poor impulse control and a problem with authority. He finally contacted his superiors after the treaty was signed - his first contact with them since arriving in Southern California. Not only had this smart-assed upstart ignored instructions, he'd signed what they considered an extremely liberal treaty with the Californios - and all without consulting them!

They decided it was best to endorse it anyway.

Other Americans believed the Californios would take up arms against them again. But they didn't. Andres Pico, writing to his brother Pio, deemed the struggle over.

Stockton quickly named Frémont governor of occupied California. Frémont established a headquarters in the old Bell adobe mansion (formerly at the southwest corner of Aliso and Los Angeles Streets) and quickly set about winning the respect of the Californios, going so far as to adopt ranchero-style dress and invite local leaders to meet him at his quarters. This tactic didn't always work (some, like Jose Antonio Carrillo, refused to meet with him), but Frémont understood that when in Los Angeles, one does as Angelenos do. Americans strongly disapproved of Frémont's fraternizing with Californios, but in the end, locals often credited Frémont with saving their lives by peacefully ending the war. Many liked him, or at least respected him. If nothing else, at least he wasn't Commodore Stockton.

The American rumor mill was not kind to Frémont, and perhaps the nastiest rumors concern his (unproven) philandering in Los Angeles. Henry Hamilton, editor of the Los Angeles Star, even claimed to have proof of Frémont's alleged "harem", but never produced any of it. Those vicious allegations would resurface in 1856, when Frémont was nominated for the Presidency by the Republican Party. (Since Frémont respected women enough to demand that the members of the California Battalion swear not to violate their chastity, it seems unlikely that he would have had, as Hamilton put it, a "harem". Hamilton, by the way, was a Democrat and is known to have disliked Frémont's politics.)

Kearny had orders from President Polk and secretary of war William Marcy to serve as military governor. Frémont refused to give up the governorship, and Kearny had him court-martialed. His dishonorable discharge was commuted by President Polk owing to the extent of his services (having a prominent senator for a father-in-law probably helped).

Frémont resigned his commission, purchasing Rancho Las Mariposas in the Sierra Nevada foothills in 1847. When gold was discovered in the area, he hired Mexican laborers to mine for gold on his land for a percentage of the findings. This made him quite wealthy and allowed him to purchase properties in San Francisco.

When California became a state in 1850, Frémont was elected to the United States Senate. His re-election bid was defeated largely because he was opposed to slavery and did not want it to spread to the free Western states. (Frémont's opposition to slavery is especially notable since he and his siblings were raised with the assistance of a household slave known only as Black Hannah. In fact, Frémont's mother financed leaving her husband by selling some slaves she owned.)

Frémont went on to continue his military and political career in other parts of the United States...but that's a bit beyond the scope of this entry. There are several books on John Frémont and his wife Jessie. For those interested in the history of conflict and violence in early Los Angeles, I highly recommend John Mack Faragher's recent book Eternity Street.

Campo de Cahuenga, where the Treaty of Caheunga was signed, is in modern-day Studio City. The original adobe was demolished in 1900; the current building is a replica opened in 1950.

Sunday, April 16, 2017

We're Still Here, Part 1: Olvera Street and LA's Old Pueblo

The acknowledged foremost authority on Frenchtown, Helene Demeestre, has called at least one of her Frenchtown lectures "Without a Trace".

With all due respect to Dr. Demeestre, if you can't find traces of Frenchtown in modern-day Los Angeles, you haven't looked hard enough by a LONG shot.

Recently, I was fortunate to get a Saturday off work and spent it exploring the old Pueblo and nearby Chinatown. This is what you'll find if you make the same trip.

Damien Marchesseault, progressive six-term mayor, is remembered in a plaque outside the Biscailuz building. (Am I alone in thinking it's weird that the plaque is in English and Spanish, but seems to be missing a French translation?) The inscription references the nearest street being named after Marchesseault, which it was. However (insult to injury here), Marchesseault Street was renamed Paseo de la Plaza sometime after this plaque was installed. Oh, and the dates of his mayoral terms are highly inaccurate. (Even in death, Marchesseault gets no respect.)

Rest in peace, Mr. Mayor. And this plaque should really have a French translation...

Union Station, opposite the Pueblo. If Marchesseault Street still existed, it would lead right to Union Station's front doors.
Plaque outside the Garnier building. At a time when the United States government didn't believe Asians were human beings and anti-Chinese sentiments ran high, Philippe Garnier built this building specifically to rent to Chinese tenants (the Chinese-American community used this building continuously from 1890 to 1953). Today, it is the last surviving relic of LA's original Chinatown. (The plaque is in English and Chinese, but once again, missing a French translation.) 

Plaque on the wall of the Garnier building.

Do note the "P. Garnier 1890" relief.

LA's oldest Masonic hall. Sources disagree on whether Jean-Louis Sainsevain was grand master of LA's oldest lodge or not. We do know, however, that Judge Julius Brousseau was a high-ranking Mason.
The Pico House doesn't seem that big when you're right in front of it, but it looks enormous from across the plaza. French hotelier Pascale Ballade owned the Pico House for a time and threw the centennial to end all centennials here when the French Republic turned 100 in 1892.

Brunswig building (do not confuse with Brunswig Square in Little Tokyo) on the left, Garnier block (do not confuse with Garnier building) on right.

Garnier Block.

Brunswig building.

Inside the Garnier building, which now houses the Chinese American Museum.

There are too many clues to list, but there is plenty of hard evidence that much of old Chinatown was part of a French neighborhood first.

Back view of Garnier building. The building was much larger many years ago - only the last sections on the right are original.

Biscailuz building. Eugene Biscailuz, of French Basque extraction, was a respected lawman for many years in LA, and helped establish the California Highway Patrol.

La Placita and its unforgivably ugly faux-Byzantine mosaic. Up until the late 1930s, that exact spot contained LA's first public art - a mural of the Madonna and Child. The mosaic went up in 1981. (Somewhere, Henri Penelon is quietly crying into a glass of Sainsevain Brothers wine.) Oh, and let's not forget that La Placita's first TWO resident priests were from France!

And now...prepare for the shock of a lifetime.

As of this writing, if you visit the old Avila Adobe on Olvera Street, you just might stumble upon something unexpected...

...an exhibit about the struggle for water services in early LA.

I had no idea it was even there. It's not advertised, and most of it is gated off. But the first part, which concerns the Sainsevains, Beaudrys, Solomon Lazard, Mayor Marchesseault (etc.), was open.

Water permit signed by water overseer and mayor Damien Marchesseault.

Jean-Louis Sainsevain - engineer and Marchesseault's business partner.

Early map showing the old water system.

Jean-Louis Sainsevain's water wheel, feeding water into the Sainsevain Reservoir (now a closed-off old park called Radio Hill Gardens).

How it worked.

Dr. John Griffin (an Anglo with a background in public health), Prudent Beaudry (French Canadian), and Solomon Lazard (French) - partners in the Los Angeles City Water Company. Many of the LACWC's early employees were French as well.

You had NO idea. did you? Most Angelenos don't.

The old Plaza with the original LACWC building - fittingly located on Marchesseault Street.

Bauchet Street, near Union Station. You know who Louis Bauchet is.

Philippe the Original! Don't worry, I will write about Philippe Mathieu in the future. This is not the location where the French dip sandwich was invented (that one was torn down for development purposes), but on a personal note, my parents used to go on dates here.

Classic neon sign at Philippe's.
Corner of Mesnager Street and Naud Street. You had NO idea this was here, did you?
So as you can see...we haven't really vanished "without a trace", as Dr. Demeestre puts it. There is a wealth of clues. You just have to spend some time looking for them.

Thursday, July 14, 2022

Bastille Day in Old LA

On this day in 1789, the French Revolution began.

I an pretty open about having a complicated relationship with La Fête Nationale/Bastille Day. My dad is a descendant of an earlier French monarch, which makes both Louis XVI and Marie Antoinette my very distant cousins. My mom's family comes from centuries of French peasant stock.

Still, I wish I could take a time machine to Old LA on this day. The French community put on quite a Bastille Day celebration.

In fact, it used to be a pretty big deal in LA.

Los Angeles Herald, 1881

One of the earliest references I can find lists the parade route: Aliso to Arcadia, Main to the Plaza, then to Spring, Spring to Second, Second to Fort (Broadway), Fort to Fourth, Fourth to Main, Main to the junction with Spring, and to the Turnverein Hall for speeches. "A representation of the Bastille" (i.e. a very early parade float) was included in the procession.

This route would have effectively started in the French Colony, gone to the Plaza, doubled back and wound through downtown, ending up where the Convention Center parking lot is today. For comparison, the Rose Parade follows a roughly 5.5 mile route.

Two of the speakers were Pascal Ganée and Georges Le Mesnager, who was quite well known for his speeches! More on that in a minute. 

Bastille Day 1881 concluded with a banquet at the Pico House, prepared under one of LA's early celebrity chefs, Victor Dol.

On this day in 1882, the festivities began with a 21-gun salute at sunrise from Fort Hill. The Mayor, the President of the City Council, "delegates from fire companies and civil societies", French citizens of varying prominence, and a beauty queen - the Goddess of Liberty - all made appearances.

The Goddess of Liberty chosen for the event, by the way, happened to be 14-year-old Narcisse Sentous, eldest daughter of Jean Sentous. She was carried in a "Car of Liberty" with several maids of honor, all girls from the French Colony.

Los Angeles Herald, 1882 (snippet of much longer article)

The parade procession was big enough to have two divisions, both made up of prominent citizens and local societies. Besides the Car of Liberty, another car had Marie Deleval representing France, Mathilde Reynaud representing the United States, Honoré Penelon (eight-year-old son of the late Henri Penelon) dressed as the Marquis de Lafayette, and ten-year-old Auguste Lemasne dressed as George Washington. Rounding up the rear were citizens riding donkeys in tribute to the city's butchers.

Eugene Meyer, the "President of the Day" (i.e. Grand Marshal) and then-Agent for the French consulate, gave a speech in French and introduced Frank Howard (who gave a quick history lesson on Bastille Day in English). "The Star-Spangled Banner" was sung, the band played, "La Marseillaise" was sung, and Georges Le Mesnager gave a speech in French.

And that wasn't all. A large model of the Bastille had been built on Fort Hill. After the sun went down, it was stormed and set on fire. (Good thing two fire companies were there!)

The day concluded with a party at Armory Hall.

In 1886, the French Colony invited the editor of the Los Angeles Herald to attend the Bastille Day celebration. He had a prior commitment in Long Beach that day, but thanked the French Colony in the newspaper.

Los Angeles Herald, 1886

The newspaper did still cover the event, of course. 

In spite of a half-hour rainstorm (an extreme rarity during a Southern California summer), the parade went on, although many people who had planned to join the parade waited inside the French Theatre for the rest of the day's events. The President of the Day was Jean-Louis Sainsevain this time - and again, one of the last speeches was given by Georges Le Mesnager.


The biggest celebration of them all was held in 1889 - the 100th anniversary of the French Republic. Besides the usual festivities, an extravagant banquet and ball was held at the Pico House, then owned by Pascal Ballade and renamed the National Hotel. The speech Georges Le Mesnager gave on this day was particularly well remembered by French Angelenos - and you can read most of it (thoughtfully translated into English by the Los Angeles Herald) here.

Los Angeles Herald, 1891.

An interesting footnote to the 1891 celebration is that one of the vocalists was J.P. Goytino, who despite having some musical talent was also a highly problematic newspaper editor/slumlord/all-around dirtbag.  Goytino is perhaps most notorious for stopping issuance of a marriage license five years later when his extremely wealthy father-in-law, Joseph Mascarel, sought to legally marry his common-law second wife. (He needn't have bothered; Mascarel left most of his fortune to his grandchildren from his first marriage.) I could do a pretty ugly deep dive on Goytino, but David Kimbrough already did a very thorough one on Facebook (warning: it's a 12-parter).

Los Angeles Herald, 1900


Los Angeles Herald, 1901


Los Angeles Herald, 1908

Los Angeles Herald, 1908

By 1908, Bastille Day was a big enough celebration that it was held at Chutes Park - and pyrotechnics were part of the event (no gunfire here!).

Los Angeles Daily Times, 1926

By 1926, two thousand French Angelenos were coming to the Bastille Day celebration. That evening's grand ball was a fundraiser for the French Society for the French War Orphans - and hosted by Felix Clavere.

Los Angeles Daily News, 1930


Hollywood Citizen-News, 1940

Bastille Day took on a somber significance in 1940, with two-thirds of the country having fallen under Nazi control. The following year, the Colony was nearly as divided as France, but everyone agreed that a big party wasn't appropriate during a time of war. Supporters of the Free French (who accounted for most of the Colony), believing France would rise again, had their own event at the Riverside Breakfast Club. Supporters of the Vichy government spent the day in mourning.

Los Angeles Daily News, 1941

In 1943, Capt. Paul Perigord addressed the United Nations Committee at the Hotel Clark. His keynote? "France is rising again." While there understandably doesn't seem to have been a celebration, the Fighting French tricolor flag was flown from City Hall's flagpole. (In case anyone needs to be reminded: the French are fierce fighters.)


Los Angeles Times, 1943

Los Angeles Times, 1946

Los Angeles Times, 1947

After the war, Bastille Day was back - and hosted by the Los Angeles Breakfast Club! 

Two years later, Bastille Day was marked by a flag ceremony at City Hall.

Los Angeles Daily News, 1949

Los Angeles Times, 1951

Hollywood Citizen-News, 1952

Los Angeles Times, 1957

Highland Park News-Herald and Journal, 1957

Los Angeles Times, 1960

Bastille Day was a big enough event to merit an annual flag ceremony at City Hall and draw a crowd of thousands to the Colony’s celebration. That certainly isn't the case now, and I fully expect Mayor Garcetti to ignore Bastille Day again, as Mayors of Los Angeles have tended to do for years.

What happened? 


Bastille Day fell on a Sunday in 1968. 

Any city employees involved in the ceremony would have had to come in on their day off, and overtime pay would have more than doubled the usual cost of the ceremony. The City Council didn't want to pay for it, voted against increasing the budget, wanted to scrap the ceremony entirely, and Councilman Wilkinson sniped "you ought to remember what France has done to us in the past year or two". 

French Consul General Gerard Peres put an end to the uproar by canceling the ceremony himself "so that City Hall personnel will not lose a day off and municipal expenses will not be increased at a time of financial difficulties". 

Mayor Sam Yorty sent Peres an official apology for the Council's rudeness, and the French tricolor did still fly alongside the US flag in the Civic Center.

At one of my lectures, I was asked when the last Bastille Day parade was held. I can't be 100 percent certain when the parade was retired, but the last time the city officially acknowledged Bastille Day at all (although wordlessly flying a flag barely counts) seems to have been in 1968.

Knowing that the flag ceremony was retired for budgetary reasons, when the city now spends a fortune lighting up City Hall in different colors for just about everything, is pretty irritating. There is no liberté, egalité, or fraternité in regards to what the city chooses to consider important enough to recognize.

Have a good Fête Nationale anyway, dear readers!