Showing posts sorted by relevance for query penelon. Sort by date Show all posts
Showing posts sorted by relevance for query penelon. Sort by date Show all posts

Saturday, June 9, 2018

A Brief History of Philippe Mathieu and the French Dip

Neon blade sign at Philippe the Original.
Philippe Mathieu started out working in a deli in his native France. By the time he retired, he'd invented a quintessential LA dish that has been imitated many, many times - but never really duplicated. (Give it up, Cole's - no one believes you. More on that in a minute.)

After a stint owning a deli on Alameda, Philippe and his brother Arbin opened the New Poodle Dog restaurant on Spring Street in 1911 (if it existed today, it would be just southwest of City Hall). The name was likely a tongue-in-cheek reference to the Old Poodle Dog restaurant in San Francisco. The New Poodle Dog closed in 1913, and the Mathieu brothers opened another white-tablecloth restaurant on Alameda Street just south of Aliso Street - the heart of Frenchtown.

Frenchtown had more than a few nicer French restaurants, however, and Philippe had a talent for simpler, but still well-prepared, food. Philippe opened his namesake restaurant on Alameda Street, south of Temple, in 1908. If it existed today, it would be firmly in the middle of Little Tokyo, but at the time, it was the center of Frenchtown's original core.

Philippe's customers often referred to him as "Frenchy", and took to calling the restaurant "Frenchy's".

You know where this is going, right?

Philippe moved his eatery to 246 Aliso Street (south of Los Angeles Street) in 1918 (again, still in Frenchtown's original footprint). That year, he began serving the sandwich we now call the French Dip.

The story of how the sandwich came to be invented varies, depending on who told it and when. I won't rehash any of the origin stories here, but I will refer you to Eater LA's commentary on a Thrillist piece examining who really invented the French Dip. (Read both. Trust me.)

I'll add a little food for thought (pun intended) to both publications' conclusions (spoiler alert: the evidence gives Philippe's a stronger and far more logical claim): imitators typically pale in comparison to originators. Every so often, someone (food blogger, local magazine, travel writer) will sample both, or ask local eaters for their pick of the two French Dips. Philippe's always wins taste tests easily and always wins polls by a landslide.

By the way, I have no personal stake in this and can't offer a firsthand opinion on either version of the sandwich (I don't eat meat). I do, however, believe in giving credit where credit is due.

Philippe packed up and moved up the street (to 364 Aliso) in 1925. But he, personally, didn't stay for very long.

Philippe (whose grandson described him to the LA Times as frugal) had promised his wife that he'd retire when he turned 50. He did indeed retire in 1927 at age 50, selling the restaurant to the Martin brothers and moving back to France with his wife.

But the restaurant, by far one of the very oldest in Los Angeles, had one more move to make. Freeway construction forced Philippe's to relocate to its present location, just north of Union Station on the southern edge of Chinatown.

Los Angeles Magazine recently explored how to correctly pronounce the restaurant's name. What they don't seem to notice is that pronunciation seems to vary based on the speaker's background. Philippe's grandson uses the French pronunciation (no surprise here), and Emeril Lagasse isn't TOO far off. Most Angelenos who didn't grow up speaking French use the Hispanicized pronunciation "Felipe's".

It's worth noting, of course, that many early Angelenos adopted, or at least sometimes used, Spanish versions of their names. To give just a few examples from Frenchtown: Louis Bauchet was typically listed in records as Luis, Jean-Louis Vignes was "Don Luis del Aliso", Pierre Sainsevain was commonly referred to as "Don Pedro", and Henri Penelon was often called "Horacio" or "Honore". Mispronouncing "Philippe" as "Felipe" is, in a way, fitting for one of LA's oldest restaurants.

(In the interest of full disclosure, my parents used to go to Philippe the Original on dates.)

Monday, October 17, 2016

Joan of Arc in Chinatown: A Brief History of Los Angeles' French Hospital

Jeanne d'Arc in front of the French Hospital
(now the Pacific Alliance Medical Center)

The first hospital in Los Angeles, St. Vincent's, was (and still is) a Catholic hospital. Which, given the city's Spanish roots and large numbers of Catholic Frenchmen in early LA, isn't surprising.

However, by the late 1850s, LA was becoming a little more diverse. Growing numbers of Protestants began to arrive, requiring the founding of the Los Angeles Unified School District in 1853 (before that, only Catholic schools existed, in spite of California becoming a state in 1848). Jewish newcomers (most of them German or French) also began to arrive.

People of all faiths need medical care. The Daughters of Charity, to their great credit, never turned away a patient in need, but the town was growing, and St. Vincent's only had so much space. The French community decided to see to its own needs. On March 1, 1860, thirty-three Frenchmen (and two Italians) met at the French Consulate, under the invitation of French consul Jacques Antoine Moerenhaut (remember the name Moerenhaut; you'll be reading a very long entry about him later).

The group decided to form a non-sectarian mutual protective association - predating the concept of an HMO - and named it the French Benevolent Society. Members contributed $2.00 each to the treasury (monthly dues were $1.00) and elected a nine-member executive committee responsible for creating the Society's constitution.

The Executive Committee elected its officers as following:

President: J.A. Moerenhaut
Vice President: C. Souza
Treasurer: Jean-Louis Sainsevain (no surprise here)
Secretary: Leon Victor Prudhomme
Commissioners: F. Guiol, Henri Penelon, A. Poulain, A. Labory, Guillaume Laché

Dr. Lacharmois was named the Society's first medical official. Initially, he worked out of an office in a house on Hill Street.

The Society elected a nine-member board each and every year. For many years, Jean Sentous was the Society's president; his son Louis Sentous Jr. held several offices in the Society and was its president for thirteen years (during his tenure, membership more than doubled).

The Society's earliest members included, but were not limited to: A. Davoust, Seigle, T. Moillan, Jules Segouin, R. Boltz, Delancre, H. Remebe, S. Lebreton, Pierre and Madame L'Arseval, B. Amillac, M. Brunet, P. Larrieux, Louis Vieille, A. Labory, E. Bordenave, Jean Hennequin, P. Lende, the Henriots, G. Dupuy, Cardou, Henri Deleval, Boutet, C. Cassagne, Jean Bernard, V. Fevre, Sanot, J. Lassors, A. Blanche, S. Lelong, A. Gossiot, Guillaume Coppé, Camille Plosson, T. Clermont, the Cléments, Pierre Bassac, J. Marcellin, Mathieu Garboline, C. Plassan, A. Cauginac, F. Brémont, Edouard Naud, E. Baudry, E. Riviere, A. Pouya, Maurice Kremer, Jean B. Trudel, Charles Ducommun, L.J. Coijdarrens, Joseph Hennequin, Damien Marchessault, Claude Planchon, André Briswalter, R. Doleau, A. Grange, P. Lude, M. Pointreaux, G. Murat, A. Hauline, A. Rendon, Antoine Ferrera, P.P. Raho, and C. Soprani.

Regular readers may recall that Michel Lachenais' first murder took place at a wake, when (after the mourners had been drinking for several hours) he got into a fight with Henri Deleval over whether the recently-founded Society had adequately cared for the deceased.

The Society also soon had a parcel at the old City Cemetery for burials. (Beret-tip to Richard Schave for the link.)

By 1861, the Society decided non-French (and non-Italian) Angelenos could see Dr. Lacharmois as well. Los Angeles was still a very dangerous place (so much so that Frenchtown was protected by a unit of the French Foreign Legion!), and there weren't many medical professionals in town. This decision, in effect, created a healthcare safety net for area residents who may not necessarily have preferred St. Vincent's.

General meetings were held twice a year, on the first Sunday in March and the first Sunday in August. This tradition, to the best of my knowledge, continued for the Society's entire existence.

Any extra money in the Society's treasury was earmarked for the purchase of land and construction of a hospital. In spite of the expense of tending to sick or injured Frenchmen (and in some cases burying them as well), the treasury had $5,000 within the decade.

By 1869, four plots of land - enough to build the hospital - had been purchased on the edge of town, one mile from the French Colony. The Executive Committee vocally disagreed on whether to build the hospital that year. While the hospital was badly needed, some members were not convinced it was the best time to spend the money. In the end, the needs of the community won out, and plans were made to build the hospital.

On October 4, 1869, the Society gathered at the corner of College and Castelar Streets and walked to the building site, where the cornerstone of the French Hospital - the first non-sectarian public hospital in Los Angeles - was laid with appropriate ceremony.

By March of 1870, only the hospital's second story and roof remained unfinished. At the semi-annual March meeting, it was discovered that the building fund had run out of money. This was quite upsetting to members, who wanted the hospital open but did not want to go into debt.

The Society made the best of the situation by equipping the completed ground floor and opening the hospital in its unfinished state (perhaps rationalizing that they could finish it later, since bad weather is so infrequent in Southern California). M. Sarlangue was appointed caretaker, with a different French couple overseeing housekeeping and nursing. Sure enough, the Society soon managed to raise the rest of the money and finish the hospital.

In 1876, Dr. Hubert Nadeau (no relation to "Crazy Remi" Nadeau) arrived in Los Angeles, taking employment at the French Hospital. The well-liked doctor also served as county coroner from 1879 to 1884, when he became Chief of Dispensary Clinics and Professor at the University of Southern California. He was also President of the County Medical Association. (Los Angeles boasts a Nadeau Street and a Nadeau Drive; based on their respective properties owned it’s most likely that Nadeau Street is named after Remi and Nadeau Drive is named for the good doctor.)

The Society also held fundraisers, including an annual picnic. The Los Angeles Herald announced the French Benevolent Society's 11th annual picnic would be held at Sycamore Grove Park on June 18, 1882. In part: "Original Game of Ball of Henry IV. Committee of Arrangements - Beaudry, Lower, Casenave. Ladies' Bar - Mrs. Ch. Deleval, Vignes, Penelay. Ice Cream - Mdlles. Vignes, Jos, Dol, Deleval. Bar - Ballade, Dombledy, Rouguy, Lecroq. Dance - R. Weyse, Mailhan, Sombloy, Marticio, Cajal, L. Vignes. Flowers and Lottery - Mrs. Pelissier, Ballade, Cassagne, Sentous, Le Masne. French Restaurant! Music by Wangeman's Band! Carriages will be run to the ground from Downey Block every hour. Price 25 cents."

The French Hospital began accepting Chinese patients in the early 1900s. It is, perhaps, not surprising that the hospital is now surrounded by Chinatown.

Originally a modest adobe building, the French Hospital soon had a wood-framed front house where the nurses lived. The hospital was expanded in 1926. Supposedly, part of the original adobe building is encased within the walls of the newer hospital building. (What I wouldn't give to find out what happened to the original cornerstone...but I'm not about to go poking around an active hospital facility on private property.)

In 1985, the French Hospital celebrated its 125th anniversary with a party including a six-foot cake, pinatas, Chinese lions, and a presentation by then-Mayor Tom Bradley. By this point, admission pamphlets were printed in English, Spanish, Chinese, and Vietnamese - but not French - and the hospital staff spoke 25 languages.

In 1987, a multimillion-dollar expansion of the French Hospital was approved. Unfortunately, a year later, excessive unpaid medical bills forced the hospital (along with several others, i.e. Linda Vista) to cut back on emergency services.

Within a year, local doctors in Chinatown, with help from a Japanese entrepreneur, sought to save and expand the French Hospital. Since 1989, it has been known as the Pacific Alliance Medical Center, and is still an active hospital (the hospital remained open continuously when it changed hands). Today, most of the patients are Asian; there are also sizable numbers of Latino and African-American patients.

The Jeanne d'Arc statue erected in 1964 stands outside the hospital to this day. Nearby is an Angels Walk stanchion with a brief overview of the history of the French community and the birth of Chinatown. (I suspect it was placed in Chinatown and not in Frenchtown due to the presence of the French Hospital and the nearby Fritz Houses, built as a family compound by a French carpenter.)


The city of Los Angeles just voted to landmark the Japanese Hospital in Boyle Heights. Would anyone like to help me convince the City Council to landmark the French Hospital too?

Friday, September 16, 2016

Welcome to the French Museum of Los Angeles/Bienvenue à la Musée des Français à Los Angeles

Today is my birthday.

What I would like to do is go to a museum.

Specifically, a museum that tells Frenchtown's countless stories.

Imagine, if you will, a surviving 19th century building converted into a museum (in a way that preserves its original bones as much as possible, of course).

Imagine a giant (fiberglass, of course) bottle of Sainsevain Brothers Wine outside, beckoning visitors and reminding attentive passersby that French-owned vineyards once dotted downtown Los Angeles.

Perhaps there is even a rear courtyard where visitors can see wine grapes growing - Mission, Cabernet Sauvignon, Cabernet Franc, and Sauvignon Blanc (i.e. the varieties Jean-Louis Vignes grew at El Aliso long before Union Station was built on the site). Replicas of 19th-century winemaking equipment are also on display (we mustn't expose authentic artifacts to the elements!).

Inside, an entire gallery traces California's wine industry from Louis Bauchet and Jean-Louis Vignes through the present day. Bottles, winemaking equipment, and personal effects, carefully preserved behind glass, bear the names Sainsevain, Vache, Mesnager, and Nadeau (among others). Perhaps, if we are really lucky, Pierre Sainsevain's steam-powered stemmer crusher will be on view.

A second gallery tells the overall story of the French in Los Angeles.

Bricks from the zanja madre, surviving pieces of hollow log pipe, and an original iron pipe speak to the struggle for safe, reliable water in Los Angeles and to the forgotten Frenchmen who gave it their all - Jean-Louis Sainsevain, Damien Marchessault, Prudent Beaudry, and Solomon Lazard. Surviving pictures of Sainsevain's water wheel and the founding members of the Los Angeles City Water Company bring to life the difficulties of hydrating a parched city.

Pharmaceutical ads and medicinal packaging speak to LA's early French pharmacists - Chevalier, Viole & Lopizich, and the Brunswig family. Photos and very old medical equipment represent Dr. Nadeau (no relation to Remi), Dr. Pigne-Dupuytren, and the French Hospital.

A wall of old maps, perhaps with tiny LED lights representing the path of the Temple Street Cable Railway, show Prudent Beaudry's massive impact as a developer.

Paul de Longpré's pretty flowers adorn a wall - and perhaps someday the Seaver Center will loan out a few of Henri Penelon's paintings.

A case of antique watches, jewelry, and hardware, alongside modern-day aerospace materials, testifies to the importance of Charles Ducommun, the talented Franco-Swiss watchmaker who founded California's oldest corporation.

The evolution of law and order in Los Angeles might be seen in a case displaying photos of the Lachenais lynching, Judge Julius Brousseau's gavel, and perhaps the badge of Eugene Biscailuz, former LA County Sheriff and founder of the California Highway Patrol.

Perhaps one of Victor Ponet's cabinets has survived. Perhaps it displays milk bottles from the Sentous, Alpine, and Pellisier dairies. (Heck, I'd be happy if one of Ponet's coffins survived and was in decent enough condition for display.) And perhaps a copy of the Doors' album "Morrison Hotel" - built on Ponet's land - hangs on the wall, linking long-forgotten LA with still-in-living-memory LA.

A sizable wall case shows glassware, dinnerware, menus, matchbooks, and other items from French-owned restaurants. I just might be thrilled to death to point out the glasses from Café de Paris that are on permanent loan from my personal collection*. But we all know Philippe Mathieu, creator of the French Dip, is going to be the star here (even if he did move back to France when he retired).

One unique display stacks fruit crates high, with labels reading Model, Basque, Daily, Popular, and Golden Ram. Next to the stack? If we are very lucky, a surviving jug from Bastanchury Water - since all of those brands were based on the Bastanchury family's enormous orange grove in Fullerton.

Surviving pictures and the odd schoolbook speak to LA's French educators, ranging from Father Lestrade and his boys' boarding school to Madame Henriot and her Francophone private school to the modern-day Lycée Français. Perhaps there is even a clipping from one of the olive trees used to create olive oil in a contest at Caltech during Dr. Jean-Lou Chameau's tenure.

World War One is recalled, perhaps, by a rare surviving plaster statuette of Pedretti's Doughboy (sold to raise funds for the statue), Lucien Brunswig's dispatches from war-torn France, Georges Le Mesnager's correspondence with General Pershing, and artifacts from the many French war-relief organizations headquartered in LA (and, probably, chaired by Brunswig). Perhaps there is even something that belonged to Dr. Kate Brousseau, who used her brilliant bilingual mind and Ph.D in psychology to rehabilitate traumatized soldiers.

Perhaps there are still surviving items from the City of Paris - LA's biggest and best early department store. Perhaps they could be artfully arranged into a life-size diorama of a fashionable, well-to-do lady's boudoir, circa 1880.

Maybe, just maybe, an entire wall could be "papered" with blown-up images of the city's forgotten Francophone newspapers - Le Progres, L'Union, L'Union Nouvelle. (There was reportedly a fourth paper early on, called the Republican, but I will be very surprised if there are ANY surviving copies.) One of those newspapers was still being published in the 1960s. Just saying...

Remi Nadeau, quite possibly the greatest Angeleno who has been forgotten by the remote frontier town he helped to turn into a world-class city, really deserves his own gallery (if not his own museum). But even one case of artifacts would be a damn good start.

In the middle of it all, I for one would love to see a scale model of early downtown LA - which, with a little magic from projectors, can layer "LA now" over "LA then" when a switch is flipped.

Perhaps a third space - a small theater - showcases French Angelenos in film. Any surviving scraps of film shot at Blondeau's Tavern - Hollywood's first film studio - segue into the stunts of aviatrix Andrée Peyre, cut to Claudette Colbert, and perhaps finish up with Lilyan Chauvin (who went on to teach at USC). It would be a no-brainer to use the space for special screenings, too.

I have so many more people, places, and accomplishments in my list of future blog posts that I won't even try to list them all here.

But here's the problem...

I can't go to this museum.

It doesn't exist outside of my own head.

Chinese Americans make up 1.8% of LA's population (county-wide, the number rises to 4%). They have their own museum AND the Chinatown Historical Society (both of which, by the way, are based in buildings constructed by French immigrants).

Mexican Americans make up 32% of LA's population. They have their own museum.

Japanese Americans make up 0.9% of LA's population and have largely spread to the suburbs (hello, Torrance!). They have their own museum.

African Americans make up 9.6% of LA's population. They have their own museum.

Los Angeles' itty-bitty Little Italy (try to say THAT three times fast) grew out of Frenchtown (two of the French Benevolent Society's founding members were Italian), vanished during the war, and is now part of Chinatown. They have their own museum.

Should these ethnic groups all have their own museums? Of course they should. They are all a part of LA history and they all have their own stories to tell modern-day Angelenos (and whoever else is listening).

For a good chunk of Los Angeles' history, the city was 20% French. Until sometime around the turn of the 20th century, only Californios outnumbered them.

I have written about the founders of California's wine industry, humble hoteliers (wait until I get to the fancier ones), a pharmacist who threw himself into supporting World War One, a renegade general, entire families of ranchers, LA's first struggling artist, and the city's first priests.

I have barely scratched the surface. There are HUNDREDS of stories left to tell.

And one doozy of a question to ask:

Why doesn't Los Angeles have a French-American Museum?

I've previously addressed the fact that the Pico House hosted a temporary exhibit on French Angelenos in late 2007/early 2008. But it lasted less than six weeks, ran during the busy holiday season (not a time when most people want to go to museums), and has, of course, since been forgotten (go on, ask anyone who isn't French if they remember it...I'll wait).

The forgotten French community in Los Angeles deserves to be remembered just as much as every other ethnic group that has ever made a home for itself in LA. We deserve our own museum - a permanent one.

Alas, I don't have the funds or the connections to do this myself.

Can anyone spare several million dollars (damn LA real estate) and a resourceful curatorial staff?

*I do indeed own glassware from the shuttered French-owned Café de Paris in Hollywood (an extremely lucky flea-market find). And if a French-American museum ever does open its doors in Los Angeles, I'll happily - enthusiastically, even - loan out some of those glasses. I'll lead tours, give lectures, you name it. I want our stories told.

Monday, August 28, 2017

We're Still Here, Part 4: Ramona

There are two key areas of Southern California that actually treat their French roots with respect. The first, as I've mentioned, is the San Fernando Valley.

The second - and virtually no outsider knows this - is the tiny town of Ramona.

Situated in northeastern San Diego County, Ramona is an unincorporated town named after Helen Hunt Jackson's famous novel. (By the way, getting there can be a challenge. It's well off the beaten path, and some of the highway signage is confusing and/or missing. Do yourself a HUGE favor and take Highway 67 through Poway. The 78 SEEMS shorter and more direct, but trust me, it's not.)

The town was previously called Nuevo. But don't let the Spanish names fool you - Ramona's deepest roots are heavily French.

Like many other French families who came to Los Angeles, the Verlaque family moved farther afield in search of land. They raised sheep in San Diego, and by 1886 were making a good enough living to build themselves a little place out in the country.


This house - the Verlaque family's country retreat - was the first permanent building in the Ramona area. 

It's also the only known example of a French Colonial house built out of adobe.


The town of Ramona clearly respects its French pioneers.



When Henri Penelon painted the rebuilt Old Plaza Church, he was assisted by 21-year-old Bernard Etcheverry, who had just arrived from France. As you can see, Bernard and his family eventually settled in Ramona.

I should note that the Guy B. Woodward Museum, housed in the Verlaque adobe, does NOT allow photography. I was granted special permission to photograph two items in the museum because they are original to the Verlaque family.


This soup tureen belonged to Elizabeth Verlaque and was used in this house.


To the untrained eye, this might LOOK like any fireplace you'd find in an adobe house's kitchen...


Theophile Verlaque, however, had the roasting spit custom made (in Paris!) for the house. It has a built-in mechanical timer to ensure perfectly cooked meat. What can I say? Even way back in 1886...even in a humble country retreat...we like our food cooked perfectly (and I don't even eat meat).


The Verlaques, like most French families, buried their dead in the local Catholic cemetery. However, San Diego's Calvary Cemetery was turned into Mission Hills Park (previously called Pioneer Park) in the 1970s. They took out the tombstones, but not the bodies (I wonder if Pioneer Park might have been the inspiration for Poltergeist...incidentally, San Diego has quite a long history of flagrantly disrespecting its dead). In any case, two of the Verlaque family's tombstones were salvaged (most of the tombstones were simply thrown into a ditch on the edge of the "park") and can now be found outside the house.


The Etcheverry family home exists only in memories (if I had to take a guess as to why, I'd say it might have something to do with the fact that San Diego County's backcountry is prone to brush fires). But, a few miles south of the Verlaque house, Etcheverry Street still bears the family's name.

Monday, June 5, 2023

How French Was Los Angeles?

There has been some debate over how many French people lived in Old Los Angeles, with estimates ranging from two percent to twenty percent.

The book Los Angeles in Civil War Days puts the figure around ten percent. 

As time travel most likely isn't possible (but feel free to prove me wrong on that), and since there was a significant migration wave after 1850, I suspected the 1860 census would hold the answer. Unfortunately, most of it has not been transcribed (and I'm not about to volunteer because, like most people who grew up in the computer age, I have trouble reading frilly Victorian handwriting). I had to figure out a workaround for that.

Here are all the French, Québecois, French Swiss, Walloon, and French-American (at least one French parent) Angelenos I can find in the 1860 census (if there are any missing, please comment with citations):

Abarta family: Pedro, French. Jose, Pedro, Isabel, Emilia, and Graciosa, Californians. 

Aillard, Hillarain. French.

Alexandre family: Raymond, French. Amsindo and Alexander, Californian.

Alexis, Camille. French.

Alma family: Antonio, French. Antonio (Jr.) and Florentina, Californian. 

Amellac, Auguste, French.

Amestoy family: Domingo and Baptiste, French.

Aullebmy family: Jean, Carolina, and Satarina, French.

Baingust, Nicolas. French.

Baltz family: Angela, Peter, and Philip, French.

Bartolin, Antonio. French.

Beaudry, James. Québecois.

Beaudry, Victor. Québecois.

Beaugardin family: Theodore and Adeline, French.

Behn family: Adela (maiden name not listed), French. Alexander, Nieves, and Luisa, Californian.

Bernard, Jean. Swiss.

Bernick, Jean. French.

Blaine family: Jeanne and Peter, French.

Billon, Jean. French.

Biscardes, Juan. French.

Bise, Pedro and Diego (brothers). French.

Bodart, Henry. French. 

Bonlantaya, Juana. French.

Bordenave, Emile. French.

Boscano, Emiliano. French.

Bouet family: Jean-Baptiste, French. Juan, Elizabeth, Alfonzo, Virginia, Guillermo, and Agustin, Californian.

Boysual, Armand. French.

Brenzin, Stanislaus. French.

Brisson, Pedro. French.

Briswalter family: Andre and Agathe, French.

Brittone, Jean. French.

Brunet family: Manuel, French. Maria S., Californian.

Brust, Martin. French.

Bry, Louis. Swiss.

Budin, Prudie. French.

Caillet, Louis. French.

Carter, Peter. French.

Caugnina family: August and Mary, French. Josephina and Alice, Californian.

Chanaca, Francisco. French.

Charles, William. French.

Clarot family: Charles and Elizabeth, French. Amado, Californian.

Claude family: Henriot, Maria, Annice, and Maria (Jr.), French. Louisa, Californian.

Clement family: Michael and Mary, French. Michel and Mary JC, Californian.

Cleobule, Blanch. French.

Cretinier, Pierre. French.

Davis, Jean. French.

Davoust, Adrien. French.

Dazzet family: Julian and Renie, French.

De Dios family: Juan (French) and Procopio (Californian).

Defoe, Joseph. French.

Delangro, Herman. French.

Delaval, Charles and Henri. French.

Delaval, Gustave. Swiss.

Deman, G. French.

Dery family: Geblin and Marie, French. Octavio and Ernest, Californian.

Docan, Juan and Pauline, French.

Domac family: Juan J, Juan B, French. Frank, Californian.

Domec family: Pierre, French. Francisca, Saladonio, and Terecia, Californian.

Dubaardoux family: Thomas, Bernarda and Lucia, French; Juana, Lucia, Amelio, Maria, and Henry, Californians.

Ducommun, Charles.

Ducommun family: Amelia, Alice, French.

Dugue, Elesac. French.

Duprat, Leon. French.

Echepare, Martin. French.

Esprit, Candita, French.

Etchemendy, Juan. French.

Etitus, Estifen. French.

Farney family: Jacob and Julia, French.

Fingar, Henrietta. French.

Flowers, Jean. French.

Fourcade, John and Theresa, French.

Francis, Jean. French.

Gaillard, Maria, French, and Maria (Jr), Californian.

Garrett, Amos. French.

Gassagua family: Charles and Mary, French.

Gassoit, Arnault. French.

Germain, Jean. French.

Gossons, Peter. French.

Gouddin, Louis. French.

Grange, Achille. French.

Gregory, Ernest. French.

Grosse, Alphonse. French.

Guiol family: Frederic, French. Children Frederic and Adolfo, Californians.

Harraway, John. French.

Hathaway, Jacob. French.

Hennaquin, Maria. French.

Humberd, Prosper. French.

Jicovis, Domingo. French.

Johns, Reitch. French.

Juanna, Philippina. French.

Jueguen, Jean. French.

Kremer family: Maurice, French. Rachel, Californian.

Kuhn, Henry. French. 

Labatt, Jean. French.

Labi, Pierre. French.

Lacerol family: Pedro and Maria, French. Frederick, Californian.

Lauren, Jean. French.

Laboite family: Fernando, Mary, and Mary A. (daughter), French.

Labory family: Antonio. French. Leonardo, Californian. 

Lacarde, Prosper. French.

Lachamois family: Achille and Clementine, French.

Lachenais, Michel. French.

Lacke, William. French.

Lacourer, Frank. French.

Lafare, Martin. French.

Lafon, John. Québecois.

Lalle family: Pedro, French. Juan and Pedro (Jr), Californian.

Laroche, Alexandre. French.

Lazard, Solomon and Abraham (brothers). French.

Lecor, Carlos. French.

Lecroq family: Emile and Sarah, French. Emily and Sarah (Jr.), Californian.

Lecroy family: Felix and Henry, both French.

Legran, Joseph. French.

Lehman, George. French.

Leigle, Arsenne. French.

Lelong family: Martin, French. Martin T, Martin S, Martin F, Bautista, Bernabe, Victor, Josepha - American.

Lemaire, Francois. French.

Lepaon, Honorine. French.

Liboban family: Charles, French. Maria, Californian.

Licrox family: Juan, French. Francisca, Californian.

Lincitt, Paul. French.

Lorain, Thomas. Québecois.

Louis, Magil (Miguel?). French.

Louis, Michon. French.

Louis, Stanislaus. French.

Luckhart, Charles. French.

Maes, Pedro. French.

Mano. Andre. French.

Marchessault, Damien. Québecois.

Margined, James. French.

Mascarel family: Joseph, French; Josefa, Joseph, Petronila, and Adolfo, Californian. 

Maurnos, Bernard. French.

Menaker family: John, Catharine, and Mary, French.

Menards, Francisco.

Mesmer family: Louis and Catherine, French. Joseph, Californian.

Messonier, Victor. French.

Metch, Remy. French.

Meter, Francisco. French.

Moerenhault family: Jacob, Belgian (French diplomat). Antonio and Emma, born in Tahiti.

Montaln, Dennis. French.

Neven, Theodore and Celena, both French.

Pelotte, Julian. French.

Penelon, Henri. French.

Plasant family: Charles and Jean, both French.

Prudhomme family: Leon Victor, French. Maria, Charles, and Caroline, Californians.

Poulain family: Augustine and Eugenie, French. Sidonie, Leonarda, Peter, Adrien, and Honore, Californian.

Reddy, Peter. French.

Rene, Simon. French.

Ribourne, Frederic. French.

Richards, Peter. French.

Rives, Bartin. French.

Riviere, Frank. French.

Romain, Doleac. French.

Routet family: Mathias and Louise, French. Susana, Californian.

Rumebe, Joseph. French.

Sainsevain family: Louis, Jeanne, Miguela, French. 

Salaveri, Isabel. French.

Sapell, Charles. French.

Sarlandie family: Jennie and Jose, French.

Sarris family: Phillipe, French. Maria and Phileciadrea, Californian.

Sassate family: Charles and Eugenie, French.

Saul, Delon. French.

Sebrala, Jean. French.

Segovia, Zula. French.

Selahon, Jose. French.

Shumacker family: Mary, French (maiden name not listed). Mary A and Caroline, Californian.

Signoret family: Felix and Catherine, French. Rosa, Californian.

Sorirel, Juan. French.

Sorness, Manuel. French.

Snyder, Clara. French.

Staats, D. French.

Tanheart, Jean. French.

Thirion, George. French.

Tunirie family: Antonio, Georgia, French. Toracia, Anota, John, American.

Vaché family: Emile and Zoe, French. Louise and Emile Jr., Californian.

Vigal, Louis. French.

Vignes family: Jean M., Jean, Jeanne, Jean-Louis, Vitale, Emma, French. Helen, Californian.

Vigo family: Antonio and Mary, French.

Weaver, Nicolas. French.

While I cannot personally guarantee the full accuracy of the census in the days of poorer record-keeping and inconsistent spellings (I found some errors - hell, I submitted several corrections to things I KNEW were transcribed wrong), this indicates 316 or so French, mixed French, and Francophone Angelenos in Los Angeles City proper. 

With the 1860 population at 4,385, assuming the census is reasonably accurate, that puts LA's French community at 13.87%. Which is certainly below the twenty percent estimate, but it blows the two percent claim out of the water.

should tackle the 1870 census next.

*Note: Yes, there are a lot of Spanish names. Many French Angelenos adopted Spanish versions of their birth names; quite a few of the families listed were mixed marriages, often with Californio, Mexican, or Native American wives; and the census does not distinguish Basques from other French or Spanish citizens. Also, any spelling errors (and I suspect quite a few of these are misspelled) are either the census takers' or the transcribers' and not my own.