Whatever Happened to the French Benevolent Society? (Part 2)

For two and a half years, I have been trying to unravel the mystery of what happened to the French Benevolent Society. Read Part 1 here.

Most sources refer to the entity that founded the former French Hospital simply as the French Benevolent Society. In one of my older books, the French version of the FBS' name - Societé Française de Bienfaisance Mutuelle de Los Angeles - appears, interchangeably with its English counterpart.

Thanks to one of my readers (beret-tip to James Lawson, again), I found out that Societé Française de Bienfaisance Mutuelle de Los Angeles is, or was, technically a separate organization. And it was the legal owner of the French Hospital site.

I know very little about the business end of nonprofit organizations, so I'm a little out of my element here. Bear with me, I'm trying.

There is a little information out there on the Societé Française de Bienfaisance Mutuelle de Los Angeles, but again, it's left me with more questions than answers.

The Societé Française de Bienfaisance Mutuelle de Los Angeles' address is identical to the FBS' address. I sent a letter to that address two months ago, via certified mail. I have never received a response, and the tracking number doesn't work on USPS' website. Presumably, the address has been defunct for some time. I'm guessing neither entity elected to have mail forwarded to a new address, either. Which seems really strange, since property sales often have straggling bits of paperwork to finish. (I'm a notary. I handle property transfers frequently, so I know this from personal experience.)

I'm no expert, but the Societé's income-to-expenses ratio seems unusually high. See for yourself. If this were a balance sheet for a publicly traded company, I doubt I would be buying the stock.

There is/was some investment income...but from what? And where has it gone all these years? Is there a forensic accountant in the house?

What happened to the Societé/FBS' charitable spirit? Zero charities supported and zero dollars donated (at least in 2014)? Really? Someone please tell me there's more to the story.

The Societé/FBS sure has shrunk (except for its income...). At least as late as 2014, there was still a nine-member board (a tradition dating to 1860). But only two employees? And apparently NO members (since there were no membership fees collected, going back at least as far as 2002)? Somewhere in the great beyond, Louis Sentous Jr. is quietly crying into a glass of Georges Le Mesnager's best wine.

I may finally have a usable lead. I have an address and I am going to try sending another letter. Who knows, I may finally get a response.

Wish me luck...

Memorial Day Special Edition: French Angelenos in World War One

"War is the business of the French, and they do it very well."

                                                                               - Rudyard Kipling

World War One began in 1914.

The United States of America initially stayed out of the conflict, only entering the war in 1917.

Los Angeles' French community, however, rushed to the aid of their homeland.

The 1918 Los Angeles City Directory (i.e. phone book) lists a French Ambulance Service sharing space with the Alliance Francaise (the location is now Ace Hotel Los Angeles). Three blocks away, there was a French Society for the Relief of Wounded Soldiers. Since phone books are compiled in advance, the Ambulance Service and Society likely existed prior to 1918. (Note to self: check the 1915-1917 city directories the next time I'm deep in the bowels of Central Library. I can't believe I forgot to do that this time.)

Most notably, Georges Le Mesnager - 64 years old in 1914 - stepped away from all four of his jobs and his large family to go back to France and enlist in the French Army. He earned several medals for bravery, was wounded five times, and eventually acted as a special liaison to General Pershing. (Mesnager noted that his fellow French soldiers doubted the arriving American troops would be of much help. He assured them otherwise.) His last task before retiring to the Verdugo Hills was to establish a society for Los Angeles' French war veterans (presumably, there were enough French veterans of war in LA to merit founding such a society).

Dr. Kate Brousseau, a busy psychologist and professor, took a two-year sabbatical to put her French fluency and Ph.D to work in war-torn France. Dr. Brousseau, who was 55 when she left California, spent 1917 and 1918 examining French women called into war service and working with French soldiers in Lorraine, French-occupied Germany, and war-torn northern France. When the war ended, she helped to rehabilitate traumatized soldiers (today we'd call it treating PTSD).

And then there was Lucien Napoleon Brunswig.

Brunswig, a pharmacist by trade, was already active in immigrant support societies and social organizations when the war began. He soon became active in the American Committee for Devastated France and the Maisons-Claires (which supported French war orphans). In 1917 at the age of 63, Brunswig spent eight months in France, writing about his experiences. After the war, he vice-chaired the committee that placed the Doughboy statue in Pershing Square. (Brunswig, like Remi Nadeau, deserves his own biography. But give me time.)

Pershing Square is slated for a renovation. Happily, I have been informed that the Doughboy will remain in the park.

Take a moment to remember all the good people who have died in conflict. And take a moment to remember the French and French-speaking Angelenos who walked away from everything to do whatever they could.

We're Still Here, Part 3C: The Le Mesnager Barn

On the northernmost edges of Glendale, just past the Crescenta Highlands neighborhood, intrepid explorers will find Deukmejian Wilderness Park.

This nature park preserves 702 acres of wilderness, including the Le Mesnager family's former vineyard. (The park was named for then-Governor George Deukmejian, a Glendale native who helped buy the land back from a developer.)

The Le Mesnager family owned and lived in this barn (converted to a farmhouse by Georges' oldest son Louis after fire/flood damage) until the late 1960s. It's conveniently located close to the park's entrance, right next to the parking lot.

What's that in front of the barn?

Grapes! Yes indeed, they're used to make wine.

The barn is right next to this little amphitheater.

Seen from the back.

It's tricky to get a good angle on the barn when you can't get too close.

Don't let the sign fool you - I snapped these pictures in May. The barn's conversion/remodel was still clearly underway.

When the barn is re-opened to the public (and when I have time to drive waaaaaaay out to the furthest edges of the Valley - seriously, getting here took forever), I will be back to take better pictures.

The Monster of Calabasas: Michel "Don Miguel" Leonis

Updated to add:

I want our stories told, for better or for worse.

That said, a rather unpleasant character has tried to fight me, in the comments of my own blog, on the subject of Miguel Leonis.

This individual rudely ignored several requests to identify themselves and provide citations for the "facts" they wished to provide. 

If I am incorrect, by all means email me (losfrangeles at gmail dot com). However, I will ask you to identify yourself, identify any credentials you cite, and cite exact sources so I can double-check them myself. 

I'm not stupid.

Michel "Don Miguel" Leonis, date unknown

I’m not going to mince words. Michel Leonis, a six-foot-four-inch, 220-pound French Basque dubbed “Don Miguel” out of fear rather than respect, was a human stain.

No one can say for sure why Leonis left France's Basque region for California. Some sources say that he was a smuggler wanted by both the French AND Spanish authorities. Others say that his penchant for illegal activity back in France shamed his powerful family so much that his father demanded he leave. We may never know the truth, but either way, he was not one of the good guys.

When he arrived in 1854, Leonis worked as a foreman on Rancho El Escorpion in the western San Fernando Valley. Some say that he was illiterate and only spoke Basque; others say he could manage limited amounts of Spanish and English. (His friendships with George Le Mesnager and Joseph Mascarel suggest that he could, at bare minimum, converse in French.) 

Interestingly, Woodland Hills' continuation school was formerly called Miguel Leonis High School (it closed in 2015). But regardless of how educated Don Miguel might have been, within a few years he’d bought out his employer’s half of the rancho.

The other half of the rancho belonged to a Chumash widow named Espiritu Chijulla Menendez. 

You know where this is going, right?

Espíritu Chijulla Leonis

Leonis married Espiritu in 1859, took over her half of the rancho, raised sheep on it…and added to his land holdings many times over through threats, violence, and nuisance lawsuits. He was dubbed the “King of Calabasas”, but he owned or controlled most of the western San Fernando Valley and part of Ventura County. He also had a house and orchard downtown (he may have kept a mistress there) - the Aliso Village apartments now stand on the site. He confided in the few people he was close to that he wanted to build his own empire that could last forever. 

This is the Leonis adobe. Humble home for a man who dreamed of an empire.

The house was old and abandoned when Leonis stumbled upon it one day. He fixed it up, enclosed the back staircase, added the veranda...and never, EVER allowed Juan Menendez, Espiritu's son from her first marriage, inside the house. Instead, Leonis relegated young Juan to the barn.

Leonis had more than 100 employees, including Chumash and Mexican vaqueros whose sole responsibility was to scare off homesteaders who got too close to his property. One dispute resulted in a two-week standoff and culminated in a murder. His own employees were terrified of him. 


At one point, Leonis even tried to force the Garnier brothers, who owned Rancho Los Encinos (modern-day Encino/Sherman Oaks), off of their property. Eugene Garnier testified in court that Leonis' vaqueros had burned their newly planted wheat fields and beaten their employees. He also stated that he was testifying against Leonis only because he was forced to do so. It's not a coincidence that Eugene moved back to France (but we'll get to that when I get to the Garnier brothers).

When intimidation didn’t work, Leonis used the court system. He was a plaintiff in at least thirty property disputes. Just to put that into perspective, fewer than 4,000 people lived in all of LA County - which still included Orange County - in 1860. Leonis managed to sue at least thirty of them. And he wasn’t above bribing judges and juries with food and alcohol.

Marcelina Leonis, date unknown

Leonis did have one Achilles' heel - his daughter Marcelina, born in 1860 and named after Espiritu's aunt. Curiously, in spite of marrying her mother out of convenience, Leonis doted on his daughter and always gave her the best of everything. Marcelina received a better education than either of her parents did, and loved to play the piano. The few available resources on Marcelina state that unlike her father, she adored her mother and her older half-brother. But Marcelina’s life was cut short by smallpox when she was only twenty. For three days after Marcelina’s death, Leonis drank heavily - well, more heavily than usual.

One story states that after losing Marcelina, Leonis attempted to hang himself from a tree behind the adobe, using his horse as a hanging platform. But the horse stubbornly refused to budge. Only when Leonis dismounted did the horse bolt. Leonis was so angry that he allegedly cut off the tree branch from which he'd tried to hang himself.

You’d think that suddenly losing his only child might have prompted Leonis to rethink some of his life choices. But it didn’t.

In September of 1889, Leonis won his first court case since Marcelina’s death. He celebrated his victory in the saloons downtown before heading back to Calabasas. And got himself into what must be the earliest drunk-driving accident in Southern California history.

Somewhere in the Cahuenga Pass, Leonis fell out of his wagon, and its heavy wheels ran right over his face and chest. He was taken to a (coincidentally French-owned) roadhouse on the Valley side of the pass. After three days of agony, the man who had terrorized the western Valley was dead. He was buried at Calvary Cemetery next to Marcelina.

The very next day, Juan finally moved into his mother's house.

You’d think that would be the end of it. But several years earlier, Leonis had hidden the nastiest trick of all up his sleeve.

Leonis married Espiritu for her family’s land, then proceeded to treat her like the help instead of his wife for the next thirty years. He was the third richest person in California when he died. Yet, he left Espiritu a pittance of $5,000, willing the rest of his money and land to his siblings. Adding insult to injury, he referred to Espiritu as his housekeeper, denied that they had ever been married, and left the money with the caveat that she would only get it if she didn’t contest the remainder of the will. 

Espiritu wasn’t well educated, but she wasn’t stupid. And she had suffered enough. She hired the best attorneys in town - Horace Bell and Stephen Mallory White, who had previously represented Miguel in some of his lawsuits.

For five weeks, the case dragged out in court. Witness after witness swore to the court that Leonis and Espiritu either were or weren't married. Espiritu's name was dragged through the mud again and again. One witness even claimed that she had never been married to her first husband and had lived with two other men (an extremely scandalous accusation for the time). Poor Marcelina's headstone was even submitted as evidence. The jury deliberated for less than a day before legally awarding Espiritu the widow’s share of her husband’s estate. 

The Los Angeles Times, which had gleefully covered Espiritu's court case in all of its ugly detail, published a (likely falsified) story of Espiritu marrying an 18-year-old man with some extremely salty commentary I won't repeat here.

Espiritu had to fight for her house in court again and again for the next 15 years (early LA had plenty of shady characters more than willing to swindle a two-time widow out of her own house), but she won her final case in 1906, and died a few months later. Juan and his family inherited the house (take THAT, Miguel). Espiritu is buried at Mission San Fernando (where she was born and educated). Should you wish to pay your respects, do note that she is interred under her first married name, Menendez.

Mere months before he died, Leonis wrote to his nephew, Jean Baptiste Leonis, asking him to come to California and eventually take over his estate. It didn’t quite work out that way, but by the time J.B. died, he’d established an empire of his own - in addition to one of California’s strangest cities. More on that in a future entry.

P.S. The aforementioned troll tried to convince me that Leonis was a good man, alleging that he was kind to children. First of all, there are many documented cases of black-hat individuals being kind to at least one child, so that's not enough to convince me. Second, the troll rudely refused my request to cite a source for this.

Good men DO NOT torch their neighbors' crops.

Good men DO NOT intimidate their neighbors or get their workers to beat up someone else's workers.

Good men DO NOT marry a widow just to gain control of her estate.

And good men most assuredly DO NOT disinherit their own widows, claiming they were never married.

I don't believe Leonis was a truly good person. If you want to convince me otherwise, show me REAL PROOF and give me an AIRTIGHT explanation for how he treated Espiritu - who owned half of Rancho El Escorpion in her own right before Miguel ever heard of Calabasas.

We're Still Here, Part 3: The San Fernando Valley

Continuing my series on surviving places linked to Southern California's forgotten French community, we come to a place that hits close to home.

Because it IS my home. I'm a genuine, authentic Valley girl (hang around me long enough and you just might detect bits of my old accent).

(Well, it was my childhood home, anyway. I've lived in various beach towns continuously since 2001.)

Let's start in Calabasas and work our way east...

Michel Leonis, nicknamed "Don Miguel" out of fear rather than respect, discovered a dilapidated adobe house on the grounds of Rancho El Escorpion (huge naming opportunity missed here: Rancho El Escorpion sounds so much more badass than Calabasas - Spanish for "squashes"). He and his Chumash wife, Espiritu Chijulla, fixed it up (enclosing the rear staircase and adding the balcony), moved in, and lived here until their respective deaths.

The house - long empty and once again severely neglected - was nearly torn down in 1962 for - you guessed it - a supermarket parking lot. Thankfully, it's still with us today.

(I will devote separate entries to Leonis and to the Leonis Adobe Museum.)

Moving east, we find...

Running north-south from Ventura Boulevard to Granada Hills (okay, fine, it's interrupted in a couple of places), Amestoy Avenue was named for another French Basque ranching family - the Amestoys.

(The Amestoys will get their own entry.)

Just a few blocks east of Amestoy Avenue is one of their former homes - Rancho Los Encinos.

Four French and French Basque families - Garnier, Oxarat, Gless, and Amestoy - owned the rancho in turn. The original adobe is on the right. The two-story house on the left was built by the four Garnier brothers to house the rancho's employees, and is said to be a copy of the family home in France.

Although slightly beyond the scope of this entry, but worth noting, is the fact that Eugene Garnier once testified against Michel Leonis in court. Leonis, a brutal and terrifying thug who added to his vast land holdings through harassment and intimidation, burned the Garniers' newly planted wheat field and beat their employees. Eugene stated in court that he was testifying only because he was forced to do so, and later returned to France. His brother Philippe Garnier, bloody but unbowed, went on to build the Garnier Building and lease it to Chinese tenants.

I include this photo as proof that culture and beauty do, in fact, exist in the Valley if you know where to look. The Garnier brothers were legendary for their hospitality - so much so that Pio Pico's brother Andrés used to bring very special guests all the way to Rancho Los Encinos (from what is now downtown) - ON HORSEBACK. For BREAKFAST.

And those very special guests dined in the Garniers' grand salon, which boasted the most striking faux marbre walls in the history of Los Angeles. (I hope someone else takes the time to notice that the plastic food on the table is French in theme - grapes, brie, asparagus, and crusty-looking bread.)

At some point, an incredibly foolish individual elected to plaster over the faux marbre. The adobe was severely damaged in the Northridge earthquake of 1994, but with one silver lining - much of the plaster covering the salon's elaborately painted walls fell off. (Portions of the offending plaster remain. This is a very delicate old house, and that paint is well over 100 years old. Some things are best left well enough alone.)

(All four families merit, and will get, their own entries. Ditto Los Encinos State Historic Park, where the adobe and the ranch hands' quarters are located.)

The Amestoy family - the last French owners of the rancho - held onto much of the land (including these buildings) until 1944. After World War II, Rancho Los Encinos was subdivided into (what else) Encino and (my neck of the woods) Sherman Oaks.

On a personal note, my mother was completely shocked to learn that the Los Encinos adobe was a) still standing, b), continuously French-owned for much of its existence, c) right above Ventura Boulevard (a thoroughfare my family knows pretty well), and d) less than six miles from our old house in Sherman Oaks. She's said that if she had ANY idea, she would have taken me there when I was a child (in addition to Olvera Street, Chinatown, etc.).

Moving further east...

A street in Mission Hills was named for onetime mayor Joseph Mascarel. I suspect he owned land in the area (he owned significant amounts of land in FOUR counties). Today, he is so little-known that whoever made this sign didn't bother to check the spelling.

Heading further east...

Solomon Lazard was both French and Jewish, and was so popular with Angelenos of all ethnicities that he was nicknamed "Don Solomon" and often acted as floor manager for fandangos. He was the first President of the Los Angeles Chamber of Commerce, co-founded the City Water Company (later LADWP) with Prudent Beaudry and Dr. Griffin, founded the City of Paris department store (which he later sold to his cousins, Eugene and Constant Meyer), and was active in the Golden Rule Lodge and the Hebrew Benevolent Society. Today, he's been reduced to a street sign on a cul-de-sac in San Fernando. (There was a different Lazard Street long ago, and Mayor Mascarel lived there until his death. It was renamed Ducommun Street. I'll explain why when I get to Charles Ducommun.)

Heading even further east, we reach our final stop in the furthest reaches of Glendale...

You know who Georges Le Mesnager was. This stone barn was built for his vineyard, located in what is now Deukmejian Wilderness Park. When it was damaged in a fire, his son converted it into a farmhouse - which the family lived in until the 1960s.

The barn has been undergoing a remodel/conversion into an interpretive center.

I knew nothing about any of these places until I began to research LA's forgotten French history - and one of them was just a few miles from my house. Small wonder that most Angelenos have NO idea about Frenchtown.

We're Still Here, Part 2: Chinatown

Moving on to another of LA's older neighborhoods...

The French community was, as I've noted previously, originally concentrated in an area that is now split between Little Tokyo and the old industrial core. But as newcomers continued to arrive from France, some of them put their stamp on a chunk of northern Chinatown that was close to the old railroad station.

Not too far from Bauchet Street, Mesnager Street intersects with Naud Street.

Joan of Arc, erected in 1964, still stands proudly outside the old French Hospital.

The French Hospital, founded in 1869 by the French Benevolent Society, still exists. The original adobe building and wood-framed nurses' dormitory were replaced long ago. (A portion of the original hospital is rumored to be entombed somewhere inside the hospital's walls.)

Poor Joan almost seems lost outside the modern-day Pacific Alliance Medical Center, as the French Hospital has been known since 1989.

Angels Walk information stanchion outside the hospital. Note the references to LA's French mayors, the water system, Le Progrés, and French being more commonly spoken than English.

A very brief history of the hospital - and references to our names appearing on many of LA's street signs.

What's this? Another Angels Walk stanchion?

Note references to the Fritz houses. Philippe Fritz, a carpenter from Alsace-Lorraine, built three houses next to each other for his family. One house was later moved to Wilshire and Normandie (and is, of course, no longer there, either).

Same stanchion, outside the Chinatown Heritage and Visitors Center. Look, it's Mayor Beaudry!

More on the water system. Until well into the twentieth century, French Angelenos were instrumental in bringing water to Los Angeles residents.

One of the Fritz houses.

Another angle on the same house.

The second house.

Another angle on the second house. I suspect the railing was added later. While my people are quite fond of lacy ironwork, this doesn't look original or consistent with the first house.

A wider angle on the first house. Now this is the home of a carpenter.

And where are the Fritz houses? Bernard Street! Jean Bernard held a grant deed for this part of town, and ran a brickyard nearby. 

Edited to add (7/1/17): If you've seen La La Land, you've seen Bernard Street - sort of. In the scene with Mia leaving a voicemail for Sebastian, she does walk down Bernard Street (you can see the street sign and the Chinese-themed motel on the corner). Mia is walking opposite the Fritz houses. It's such a wasted opportunity to show another aspect of LA's culture and charm, but sadly, French Angelenos receive little to no representation anywhere (let alone in an Oscar-winning film).

International Women's Day Special Edition: Dr. Kate Brousseau

I realize this blog doesn't have a strictly linear timeline. Sometimes, one location will have a story spanning centuries; sometimes several generations of one family will have so many accomplishments that it makes no sense to split them up by date.

Also, the calendar sometimes encourages a change of plans.

I promise I will write a post about Judge Julius Brousseau soon. In honor of International Women's Day, today's post recalls one of the judge's four children: Dr. Kate Brousseau.

Kate Brousseau was born in Ypsilanti, Michigan on April 24, 1862. Her father, Julius, was born in New York to French Canadian parents; her mother Caroline (née Yakeley) was of German and English extraction. The Brousseau family moved to Los Angeles in 1877.

Kate enrolled in Los Angeles High School. But she wasn't done learning when she graduated. Not by a LONG shot.

Kate enrolled at the State Normal School (now known as UCLA). At the time, the university's campus was located on the present site of Central Library.

When she was about twenty years old, Kate began her teaching career, offering private French lessons for 75 cents each (50 cents per person for groups of 3 or 4) in the Brousseau family mansion at 238 South Bunker Hill Avenue.

As for her own education...Kate went on to further studies at the University of California, the University of Minnesota, University of Chicago Law School (!), an unspecified university in Germany, and the University of Paris (where she was the only woman in a Greek class of sixty students). I don't even want to THINK about how much money her education must have cost.

Kate returned to the State Normal School in 1891, this time as a French professor. She often translated French literature for the Los Angeles Times. But there were far better things in store for that brilliant bilingual mind of hers.

She returned to the University of Paris, this time earning a Ph.D in psychology in 1904. Her doctoral thesis, which concerned the education of African American children, can be read here in French (do note that she dedicated the book in part to Dr. Hubert Nadeau). In 1907, Dr. Brousseau became Professor of Psychology at Mills College in Oakland. Her specialty, little understood at the time, came to be called abnormal psychology. In time, she became head of the Department of Philosophy and Political Science.

Perhaps unsurprisingly, Kate was a suffragette. She was one of eight directors of the College Equal Suffrage League of Northern California, elected in 1911.

From 1914 to 1915, Dr. Brousseau conducted a psychological survey of the inmates at the Sonoma State Home for the Feebleminded, giving psychological examinations to about 1400 developmentally disabled children. At a time when such children were widely considered an embarrassment or a burden, Dr. Brousseau sought to understand their minds.

In 1917, with World War One raging, Dr. Brousseau left to assist the American Fund for the French Wounded, serving with the French Army (she was 55 years old at this point - I wonder if she knew Georges Le Mesnager!). She served as directrice des Foyers du Soldat ("director of soldiers' footsteps") on the front in Lorraine, then served with the French Army of Occupation in both Germany and war-torn areas of northern France. She put that Ph.D. in psychology to work rehabilitating traumatized soldiers after the war's end, and assisted the famed surgeon Dr. E. Toulouse in examining French women called into war service (as factory workers, railway employees, and other traditionally masculine jobs) in Paris. For her services to France, the French minister of war awarded her the Medaille Commemorative Francaise de la Grand Guerre.

Dr. Brousseau had some close calls during the war, which she related to her colleagues in letters. Before her steamer even reached France, a German submarine attacked, deploying a torpedo. Fortunately, gunners on board the ship hit the submarine. Dr. Brousseau was aware that she was in danger, but stated that she was more angry than afraid. Until the ship docked, the lifeboats were stocked with emergency supplies - just in case. A couple of months later, while serving in Paris, Dr. Brousseau was caught up in a zeppelin raid. She also wrote of the suffering experienced by French civilians - families living in basements, a child killed by a bomb while playing, German soldiers kidnapping a mother and her daughters. Still, she ended on a hopeful note, writing of the many American college students (including a group of young women from Smith College) who had volunteered to restore and rebuild villages and towns ravaged by bombs, and noting that the American army had arrived.

The Oakland city directory continued to list Dr. Brousseau as a Mills College professor during her absence. (The college, realizing her extensive education, expertise in psychology, and French fluency made her a valuable asset to war-torn France, kindly granted her a leave of absence.)

The professor returned to her teaching career at Mills College in 1919. During this time, she published additional books on race and education, and created a course in marriage and family living about fifteen years before other colleges saw the need for one. In 1925, Dr. Brousseau created "a psychological clinic for the diagnosis and treatment of problem cases in the Oakland public school system" (layman's terms: she taught schools how to help troubled kids). She did not retire until 1928.

Oh, and she supported her peers in academia. Dr. Brousseau belonged to the American Association for the Advancement of Science, the American Association of University Professors, American Association of University Women, American Women's Overseas League, and the Ligue d'Hygiene Mental de Paris.

Despite extensive travels and living in Oakland for the bulk of her career, Kate kept close ties to Los Angeles, and returned when she retired. In 1930, Dr. Brousseau was one of four former students who arranged a memorial service for Chloe Blakeman Jones, a Los Angeles High School teacher who had passed away.

Dr. Kate Brousseau passed away in 1938 and is buried at Evergreen Cemetery. There will never be anyone else quite like her.

Georges Le Mesnager: LA's Favorite Fighting Frenchman

Georges Le Mesnager arrived in California in 1867. He was sixteen years old.

In July of 1870, the Franco-Prussian War broke out. Travel time and expenses be damned, nineteen-year-old Georges immediately packed up and went back to France to enlist in the French Army and defend his homeland under General de Chanzy.

Georges returned to LA after the war ended, and became a U.S. citizen at age 21. He worked as a notary and court translator (remember, French was more commonly spoken than English in 1870s LA), owned a store on Commercial Street, and owned property at 1660 N. Main Street.

Georges married Concepción Olarra (sometimes styled "O'Lara"). It isn't clear whether she was Mexican, Spanish, or born in the New World to Spanish parents - and it's possible she had Irish ancestry. Unfortunately I cannot find any records of her birth or death. Records on Ancestry do show other Olarras (none of whom I could conclusively tie to Concepción) living in 19th century Mexico.

Letters published in La Crónica between 1876-1878 indicate that Concepción was probably a native Spanish speaker. This would not have been a deterrent to the multilingual Georges. They had four children: Louis, George, Louise, and Jeanne.

Georges' intelligence and linguistic abilities served him well when he became the editor of the weekly French-language newspaper Le Progres, founded in 1883 and headquartered on New High Street. Le Progrés was politically independent and so popular with Francophone readers (in spite of strong competition from L'Union Nouvelle) that copies of the newspaper trickled back to France. At least one other French Angeleno, Felix Violé, was inspired to move to Los Angeles after reading a copy of Le Progrés at the home of a relative with friends in California (but we'll get to the Violé family later).

Like so many of his countrymen in Southern California, Georges got into wine and liquor production. In fact, Georges soon had to give up editing Le Progrés because his wine business kept him too busy. His grapes were eventually grown in Glendale, but his Hermitage Winery stood at 207 N. Los Angeles Street, close to the heart of Frenchtown. (And now the site is the unattractive Los Angeles Mall. Doesn't seem like a fair trade, does it?)

He was acting president of the Légion Français for three years, but stepped down in 1895 (he was given the title of honorary president as a token of the Légion's gratitude).

In 1894, at the age of 43, Georges married Marie du Creyd Bremond. Marie was 32 and a fellow French immigrant. They had one child together: Evon.

Georges' real estate holdings had their own challenges. In 1896, he sued the city over a dispute regarding streets in the Mesnager housing tract. Two years later, he was threatened by a trigger-happy tenant, Emil Rombaud, and asked for police protection. The same year, the Le Mesnagers sued a different tenant for damaging a rented vineyard. And Georges' more unusual land holdings included partial ownership of the Ventura County islands of San Nicolas and Anacapa. (If you read Island of the Blue Dolphins in fourth grade, it's a fictionalized account of San Nicolas' last Native American inhabitant, Juana Maria.)

Georges bought a huge parcel of land in what is now Glendale, built a stone barn, and planted grapevines. These days, Deukmejian Wilderness Park preserves the land where the Le Mesnagers grew those grapes.

When Georges' stone barn was damaged by a fire and a flood, his son Louis converted it into a farmhouse. The Le Mesnager family lived in the stone house until 1968.

Georges was so well acquainted with "King of Calabasas" Miguel Leonis that he was one of two executors of Leonis' estate. (Georges made wine and liquor. Leonis liked to drink. What a coincidence.)

The French community held a huge celebration of Bastille Day's centennial on July 14, 1889. Georges Le Mesnager delivered a speech in French at the event.

On September 21, 1892, the French community celebrated the centennial of the French Republic. The celebration - even bigger and more spectacular than Bastille Day's centennial three years earlier - featured Georges as the French-language speaker of the day (this being multicultural LA, someone else gave a speech in English). According to Le Guide Français, published forty years later, "his eloquent and fiery speech still rings in the ears of the older members of the colony."

World War One broke out in 1914. Georges didn't hesitate to return to France and re-enlist in the French Army. He was 64 years old at the time.

Georges didn't even try to negotiate this with his family. It was too important to him. He simply told his oldest son, "Well, my dear Louis, I am leaving for the war. France needs every one of her sons."

Louis objected, "But you are too old to fight."

Georges didn't care. "I promised in 1870 to be there if France were invaded again, and I want to keep my promise."

Georges sent Marie to visit their daughter Louise in Catalina for a week. He asked their youngest daughter, Evon, to gently break the news to her mother when she returned. Marie was very upset, but reasoned "maybe it is all for the best" in a letter to Georges.

So, Georges traveled to New York and set sail for France. As soon as he arrived, he re-enlisted as a private and was assigned to the 106th Infantry.

It wasn't an easy task. French authorities were highly suspicious of anyone entering the country during wartime, and Georges was detained by police at the dock. According to the Ocala Evening Star, a gendarme laughed at his plan to rejoin the army. Georges simply reached into his pocket and took out his prized Legion d'honneur medal - the highest military or civilian honor a French citizen can receive.

"I came from America in 1870 and fought for France and they gave me this. I've come back to fight again."

With the Germans rapidly approaching Paris, soldiers were desperately needed. This was not the time to quibble over a willing volunteer's age. The gendarme kindly directed him to a recruiting station down the street.

The recruiter was hesitant. A 64-year-old private in the infantry was pretty much unheard of. But Georges showed the recruiter his Legion d'honneur medal, and he was on a troop train that very night.

After just seven days on the front, Georges was shot through the arm and hospitalized for a month. He was quickly promoted to sergeant for gallant conduct.

Georges spent months in the trenches at the seemingly endless battle of Verdun. One day, the unthinkable happened: the 106th ran dangerously low on ammunition.

The colonel asked for a volunteer to retrieve more ammunition. It was a suicide mission. But Georges volunteered, and in spite of the German army's best attempts to shoot him down, succeeded. For his courage, he was given the croix de guerre. The colonel told his regiment "Every soldier should have the courage and spirit of this veteran comrade."

One night, Georges was talking to his regimental adjutant when a German artillery shell passed between them, landed nearby, and exploded.

Both men survived, although the explosion sent them flying. Georges regained consciousness under a tree, retrieved parts of the spent artillery shell, brought them back to the trench, and showed them to his troops.

"It was nothing at all, nothing at all," he laughed. "Don't ever be afraid of a shell like this one. It's only the shell that hits you that you need to dread."

The colonel overheard this remark, and recommended Georges for further honors. He received another medal, the palme.

In a later battle, a massive German soldier tried to take out the aging Georges - who ran him through. For this, he received yet another medal, this one for bravery in hand-to-hand combat.

Georges' courage in the battles of Eparges, Chemin des Dames, and the trancheé de Calonne did not escape notice, and he was wounded five times during the war.

Georges' family knew nothing of this until Marie read about his heroics in a book published after the war's end. She told the Tonopah Daily Bonanza "It is characteristic of my husband that he should say nothing of being wounded. He never writes anything about himself. It is always about the bravery of others. The only information of personal nature I had from him was that his weight had decreased, but he always insisted he was well. He did write from a hospital, but stated he was there on business. He might be wounded a dozen times, but he never would tell us about it."

(That article, by the way, was unkindly titled "Old Man Runs Away From Home to Fight." The Ogden Standard also published Marie's comments under a different title.)

In 1916, Georges - now a Sergeant Major - was granted a leave of absence, and returned to Los Angeles. During his leave, he focused his energies on two important tasks: defending France from scapegoating, and raising funds for the wounded and maimed soldiers in his regiment. The French community and its supporters were very generous, and Georges was able to bring a good amount of money back to France when he rejoined his regiment.

Besides medals, Georges' leadership and courage earned him the praise of Generals Foch, Pershing, and de Castelnau. He was also appointed lieutenant flag bearer of the 106th Infantry.

As the war drew closer to an end, Georges - now a Lieutenant - was transferred to special duty under General Pershing. In this role, he acted as a liaison and translator for one of the French army divisions that trained with the American military. He led the Alsatian veterans when the army entered Strasbourg.

Georges told the Ocala Evening Star "I couldn't remain quiet when the war broke out. Ever since 1871 I had itched to get back at the Germans...It was one of the happiest days of my life when the United States, my country, joined in the war against Germany on the side of the country of my birth."

While Georges was away fighting for France, his family founded the Le Mesnager Land and Water Company. They secured partial rights to the Verdugo Wash stream, which supplied water to the vineyard.

Georges returned to Los Angeles after the war ended. After four years of the war to end all wars (need I mention he was 68 when it ended?), he'd earned a well-deserved rest. But he had one thing left to do.

After returning to his home in Echo Park, Georges founded the Section Nivelle des Véterans Français de Los Angeles - a society for LA's French war veterans. He also served as its first president.

Finally, Georges decided it was time to retire. He bought a mansion in the Verdugo Hills called Sans Souci ("without a care" in French), which should not be confused with the Sans Souci fantasy castle in Hollywood.

In 1921, Georges was partially paralyzed by an apoplectic stroke. He knew it was the beginning of the end, and decided to spend his last days in France. The following year, he returned to Mayenne with Marie and Evon. Georges bought another grand property: the Chateau de Kerleón.

At six a.m. on September 6, 1923, Georges stood up and died in his nurse's arms.

Georges was buried with full military honors. Every war veterans' association flew its flag at the funeral. This being small-town France, the funeral was held before the very altar where he had been baptized so many years earlier. Colonel Oblet recorded Georges' considerable military accomplishments on his tombstone.

The Chateau de Kerleón was, tragically, destroyed by Nazi bombing in World War II.

Incredibly, the Le Mesnagers' old stone house is still standing at 3429 Markridge Road in Glendale and is being converted into a nature center. There is also a Mesnagers Street in Los Angeles.

Surviving sites associated with the French community are RARE (as of today, I've mapped FOUR HUNDRED, only a handful of which still exist). And yet, somehow, it doesn't seem like enough.

I, for one, would pay good money to see Georges Le Mesnager's story on the silver screen (and I can't sit through war movies).

*Most sources Anglicize Georges' name to George. Since older resources give his name as Georges, which is the correct form in French anyway, I'm calling him Georges.

I Saw What You Did There.

I have been seriously researching Los Angeles' Frenchtown for two and a half years. I created this blog to share its stories and keep the community's memory alive.

Over the summer, I approached several media outlets - most in Los Angeles, one in Paris - and pitched an article on the history of Frenchtown, from Louis Bauchet's arrival in 1827 to the sale of the French Hospital in 1989.

Not one of those media outlets ever bothered to respond.

Last month, I found out why.

On August 3, I called out three LA-based writers for failing to include French Angelenos in recent, relevant articles pertaining to LA history. Had they researched their articles thoroughly enough, I do not believe this would have happened in two of the cases. (I believe one writer excluded the French deliberately, since she mentioned EVERY other ethnic group's respective benevolent societies throughout the city's history. Her editors apologized...eventually.)

It seems one of the other writers (who writes for more than one of these outlets...) has chosen to retaliate.

The LA Weekly recently published an error-filled, omission-ridden history of Frenchtown, cranked out by the same writer I took to task for an earlier article excluding the Frenchmen who worked so hard to solve LA's water problems. (I will not post links to any of her articles because I refuse to encourage "writers" who do not research and fact-check properly.)

The errors in the article are as follows:

• Philippe Fritz's name is misspelled.
• "We" do NOT call Frenchtown "Chinatown." The original core of Frenchtown straddles Little Tokyo and the Commercial Street industrial area, and bleeds into the Civic Center. While it is technically true that much of New Chinatown was part of Frenchtown first, this is a grossly inaccurate oversimplification of how the colony changed and eventually dissolved.
• Jean-Louis Vignes arrived in 1831, NOT 1832.
• Vignes did NOT bring Cabernet Sauvignon grapes with him from Bordeaux. For years, he used Mission grapes. He imported Cabernet Sauvignon grapes later to improve the quality of wines at El Aliso. (He also imported Cabernet Franc and Sauvignon Blanc.) Additionally, he did NOT emigrate directly to Los Angeles. Vignes spent a few years managing a rum distillery in Hawaii before boarding a ship bound for Monterey (and quickly moving on to Los Angeles) in 1831.
• El Aliso was named for ONE specific sycamore tree - the giant one you can see in the background picture for this blog.
• Vignes did NOT produce the first "California Champagne." His nephews Pierre Sainsevain and Jean-Louis Sainsevain did, under their Sainsevain Brothers label. Which they did AFTER they bought El Aliso from their 75-year-old, finally-retired uncle.
• "News of Vignes' success" did NOT "trickle back" to France. His sister, who hadn't heard from him in several years (no one had; he'd been pressured to leave France), sent her son Pierre Sainsevain to California to look for him. Only after Pierre found Vignes did he get in touch with his family and friends, suggesting they move to California.
• Vignes' family home was NOT ON THE SITE OF CITY HALL! In the 19th century, the block where City Hall now stands was taken up by commercial buildings. El Aliso, including Vignes' house, stood roughly where Union Station is today.
• There were THREE French mayors of Los Angeles, not two. The writer completely omitted Joseph Mascarel, who - in spite of being unable to read or speak English very well - defeated Damien Marchessault's re-election bid in 1865. (This is a particularly serious exclusion, since Mascarel was the only French mayor of Los Angeles who was actually born in France. Prudent Beaudry and Damien Marchessault were both from Quebec.)
• NO mention was made of Beaudry's importance as a developer. (When I finish researching my entry on Beaudry, you'll understand what an insulting omission this was.) 
• The French Hospital was built on the corner of College and Castelar Streets. It's true that LA's street grid has undergone many changes, but as historical references consistently place the hospital at College and Castelar (NOT "Hill and College"), this should have been noted to omit confusion.
• Additionally, I would not call the French Hospital "private" when it is widely considered LA's first public hospital (by those of us who give a damn about it).
• Taix French Restaurant moved to Echo Park in 1962, not 1964. 1964 was the year the original restaurant was torn down (to build yet another damn parking lot...). (Seriously, Taix's history is on their website. It would have taken all of five seconds to fact-check this.)
• The French Benevolent Society did NOT own plots in Evergreen Cemetery (although Victor Ponet did serve as President of the Evergreen Cemetery Association). The Society had a plot at the old City Cemetery (which is now a Los Angeles Board of Education parking lot).
• French Angelenos referred to handball as "jeu de paume". Why the hell did she use the Spanish word "rebote"?! (Call me crazy, but I somehow don't think this estie de cave understands a word of French.)
• NO mention of the various French World War One relief organizations in LA? Really? REALLY?! (Somewhere in the great beyond, Lucien Napoleon Brunswig, Georges Le Mesnager, and Dr. Kate Brousseau are quietly crying into their wine.)

Later references, which I'll admit are easier to research, are more accurate. However, there is another matter that, frankly, is more upsetting than the errors listed above.

I believe the writer mined some of her content from this blog.

Accusing someone of plagiarism is a pretty serious act, and I have been sitting on my hands for a month now, wondering if I should do it. But I remain convinced she is guilty.

Specifically:

• In my first entry, I listed the many professions held by French Angelenos. This writer mentions some of them in the article, including their contributions to the city's water system. Here's the kicker: in a previous article for Curbed LA, the same writer completely ignored the contributions of Damien Marchessault, Jean-Louis Sainsevain, Prudent Beaudry, and Solomon Lazard. I called her out for this in my August 3 entry. Gee, did she read this blog?
• The existence of French walnut farmers is not a widely-known fact. Yet, somehow, this writer knew about them. I wonder if that has anything to do with my mentioning walnut groves on this blog.
• The fact that Frenchmen supplied Los Angeles with ice and salt is REALLY not well-known. I have mentioned it on this blog (you'll read more about it when I get to Damien Marchessault). Now where exactly did she find that fact? (I found it in a book that has been out of print for many years. But that book is VERY rare - I spent years looking for a copy - and since she has already proven to be a sloppy researcher, I'm not convinced she actually went to Central Library to read their copy of the book.)
• A disproportionate number of the Frenchmen mentioned by name have been covered, or at least mentioned, here. BUT...some extremely important French Angelenos, not yet covered here because I am still actively researching them, were omitted.  

I won't bore my readers with a blow-by-blow breakdown of the writer's sentence structure and word choice, but there are a few lines that look like they were lifted from my blog and edited juuuuust enough that she presumably thought I wouldn't notice.

Well, I did.

I saw what you did there. I'm shocked, saddened, and angry.

When I began pitching articles over the summer, I hoped to share an accurate, well-rounded history of Frenchtown with Southern California and the rest of the world. This "writer", who has connections I don't have and never will, stole that opportunity from me AND submitted an article filled with so many inaccuracies I'm shocked the Weekly's editors failed to blacklist her on the spot.

If you want to use content from this blog, ASK ME FIRST and CREDIT ME. I spend a considerable amount of time, effort, and money (rare old books aren't cheap) telling these stories. And I'm sure as hell not doing it for personal glory (of which I have none). This blog is not about me, it's about the undeservedly forgotten French of Southern California. But since I'm doing all the grunt work, I should be credited.

If you want to make this right, take whatever the Weekly paid you for that inexcusable pisse-froid mess of an article and donate it to one of the French nonprofits with offices in LA. That's how you fix this, sous-merde.

And please: change jobs and move to another city. You have no right to call yourself a writer and you have no business living in my hometown (let alone desecrating its rich history).

(To my regular readers: the next three entries will be on LA's three French mayors. I'll be damned if I'm going to let some crosseur de crisse de tabarnak with no integrity, no research skills, and the IQ of plankton get the last word on Frenchtown.)

Welcome to the French Museum of Los Angeles/Bienvenue à la Musée des Français à Los Angeles

Today is my birthday.

What I would like to do is go to a museum.

Specifically, a museum that tells Frenchtown's countless stories.

Imagine, if you will, a surviving 19th century building converted into a museum (in a way that preserves its original bones as much as possible, of course).

Imagine a giant (fiberglass, of course) bottle of Sainsevain Brothers Wine outside, beckoning visitors and reminding attentive passersby that French-owned vineyards once dotted downtown Los Angeles.

Perhaps there is even a rear courtyard where visitors can see wine grapes growing - Mission, Cabernet Sauvignon, Cabernet Franc, and Sauvignon Blanc (i.e. the varieties Jean-Louis Vignes grew at El Aliso long before Union Station was built on the site). Replicas of 19th-century winemaking equipment are also on display (we mustn't expose authentic artifacts to the elements!).

Inside, an entire gallery traces California's wine industry from Louis Bauchet and Jean-Louis Vignes through the present day. Bottles, winemaking equipment, and personal effects, carefully preserved behind glass, bear the names Sainsevain, Vache, Mesnager, and Nadeau (among others). Perhaps, if we are really lucky, Pierre Sainsevain's steam-powered stemmer crusher will be on view.

A second gallery tells the overall story of the French in Los Angeles.

Bricks from the zanja madre, surviving pieces of hollow log pipe, and an original iron pipe speak to the struggle for safe, reliable water in Los Angeles and to the forgotten Frenchmen who gave it their all - Jean-Louis Sainsevain, Damien Marchessault, Prudent Beaudry, and Solomon Lazard. Surviving pictures of Sainsevain's water wheel and the founding members of the Los Angeles City Water Company bring to life the difficulties of hydrating a parched city.

Pharmaceutical ads and medicinal packaging speak to LA's early French pharmacists - Chevalier, Viole & Lopizich, and the Brunswig family. Photos and very old medical equipment represent Dr. Nadeau (no relation to Remi), Dr. Pigne-Dupuytren, and the French Hospital.

A wall of old maps, perhaps with tiny LED lights representing the path of the Temple Street Cable Railway, show Prudent Beaudry's massive impact as a developer.

Paul de Longpré's pretty flowers adorn a wall - and perhaps someday the Seaver Center will loan out a few of Henri Penelon's paintings.

A case of antique watches, jewelry, and hardware, alongside modern-day aerospace materials, testifies to the importance of Charles Ducommun, the talented Franco-Swiss watchmaker who founded California's oldest corporation.

The evolution of law and order in Los Angeles might be seen in a case displaying photos of the Lachenais lynching, Judge Julius Brousseau's gavel, and perhaps the badge of Eugene Biscailuz, former LA County Sheriff and founder of the California Highway Patrol.

Perhaps one of Victor Ponet's cabinets has survived. Perhaps it displays milk bottles from the Sentous, Alpine, and Pellisier dairies. (Heck, I'd be happy if one of Ponet's coffins survived and was in decent enough condition for display.) And perhaps a copy of the Doors' album "Morrison Hotel" - built on Ponet's land - hangs on the wall, linking long-forgotten LA with still-in-living-memory LA.

A sizable wall case shows glassware, dinnerware, menus, matchbooks, and other items from French-owned restaurants. I just might be thrilled to death to point out the glasses from Café de Paris that are on permanent loan from my personal collection*. But we all know Philippe Mathieu, creator of the French Dip, is going to be the star here (even if he did move back to France when he retired).

One unique display stacks fruit crates high, with labels reading Model, Basque, Daily, Popular, and Golden Ram. Next to the stack? If we are very lucky, a surviving jug from Bastanchury Water - since all of those brands were based on the Bastanchury family's enormous orange grove in Fullerton.

Surviving pictures and the odd schoolbook speak to LA's French educators, ranging from Father Lestrade and his boys' boarding school to Madame Henriot and her Francophone private school to the modern-day Lycée Français. Perhaps there is even a clipping from one of the olive trees used to create olive oil in a contest at Caltech during Dr. Jean-Lou Chameau's tenure.

World War One is recalled, perhaps, by a rare surviving plaster statuette of Pedretti's Doughboy (sold to raise funds for the statue), Lucien Brunswig's dispatches from war-torn France, Georges Le Mesnager's correspondence with General Pershing, and artifacts from the many French war-relief organizations headquartered in LA (and, probably, chaired by Brunswig). Perhaps there is even something that belonged to Dr. Kate Brousseau, who used her brilliant bilingual mind and Ph.D in psychology to rehabilitate traumatized soldiers.

Perhaps there are still surviving items from the City of Paris - LA's biggest and best early department store. Perhaps they could be artfully arranged into a life-size diorama of a fashionable, well-to-do lady's boudoir, circa 1880.

Maybe, just maybe, an entire wall could be "papered" with blown-up images of the city's forgotten Francophone newspapers - Le Progres, L'Union, L'Union Nouvelle. (There was reportedly a fourth paper early on, called the Republican, but I will be very surprised if there are ANY surviving copies.) One of those newspapers was still being published in the 1960s. Just saying...

Remi Nadeau, quite possibly the greatest Angeleno who has been forgotten by the remote frontier town he helped to turn into a world-class city, really deserves his own gallery (if not his own museum). But even one case of artifacts would be a damn good start.

In the middle of it all, I for one would love to see a scale model of early downtown LA - which, with a little magic from projectors, can layer "LA now" over "LA then" when a switch is flipped.

Perhaps a third space - a small theater - showcases French Angelenos in film. Any surviving scraps of film shot at Blondeau's Tavern - Hollywood's first film studio - segue into the stunts of aviatrix Andrée Peyre, cut to Claudette Colbert, and perhaps finish up with Lilyan Chauvin (who went on to teach at USC). It would be a no-brainer to use the space for special screenings, too.

I have so many more people, places, and accomplishments in my list of future blog posts that I won't even try to list them all here.

But here's the problem...

I can't go to this museum.

It doesn't exist outside of my own head.

Chinese Americans make up 1.8% of LA's population (county-wide, the number rises to 4%). They have their own museum AND the Chinatown Historical Society (both of which, by the way, are based in buildings constructed by French immigrants).

Mexican Americans make up 32% of LA's population. They have their own museum.

Japanese Americans make up 0.9% of LA's population and have largely spread to the suburbs (hello, Torrance!). They have their own museum.

African Americans make up 9.6% of LA's population. They have their own museum.

Los Angeles' itty-bitty Little Italy (try to say THAT three times fast) grew out of Frenchtown (two of the French Benevolent Society's founding members were Italian), vanished during the war, and is now part of Chinatown. They have their own museum.

Should these ethnic groups all have their own museums? Of course they should. They are all a part of LA history and they all have their own stories to tell modern-day Angelenos (and whoever else is listening).

For a good chunk of Los Angeles' history, the city was 20% French. Until sometime around the turn of the 20th century, only Californios outnumbered them.

I have written about the founders of California's wine industry, humble hoteliers (wait until I get to the fancier ones), a pharmacist who threw himself into supporting World War One, a renegade general, entire families of ranchers, LA's first struggling artist, and the city's first priests.

I have barely scratched the surface. There are HUNDREDS of stories left to tell.

And one doozy of a question to ask:

Why doesn't Los Angeles have a French-American Museum?

I've previously addressed the fact that the Pico House hosted a temporary exhibit on French Angelenos in late 2007/early 2008. But it lasted less than six weeks, ran during the busy holiday season (not a time when most people want to go to museums), and has, of course, since been forgotten (go on, ask anyone who isn't French if they remember it...I'll wait).

The forgotten French community in Los Angeles deserves to be remembered just as much as every other ethnic group that has ever made a home for itself in LA. We deserve our own museum - a permanent one.

Alas, I don't have the funds or the connections to do this myself.

Can anyone spare several million dollars (damn LA real estate) and a resourceful curatorial staff?

*I do indeed own glassware from the shuttered French-owned Café de Paris in Hollywood (an extremely lucky flea-market find). And if a French-American museum ever does open its doors in Los Angeles, I'll happily - enthusiastically, even - loan out some of those glasses. I'll lead tours, give lectures, you name it. I want our stories told.

Memorial Day Special Edition: The Doughboy

This is, obviously, a pretty new blog covering a complex subject: the history of Southern California's forgotten French community.

I originally intended to write about people/places/things more or less in order, and had planned to make Jean Louis Vignes the focus of today's entry.

Vignes is far and away one of Frenchtown's most important figures. But he can wait a little longer.

There are three reasons for this:

1. Today is Memorial Day.

2. Pershing Square is getting a major renovation in the near future (from a Paris-based firm, no less).

3. Pershing Square is home to a very important, and widely ignored, war memorial.

As my dear readers will discover in future entries, LA's French community has a history of strong support for both France and the United States in times of war (by the way, can we please retire that stereotype already?). This was especially apparent during World War I.

The 1918 Los Angeles City Directory (i.e. phone book) lists French organizations of support: the French Ambulance Service is listed at the same address as the Alliance Francaise (still active today in a different location), and the French Society for Relief of Wounded Soldiers was just three blocks away. Since phone books tend to be compiled in advance, these organizations were likely founded in or before 1917, when the US entered World War I.

France's busiest supporter in Los Angeles at the time was very likely Lucien Napoleon Brunswig (who will get his own entry later). Born in Montmedy, France, Brunswig moved to Los Angeles in 1903 and founded a very successful pharmaceutical company.  He then went on to become the busiest pharmacist in the city's 234 years of history.

Besides running LA's largest wholesale medicinal supplier, Brunswig served as president of the Alliance Francaise, founded the Cercle Catholique Francaise (which aided new immigrants from France), and was active in the California State Society. During the war, his efforts included the American Committee for Devastated France and the Maisons-Claires (which supported 64 war orphans in Trinity-sur-Mer, France).

Brunswig took his efforts a step further by returning to war-torn France in 1917, spending eight months in the country and writing about the experience, in spite of being 63 years old. (Another French Angeleno, Georges Le Mesnager, juggled four jobs - vineyard owner, court translator, notary, and editor of the Francophone newspaper Le Progrés - and stepped away to fight for France in World War I. He was 64 at the time - too old to be an officer - so he re-enlisted as a private. Le Mesnager later acted as a French army liaison to Gen. Pershing himself.)

In 1923, the Soldier Monument Committee of the Association of the Army of the United States was founded, with the goal of raising funds to erect a memorial to Los Angeles residents who had died in World War I. Lucien Brunswig served as vice chair of the Committee.

The statue, known as "The Doughboy", was commissioned from sculptor Humberto Pedretti and dedicated July 4, 1924, in Pershing Square (renamed in 1918; originally Los Angeles Park).

In 1927, the French Veterans of the World War added to the statue, giving it a bronze relief of a French helmet and an olive branch. Photos of the Doughboy (and the relief) can be seen here.

For his considerable efforts, Brunswig was awarded the Legion d'Honneur - France's highest order for both civil and military merits. Sadly, Brunswig did not live to see the Allied victory in World War II; he passed away in 1943.

I am not now, nor will I ever be, in the military. But I am a firm believer in showing appreciation for those who put themselves in harm's way to keep the rest of us safe.

Pershing Square has been widely disliked for quite some time now - not enough shade, not inviting, etc. I have seen Agence Ter's concept artwork for redeveloping the park, and I think it's going to be stunning.

But I am worried about the fate of the Doughboy.

In 1924, the Doughboy was installed at the park's northwest corner, meant to be its gateway work of art. Currently, it stands in the Palm Court.

Few modern-day Angelenos have any idea the statue is even there. I suspect the number who have taken the time to appreciate it is even lower. My dad, who attended USC and worked downtown for well over a decade, didn't know the Doughboy existed until I told him about it. My grandfather, a French-American war veteran (specifically, a tank commander in France under Patton) and a vocal believer in supporting other veterans, probably only saw it on a onetime visit to Pershing Square (which, to a family living in then-suburban Santa Monica, was a pretty scary neighborhood at the time).

Throw in the fact that horrible people like to vandalize war memorials, throw in the fact that irreplaceable works of art are too often destroyed on purpose, and add the fact that too many Angelenos know nothing about the city's frequently-erased history and don't care enough to learn about it.

I am very worried that the Doughboy won't survive the redevelopment of Pershing Square. And if any work of art should be in a park renamed for Gen. John J. Pershing, it's the Doughboy - a 92-year-old monument to the Angelenos who lost their lives in a terrible war. (Agence Ter's plans include a "sculptural promenade", but I have yet to see anything specific about the Doughboy.)

I will be unable to pay the Doughboy a visit today, as I must go to work and won't have time to go downtown. But if you can make it, leave a red poppy at the statue's base for me.

Incidentally, Remi Nadeau - one of the most important Angelenos you've never heard of (he will get a VERY long entry later) - lived across the street from Pershing Square. The Biltmore Hotel was built on the site of his former home. And to make things even more interesting...the land was part of the Bellevue Terrace tract, developed by French-Canadian mayor/entrpreneur Prudent Beaudry in the 1860s.

P.S. The former Alliance Francaise/French Ambulance Service building was replaced by the United Artists Theater, built in 1927. The site is currently Ace Hotel's Los Angeles location.