Showing posts with label downtown. Show all posts
Showing posts with label downtown. Show all posts

Thursday, March 12, 2020

We Need to Talk About Taix

Sometime around 1870, a family of bakers and sheepherders from the Hautes-Alpes left France, emigrating to Los Angeles.

For decades, customers have hotly debated how to pronounce their surname - Taix. Long story short, the family says it's pronounced "Tex".

In any case, the family purchased property in Frenchtown - specifically, at 321 Commercial Street - and opened the Taix French Bread Bakery in 1882.

1911 and 1912 were tough on Marius Taix Sr. In September 1911, his sister Leonie Allemand died in France. In the spring of 1912, Adrian Taix (co-owner of The French Bakery at 1550 West Pico Boulevard), died. By summer, brother Joseph Taix died, also in France. And finally, in the summer of 1912, Joachim Taix (who owned the other half of The French Bakery) also died.

That same year, Marius Taix Sr. tore down the Commercial Street bakery, building the Champ d'Or Hotel on the land and leasing the ground floor to a restauranteur.

Marius Taix Jr. was a pharmacist by trade, and owned the French-Mexican Drug Company nearby at 231-235 N. Los Angeles Street. Ads boasted "French and Mexican Preparations Our Specialty". (With the Plaza and Sonoratown so close by, featuring both French and Mexican medicines was a smart move on Marius Jr.'s part.)

Two stories are told about the origin of the Taix family's eponymous restaurant. One is that Marius Jr. got into an argument with the restaurant owner. The other is that Prohibition agents busted the restaurant owner for illegally selling alcohol, and that Marius Jr. confronted him about it.

This isn't too surprising. Prohibition spelled the end for Frenchtown, since it rendered French restaurant owners unable to serve wine (the vintners had long since sold off their vineyards for development). Without wine, diners didn't want to linger at a French restaurant for an hours-long dinner (Little Italy, on the other side of the Plaza, faced the same issue). The overwhelming majority of Los Angeles' French community took pride in being law-abiding, and although Prohibition was decidedly unpopular, it was still the law. Better to close the restaurant and change jobs than to break the law.

In either case, one day in 1927, words were exchanged, the restauranteur threw the keys at Marius Jr. before storming out, and the Taix family rolled up their sleeves and got to work.

Taix French Restaurant in the 1950s
Marius Taix Jr. started out serving 50-cent chicken dinners at long, family-style tables, with private booths available for an extra 25 cents (he got around Prohibition by selling "medicinal wine"). He partnered with a French immigrant who had become an experienced restauranteur and baker, Louis Larquier. He also continued to run the pharmacy - a very busy guy!

Six years later, Taix French Restaurant could legally serve wine without having to call it "medicinal". Today, they serve more than 400 wines, along with affordably priced country-style French cuisine.

Marius Jr.'s two sons, Raymond and Pierre, grew up washing dishes in the restaurant. In 1962, the beloved Sunset Boulevard location opened under the name "Les Fréres Taix" - the Taix Brothers.

Taix French Restaurant on Sunset Boulevard
The original restaurant at 321 Commercial Street was forced to close in 1964 to make way for new government buildings, including a courthouse and jail (the same block once included the corral where Michel Lachenais was hanged). The Sunset Boulevard location has a bar called the 321 Lounge, presumably in honor of the original restaurant.

The two different restaurant names - Taix French Restaurant and Les Fréres Taix - were reportedly confusing to diners, and the Sunset Boulevard location dropped "Les Fréres" from its name.

In 2012, the intersection in front of Taix was officially designated Taix Square by the City Council. Intersections are typically named after important Angelenos - very few restaurants receive the same honor.

Alas, the good times will be coming to an end, at least for a while.

Taix has been a Los Angeles institution for 92.5 years. It's popular with couples, families, hipsters, Francophiles, foodies, city bigwigs, and Dodgers fans (Dodger Stadium is 5 minutes away). It even managed to survive Echo Park's decline into LA's scariest drug den (before the hipsters moved in). But the restaurant business has changed a lot, and in the 58 years that Taix has been open in Echo Park, the building's six banquet rooms are used less and less.

A building Taix's size, on a lot as big as Taix's, costs serious money to maintain. And in order for a business - even a legacy business - to stay open, it has to make enough money to cover expenses. That's hard to do when wholesale food prices have risen, labor costs have risen, and much of the building isn't being put to sufficient use.

Raymond Taix's son Michael, who currently owns the restaurant, sold the property in August 2019 for $12 million and is leasing the building as a tenant. The real estate developer which now owns the property plans to build a housing and retail complex, which will include a smaller version of Taix (6,000 square feet vs. the current 18,000 square foot building).

The plan is to store the bar, lounge, and signage, and reinstall them in the smaller future space - essentially shrinking Taix, but keeping everything that makes Taix what it is.

Except for the current building. Unless the developer decides to somehow convert the existing building (which I seriously doubt will be the case), it's doomed.

As of this writing, Taix is still open. Go while you can - no one knows for sure when the developer will get the go-ahead to start construction. And when it starts, count on waiting a good 18 months before Taix reopens.

Sunday, March 1, 2020

The Crazy Life of Rémi Nadeau

Born in Canada to French parents, Rémi Nadeau is the one forgotten Frenchman every Angeleno should know about. After all, he helped to put sleepy little Los Angeles on the map.

Anglos called him "the crazy Frenchman". French Angelenos called him "crazy Rémi".

Was he really crazy? Was he hypersane? Or was he an eccentric visionary with a head for business?

We may never know the answer. But we do know his big dreams and "crazy" ideas made him rich.

Rémi Nadeau moved to Los Angeles in 1861. He quickly settled into the local French community - and secured a $600 loan from Prudent Beaudry.

With that loan, Rémi bought a wagon and a team of mules and set up his own freighting company.

Initially, Rémi made supply runs to faraway Salt Lake City - which took more than a month each way in those days. Harris Newmark reported that Rémi spent a few years in San Francisco, returning in 1866.

Rémi owned an entire city block - the same one where the Millennium Biltmore Hotel now stands. In his day, the land held his house, a stable, a corral, and a blacksmith shop.

Rémi's reputation as an eccentric was well earned: the Nadeau family's housekeeper wasn't allowed to clean the master suite. Mrs. Nadeau would do it herself. One day, when Mrs. Nadeau had fallen ill, Rémi's young niece Melvina Lapointe came over to help with the cleaning. While dusting, Melvina came upon a vase of fake flowers that seemed unusually heavy for its size. She pulled several wads of yellowed newspaper out of the top of the vase. To her surprise, the vase was filled with gold pieces! Mrs. Nadeau came into the room and instructed Melvina to put the vase back EXACTLY as she had found it so Uncle Rémi wouldn't change the hiding place.

In 1869, Rémi landed a very desirable contract: hauling silver and lead ore from the Cerro Gordo mines (near Lake Owens) to the Port of Los Angeles, where they would then be sent to San Francisco via ship for refining. (One of the partners in the Cerro Gordo mines was, of course, Victor Beaudry.)

The land in between Cerro Gordo and Los Angeles was rough, uninhabited, and in those days, devoid of roads. Rémi developed a large, heavy wagon with wide metal wheels that would be pulled by teams of twelve or more mules (depending on the load, twenty or more mules might pull a single shipment). The mines produced so much bullion that Rémi soon had 32 mule teams making regular runs to Cerro Gordo.

To maximize profits, Rémi sent the wagons to Cerro Gordo loaded with grain and other provisions. These would be sold to the miners, and the wagons would be reloaded with silver ingots for the return trip to San Pedro.

The owners of the Cerro Gordo mines demanded a reduction in freighting fees when Rémi's contract expired in 1871. Believing no one else could handle the task as well as his employees, he refused.

Barley prices had risen, and feeding hundreds of mules became very expensive. Rémi had taken out a loan from H. Newmark and Company to expand. Uncertain of his ability to pay the balance, he offered to turn over the freighting business to them. The company, believing in Rémi's ingenuity, encouraged him to find another contract instead.

Surely enough, a new opportunity soon arose when large deposits of borax were discovered in Nevada, and Rémi landed the contract. Boxes of 20 Mule Team Borax still reference Rémi's mule teams to this day.

When Rémi refused to renew his contract at a low rate, the mine owners had to route the silver bullion through other freighters in San Buenaventura (Ventura) and Bakersfield. Neither town could handle the output, and silver ingots began to pile up.

The Los Angeles business community wanted the silver trade back (it was the town's biggest moneymaker at the time), and tried to negotiate with the Southern Pacific Railroad - which announced a raise in freighting rates that would have made the plan too expensive.

Finally, the mine's owners (and the newly formed Chamber of Commerce) had to eat their humble pie and work out a fair contract with Rémi. He agreed to resume freighting silver bullion - on the condition that the mine's owners put up $150,000 to build freighting stations along his routes.

The Cerro Gordo Freighting Company soon had 65 stations ranging from San Pedro to Nevada to Arizona to San Francisco. Each station was a combination of hotel, trading post, blacksmith shop, and wagon repair shop, with stables and corrals for mules. Nadeau eventually had over 300 employees, and was so busy he put his brother-in-law, Michel Lapointe, in charge of the wagon works.

If you don't mind a 275-mile drive, Cerro Gordo is now open for tours (reservations required).

Some of the freighting stations grew into towns. In fact, one of them became the desert suburb of Indian Wells.

Eventually, railroads began to stretch across the Mojave Desert, reducing demand for mule teams. The Cerro Gordo Freighting Company sold off its mules and equipment, and Rémi began his next enterprise.
Rémi owned 3400 acres in South Los Angeles (the area is still referred to as Nadeau, or Nadeau Station), and tried his hand at growing sugar beets and refining the sugar. Unfortunately, it was a disaster. Harris Newmark, who was one of Rémi's best friends, recalled that "it was bad at best, and the more sugar one put in coffee, the blacker the coffee became."
Undaunted, Rémi turned to (what else...) wine, replanting the sugar beet fields with eight varieties of grapes (with a whopping two million grapevines total) and enlisting vintner Francois Escallier as supervisor. He also built a winery, and was successful at first. Unfortunately, the grapevines were destroyed by a sudden and unexpected insect infestation.

During the brief period of time that the Nadeau vineyard existed, it was believed to be the largest vineyard in the world.

Rémi also planted barley on the Centinela Rancho (modern-day Inglewood)...until extreme heat and a drought put an end to the barley crop.

In the 1880s, the Plaza and surrounding streets were still the city's primary business district. Rémi bought land at First and Spring Streets, and even Harris Newmark - Rémi's close friend and greatest supporter, who knew firsthand how smart and capable he was - called him crazy for buying land so far from the Plaza.

As per usual, Rémi didn't care what anyone else thought.

Initially, he planned to build a grand opera house or theatre with 1500 seats. (Even I think that was a crazy idea, considering Los Angeles' 1880 population was less than 12,000.) But that idea gave way to the city's tallest and grandest building of the era - a four-story business block, equipped with Southern California's first passenger elevator (made by Otis) and four fire hydrants on each floor, with apartments and office spaces planned for the upper floors and storefronts planned for the ground floor. No expense was spared, and the building was even equipped with twenty bathrooms - a VERY high number of bathrooms for the time.

Everyone laughed.

Everyone called the plan "Nadeau's folly."

Everyone said Rémi Nadeau, the crazy Frenchman, was crazier then ever.

Then "Crazy Rémi" leased the entire building to Ed Dunham, an experienced hotelier.

And just like that, everyone who was anyone checked into the Nadeau Hotel when they stayed in Los Angeles. It was the first truly first class hotel in the city. (Sorry, Pio Pico, but the Pico House didn't have an elevator, let alone twenty bathrooms.)

Sadly, it would be the final time Rémi got the last laugh. Less than a year after the Nadeau Hotel's 1886 grand opening, he passed away at age 68.

Rémi left the hotel property to his second wife, Laura, along with enough money to pay off its mortgage so she wouldn't have to come up with payments. His children from his first marriage (to Martha Frye) felt this was too generous a bequest for their stepmother and contested the will (sound familiar?).

The Nadeau Hotel was torn down in 1932 for the Los Angeles Times building.

Laura Nadeau decided to honor Rémi's memory with a 30-foot-high monument, topped with a marble statue of an angel, at the Nadeau family plot in Angelus Rosedale Cemetery.

Unfortunately, the Nadeau family plot happens to be very close to a rather large mature tree. Several years ago, according to a docent (who couldn't pronounce "Nadeau" correctly, plainly stated that she didn't know what Rémi did for a living, and rudely blew me off when I mentioned that he was a freighter...), a particularly windy rainstorm sent a very heavy tree branch crashing right onto the Nadeau plot. Every time I've visited Angelus Rosedale, a large and heavy chunk of monument has been in the same spot on the ground at a cockeyed angle. I was told that Rémi's living relatives couldn't justify the high cost of having it repaired. I get it - stonework is expensive.

When the monument was unveiled, the Los Angeles Herald claimed that Rémi's own accomplishments were the only monument needed to keep his memory alive. Rémi’s business interests accounted for ONE QUARTER of all exports leaving Los Angeles between 1869 and 1882. An earlier article in the Herald claimed Nadeau “has given employment to more men, and purchased more produce, and introduced more trade to Los Angeles than any other five men in this city.” 

You'd think that would be enough. Sadly, you'd be as mistaken as the Herald.

Rémi's name is forgotten today, surviving only in the family plot and on street signs - Nadeau Street, in the Florence/Nadeau neighborhood, and Nadeau Drive (which most likely honors Dr. Hubert Nadeau, no relation), in Mid-City.

Now THAT is crazy.

Tuesday, January 28, 2020

Domingo Amestoy, 30,000 Sheep, and the Skyscraper

Born in St. Pierre d'Irube, France, in 1822, Dominique Amestoy left home for Argentina at age fourteen. Many French Basques went to Argentina to raise sheep (or in some cases cattle), but young Dominique was going to learn shoemaking.

In 1851, Dominique decided to try his luck in California's gold fields. He didn't strike it rich (very few miners did), but he was lucky enough to find work on a cattle ranch. After earning enough money to buy his own herd of cattle, Dominique drove them to Santa Barbara for several weeks of grazing, then drove them to market in San Francisco. He saved the profits, departed for Los Angeles, and worked on a sheep ranch, saving his earnings until he was able to buy his own flock of sheep.

Dominique returned to France in 1862, married 19-year-old Marie Elizabeth Higuerre, and brought his new bride to Los Angeles. In order to keep growing Dominique's sheep business and keep their large family fed (they had thirteen children), the couple needed a second income stream. They started a laundry business, with Marie doing the actual washing (in an open tub with no running water) and Dominique handling pickup and delivery in a horse-drawn cart.

Finally, in 1875, Dominique - "Don Domingo" to Los Angeles' Spanish-speaking majority - had earned enough money to buy 800 acres of land in what is now Gardena. The Amestoy Ranch - bordered by Rosecrans Avenue, Prairie Avenue, Marine Avenue (originally Amestoy Avenue), and Vermont Avenue - was born.

Don Domingo took it a step further, importing Merino sheep and Rambouillet rams. By 1880, he owned an estimated 30,000 head of sheep.

In 1871, Don Domingo co-founded the Farmers and Merchants Bank with Joseph Mascarel, Charles Ducommun, and a M. Lecouvrer. The original Farmers and Merchants Bank building is still standing at 401 S. Main Street and is Historic-Cultural Monument #271. (The Farmers and Merchants Bank that is in business today is not the same institution. The original F&M folded into Security First, Security Pacific, and eventually Bank of America.) He was also one of the first members of the Chamber of Commerce.

Don Domingo didn't just own ranch land, he owned an entire block downtown. In fact, he owned the entire block where City Hall now stands. And he built the Amestoy Building on one of the lots in 1888.

 The building stood three stories high (plus a cupola) and had one of the first elevators in the city. The Los Angeles Herald-Examiner dubbed it LA's "first skyscraper" (even though the Nadeau Hotel, built in 1871, was four stories tall and had the city's first-ever elevator).

In 1889, Don Domingo bought Rancho Los Encinos from son-in-law Simon Gless. He wouldn't own it himself for very long; he passed away on January 11, 1892. He was one of the richest men in Southern California at the time, and had been the county's largest taxpayer.

The surviving Amestoys sold the Gardena ranch in 1901. There is still an Amestoy Elementary School serving the area.

Members of the Amestoy family began to sell off portions of Rancho Los Encinos in 1916. They lived on the property and held onto the last 100 acres (including the surviving ranch buildings and pond) until 1945. The adobe was repurposed as a sales office for the suburban tract homes surrounding the property, and plans were made to tear it down after the houses sold. Thankfully, concerned neighbors fought hard to save the last piece of the rancho, and it has been a state historic park since 1949. There is still an Amestoy Avenue running north-south through the Valley, dead-ending at Ventura Boulevard not far from Los Encinos State Historic Park.

As for the Amestoy Building, it quietly stood in City Hall's shadow until 1958. When it was condemned, the Los Angeles Times published an obituary of sorts for the aging red-brick building, long since dwarfed by the gleaming white skyscrapers surrounding it.

In typical fashion for Los Angeles, the Amestoy Building was replaced with a parking lot.

Saturday, May 11, 2019

They Paved Frenchtown and Put Up a Parking Lot

One of the most frustrating things about digging through Los Angeles history is finding out something with character, charm, historical significance, or cultural significance was lost long ago...to build a parking lot. Yeah, THAT's a fair trade-off.

Obviously, Los Angeles needs parking facilities. I just wish developers would tear down something ugly for once.

I've been mapping historically French sites in Southern California for six years. I've inventoried almost 500. Many more have been torn down for other reasons. These historic locations, associated with Los Angeles' lost French community, have all been partially or completely replaced by parking lots (and, in some cases, parking garages).

Consider this list a "work in progress." I've been meaning to write it for a few years now...but I keep finding parking lots (and every time I do, a little piece of me dies). I'll be adding them to the list as I continue to dig. If you know of a site I should add, please comment below.

Cue "Big Yellow Taxi"...

Plaza/Chinatown
  • Mayor Joseph Mascarel's adobe house. The Talamontes-Mascarel adobe, built in 1834, was torn down in 1957. The Huntington Library has the only surviving picture of which I'm aware, and I am eternally grateful to them for letting me see it in person. Now it's Olvera Street parking.
  • L'Union Nouvelle offices. Los Angeles' most popular French-language newspaper (which was still being published when the Los Angeles Herald-Examiner ran its last edition) had offices at Arcadia and Main Streets for many years. Now Plaza employees park there. 
  • Viole-Lopizich Pharmacy site. The Viole family served Los Angeles as pharmacists and physicians for many years. Their pharmacy is now a Plaza parking lot.
  • Signoret Block. This classy mansard-roofed brick building also housed Chevalier's pharmacy. Part of the same parking lot as the Viole-Lopizich pharmacy site. 
  • Another Viole-Lopizich Pharmacy site (and residence). Stood several doors down from the previous Viole-Lopizich pharmacy. Part of the same parking lot.
  • Oriental Café. Co-owned by Benjamin Flotte, Victor Dol's uncle. Dol later ran the Restaurant Française in the same building. Part of the same parking lot as the Viole-Lopizich pharmacies and Signoret Block.
  • Brunswig Annex. Formerly adjoined the Vickrey-Brunswig Building, which survived and houses La Plaza de Cultura y Artes. Again, same parking lot as the Oriental Café building and Viole-Lopizich pharmacies.
  • Le Progrés offices. This politically independent weekly French-language newspaper stood on New High Street in the late 19th century...and its offices disappeared for the same Olvera Street parking lot as the Talamontes-Mascarel adobe. 
  • Sentous Block. Christine Sterling dressed in widow's weeds and hung a black wreath on the main door when this building was condemned. Pio Pico lived in one of the upstairs apartments after losing everything. Like Mayor Mascarel's house a few doors down, it was demolished in 1957 for Olvera Street parking.
  • Jean Bernard's brickyard. A motel and private parking facility stand on the site today.
  • Former site of Naud's warehouse. Yes, it burned down. But it also gave the neighborhood (Naud Junction) its name. And now it's parking spaces.
  • Prudent Beaudry's house/real estate office. Southern California's first large-scale developer (and builder, two-term mayor, and investor) was working from home way back in the 1880s, owning a house/office on New High Street, behind the Brunswig Building. Now the site is part of a Plaza parking lot. (The Beaudry brothers predicted that people would flood into Southern California once the railroad came to town. They were correct...beyond anyone's wildest dreams. Now LA is overcrowded. Oh, the irony.)
  • At least one plot owned by Georges Le Mesnager. 1660 N. Main Street, owned by George before he got into wine and liquor production, is now a parking lot for a DWP facility.
  • Georges Le Mesnager's Hermitage Winery. 207-209 N. Los Angeles Street, formerly Georges' walled vineyard (Harris Newmark compared it to a European chateau) is now part of the Los Angeles Mall...and its underground parking garage. Doesn't seem like a fair tradeoff, does it?
  • The Amestoy Building. Built in 1888 in the same block that is home to City Hall, the three-story building was dubbed the city's "first skyscraper" (even though the Nadeau Hotel was taller) and formerly housed the Los Angeles Supreme Court. The Amestoy building survived the Civic Center's redevelopment in the 1920s/1930s...only to be demolished in 1958 for a City Hall parking lot. 
Downtown/Little Tokyo
  • Original site of Philippe'sThe Geffen Contemporary at MOCA, including its adjoining parking lot, stands on the approximate location of Philippe's original (1908-1918) sandwich shop. (It could be worse...the site of Philippe and Arbin Mathieu's previous restaurant currently hosts the city jail.) 
  • Michel Lachenais' ranchOkay, Lachenais was a violent convicted murderer. But his former homestead now boasts a Paragon Parking location, so it still makes this list. 
  • Ducommun Yard. This site has had quite a history of its own! Well within the original boundaries of Frenchtown, it housed Los Angeles' first passenger depot and locomotive roundhouse, and by the 1920s it was a DWP facility (fittingly, Charles Ducommun was one of the DWP's original stockholders). Ducommun Industries operated on the site before moving to South Los Angeles in 1941. The property is currently a large depot and parking facility for buses.
  • One of Louis Mesmer's New York Bakery sites. Part of the Ducommun Yard property, on Alameda Street.
  • Hotel de Strasbourg. Ducommun Yard on Alameda Street, again.
  • M. Sainsevain's feed store. Also part of the Ducommun Yard property.
  • Much of El Aliso/Sainsevain Brothers Vineyard. Jean-Louis Vignes' 104-acre property has been divided over and over, so multiple parking lots/garages are on this chunk of land roughly bordered by the Los Angeles River to the west and the 101 Freeway to the north. 
  • Former Larronde-Etchemendy mansion. The beautiful Victorian mansion at 237 N. Hope St., home to the blended Larronde-Etchemendy family for nearly 80 years, was torn down along with the rest of Old Bunker Hill. The house stood about where the DWP parking lot is today. 
  • Raymond Alexandre's Roundhouse. LA's earliest known example of fantasy architecture, LA's earliest amusement park, LA's earliest kindergarten...and within the former grounds is a large Paragon Parking lot.
  • Ponet Square Hotel. Formerly the largest apartment building in Los Angeles (built 1906), this hotel was torn down in the days immediately following a deadly arson fire in 1970 (which led to a badly needed update to the 1943 fire code) and promptly turned into (what else...) a parking lot. It's been a parking lot ever since.
  • Two other portions of Ponet Square itself. Ponet Square includes two additional parking lots, albeit smaller ones.
  • Pershing Square. Technically still there, but mostly paved over and altered beyond recognition. This is the worst public park in Southern California, partly because building an underground parking garage and elevating the park to allow for said garage has led to too much concrete and not enough tree shade. Pershing Square can be scorching hot on 60-degree days. The previous design should have been left the hell alone (if it isn't broken, don't "fix" it!). Oh well, at least the Doughboy isn't going anywhere.
  • Mesmer Building. Louis Mesmer built a two-story building at the corner of Los Angeles and Requeña Streets, later opening Requeña to Alameda Street. Requeña Street was renamed Market Street and no longer exists. Mesmer's building was replaced by a City Hall parking garage.
  • The entire Sentous tract, including the Sentous Street School. Razed in 1969 to build a massive parking lot for the Los Angeles Convention Center. The Staples Center (and its parking garages) now take up much of the land. Sentous Street was renamed L.A. Live Way.
  • First Methodist Church. While most French Angelenos were Catholic, Melvina Lapointe Lott - niece of Remi Nadeau - belonged to this church and donated three Tiffany mosaic panels said to be Tiffany's very finest work. The church was razed (for a parking lot, what else) in the 1980s (thankfully, the Tiffany panels now belong to the Lake Merritt United Methodist Church in Oakland). On a personal note, I have used that parking lot many times...and I became very nauseous when I realized I'd repeatedly parked on the former site of a Tiffany masterpiece.
  • Germain Pellissier's house. Entire block is now occupied by a hideous multi-level parking facility across the street from the Walt Disney Concert Hall. 
  • Jean Sentous' dairy farm. The farm, bordered by Grand, Washington, Main, and 21st Streets, changed hands a few times, becoming Chutes Park in 1900. There are now several parking lots and a courthouse parking structure on the land.
  • One of Pascale Ballade's saloons. Ballade had a few drinking establishments to his name, and the one at 742 S. Main Street is now a parking lot!
  • Remi Nadeau's city block. Nadeau's land holdings included most of the block bordered by Hill, 4th, Broadway, and 5th Streets. His freighting business was headquartered here - corrals, stables, blacksmiths, and a wagon repair shop stood on the land. Today, there are multiple commercial properties, a government office...and two parking lots. 
  • Louis Mesmer's house. The approximate location of 127 S. Broadway is now the entrance to a courthouse parking garage.
  • André Briswalter's home (possibly). Briswalter lived at the corner of Washington Boulevard and Main Street. One of the four corners of the intersection is now a large parking lot. 
  • Dehail House Hotel. Like all the other French-owned boarding houses in the area, it's long gone. Most would have been too close to the 101 Freeway to survive the 1950s, but this one is - you guessed it - a Little Tokyo parking lot. 
  • Charles Ducommun's mansion. By 1892, the Ducommuns had moved out, and the house became a boarding house for newsies and other young working boys. It later became a men's boarding house, and finally a boarding house for Japanese tenants. And now the site is a parking facility.
  • Victor Dol's house. There's ONE parking lot on this block...and its location corresponds to the talented chef's address. 
  • Old Calvary Catholic Cemetery. The Diocese of Los Angeles decided the cemetery would better serve its needs as Cathedral High School's parking lot and athletic fields. Numerous Catholic Angelenos, many of them French, had to be re-interred at New Calvary. (Marcelina Leonis' original headstone is installed in the field fence like it's an art piece...as if dying of smallpox at age 20 wasn't bad enough. I, personally, find it disrespectful.)
  • City Cemetery. The French Benevolent Society had its own parcel at the cemetery for members. Now it's a parking lot for the Board of Education.
  • Champ d'Or Hotel/Taix Restaurant. The Taix family tore down their circa-1882 bakery to build the hotel in 1912. In 1927, Marius Taix Jr. took over the ground-floor restaurant from a tenant. Taix opened its current location in Echo Park in 1962. The 1912 building was torn down in 1964...for a very large parking structure across Alameda Street from the Justice Department and the Metropolitan Detention Center.
Koreatown
  • Portions of Germain Pellissier's sheep ranch. It's unclear how much land Pellissier actually owned (sources disagree wildly). However, there are parking facilities adjacent to the Wiltern Theatre, which was built by Pellissier's grandson on land Pellissier had owned (and now my newer readers know why the entire 12-story structure is called the Pellissier Building).
  • The Godissart home. Cosmetics mogul Joseph Godissart and his family moved to 810 S. Harvard Boulevard, which has been replaced by an apartment block...with a parking garage.
Mid-City
  • Léon Bary's home. French actor/director Léon Bary's home is now an auto body shop...and its parking lot.
South Los Angeles
  • Firmin "Frank" Toulet's house. Frank Toulet, founder of Musso and Frank Grill, was living at 1813 W. 79th Street at the time of his death. Now it's a fenced parking lot behind a commercial property.

The Hollywoods
  • Paul de Longpré's home and gardens. The great painter's roses are long gone, with a parking garage occupying part of the site. 
  • Various swaths of Victor Ponet's farm. Ponet owned much of modern-day West Hollywood. There are too many parking facilities, public and private, to list.
Santa Monica
  • L. Giroux's grocery and home. Monsieur Giroux spotted Santa Monica, fell in love with it, and built a combination home/grocery store (Santa Monica's second house, supposedly, after Eugene Aune's). The house is long gone and the land is occupied by Parking Structure 6. (And I thought I'd run out of reasons to hate the Third Street Promenade!)
Glendale
  • Le Mesnager vineyard. As glad as I am that the Le Mesnager family's barn survived (and reopened to the public in 2022), Deukmejian Wilderness Park's parking lot IS uncomfortably close to the buildings. I'm just saying, it *could* have been placed closer to the park's entrance.
And one "near miss" that was saved...

In 1962, the Leonis Adobe was very nearly torn down to make way for a grocery store parking lot (are you #$%@ing kidding me?!). For the second time in its existence, the adobe had been abandoned for years and left to rot. Thankfully, the newly established Cultural Heritage Board intervened...and the Leonis Adobe became Los Angeles Historic-Cultural Monument #1.

Honorable Mention: the original intersection of Alameda and Aliso - the core of the French Colony - was erased and paved in the 1950s. When you drive under the Alameda Street overpass on the 101, you’re driving through Frenchtown. In theory, the 101 is a freeway. In practice, it becomes a sort of parking lot when traffic is heavy enough.

Tuesday, January 22, 2019

Watch My LAVA Sunday Salon!

If you couldn't make it to my September 2017 LAVA Sunday Salon, it's now available on Youtube. As always, much love to Kim and Richard for letting me ramble and for posting the video...to the sold-out audience for coming to hear me ramble...to my family for patiently listening to me practice...to Nathan "Cranky Preservationist" Marsak for his wit and expertise...and to Jean Bruce Poole for everything she has done to preserve Los Angeles' history.

Wednesday, November 28, 2018

Early French Restauranteurs of Los Angeles: Victor Dol

Los Angeles is, for many foodies, a dream destination.

Year-round access to good fresh produce (and good wine)? Check. 
One of the most ethnically and culturally diverse cities in the world? Check.
Relatively affordable rent (compared to Tokyo, Paris, London, New York, San Francisco, etc.)? If you don't mind a strip mall location, check.
Friendly to food trucks? Check. (By the way, food trucks are often cleaner than brick-and-mortar restaurants.)
Chefs of all backgrounds applying French cooking techniques? According to the late Jonathan Gold, check.

The first chefs in Los Angeles to apply French cooking techniques were, of course, French. And the first LA-based chef to have trained in Paris was a Frenchman named Victor Dol.

Victor Dol was born April 5, 1840 in the southern French town of Cuers. After training as a chef in Paris, he came to the United States in 1860. Victor married his first wife, Felicie Malvardi, in 1862. Like Victor, Felicie was from the region of Var. They had two daughters - Josephine in 1864 and Victorine in 1870. The Dol family must have moved around quite a bit in those early days, since Josephine was born in Cuba and Victorine was born in British Columbia, Canada.

Census and voter records indicate that Victor came to San Francisco first, establishing the upscale restaurant Maison Dorée (which was likely named after the Parisian restaurant Maison Dorée). He became a naturalized citizen there in 1876, and set up shop in Los Angeles in 1877. 

Felicie's uncle, Benjamin Flotte, was already living in Los Angeles and running the Oriental Café (don't let the name fool you - the menu was strictly European) with another Frenchman, one C. Casson, and a Prussian, H. Schmitt. (The Oriental Café stood at 221 Main Street, directly across from the Pico House.) Flotte helped his nephew-in-law get his first LA restaurant off the ground (and, at least for a time, lived with the Dol family). 

Victor owned a restaurant in the Downey Block at one point (no surprise here, since the Downey Block also hosted a French-owned wine store and a French-language newspaper). He founded the Restaurant Français at 221 N Main St in 1886. But he is best known (in Los Angeles, anyway) for the Commercial Restaurant.

Imagine, if you can, going to the Commercial Restaurant in 1877. Longtime Angelenos of the day would likely still remember the not-distant-enough days of dirty, primitive eateries like Jean La Rue's. Although the Commercial Restaurant was about three blocks away from La Rue's former location, it couldn't have been further from La Rue's in spirit.

If you were coming from the older part of Frenchtown, you would be walking southwest on Main Street (make that same walk today and you would pass behind City Hall). You come to a gap between two buildings and walk in.

A brick-lined courtyard with a decorative fountain beckons, with the restaurant itself just behind. It has real floors - not dirt. Sneak a peek around you as you dine on fine French cuisine and you may well spot opera stars, politicians, well-heeled visitors from the East Coast, and the celebrities of the era in addition to early LA's foodie crowd.

Curiously, Victor Dol and Eugene Aune were both from the town of Cuers. While going through digitized old issues of the Los Angeles Herald, I found an advertisement for the Commercial Restaurant - directly above an advertisement for Eugene's Restaurant. History doesn't seem to have recorded whether Dol and Aune were friends, rivals, or friendly rivals, or if the ad placement was deliberate, but apparently early LA had a high enough demand for fine French cuisine to support Eugene's in addition to Victor's restaurants.

Although the restaurant industry is very tough, it made the hardworking Dol family rich (besides Victor's restaurants, Felicie took in boarders). Victor sold the Commercial Restaurant to Mr. L. Pegot (founder of a San Diego branch of Delmonico's) in January 1888, announcing his retirement. But (shades of Prudent Beaudry) 48-year-old Victor didn't stay retired for very long.

On January 5, 1889, Victor opened a Los Angeles location of his upscale San Francisco restaurant, Maison Dorée. He proudly advertised it as a Los Angeles equivalent of famed New York restaurant Delmonico's. Daily shipments of live turbot, trout, and sole arrived at Maison Dorée, and Victor imported brie from France (local cheeses just wouldn't do). 

No family is immune to tragedy, and Felicie Dol passed away in 1898 at the age of 58. Victor later married a woman named Tatiana who was 19 years younger than he was.

Victor died at home in Venice (it isn't clear when the Dols moved) in 1911, leaving an estate valued at $625,000. That's about $16.7 million in 2018 dollars. (Try buying Venice real estate for $625,000 now!)

Perhaps unusually for such a successful entrepreneur, Victor Dol was a Socialist. (At the risk of roasting my own subject, Victor might possibly have been a Champagne Socialist in both the figurative and literal senses.) According to probate filings, he left $15,000 to purchase a plot of land in Toulouse, France and construct a building to be donated to a Socialist organization that would be chosen by two trustees he had selected.

As for the rest of that sizable estate, Victor left $6000, plus $1200 a year in rent on two commercial properties downtown (between 6th and 7th on Spring and Broadway), to his widow Tatiana, along with the couple's two lots in Venice. 

The French Hospital received $5000 of Victor's estate, and the Los Angeles County Pioneers' Society received $2000. The rest of Victor's estate was to be split evenly between daughters Josephine and Victorine. Victor is buried at Angelus Rosedale with both of his wives (Tatiana passed away in 1934).

Victor's death announcement in the Los Angeles Herald notes an unusual request: "A clause in the will is to the effect that the dead man desires that the property he leaves never shall be mortgaged nor sold." His descendants seem to have honored that request. 618 South Broadway, built in 1928 on one of the Dols' downtown plots, was the only downtown building destroyed in the 1992 riots. Victor's grandson-in-law, Walter J. Thomson, spent at least $2.5 million rebuilding 618 South Broadway from old photographs and renamed it the Victor Dol Building, noting to the Los Angeles Times that his young granddaughters (Victor's great-great-granddaughters) would eventually inherit the property. 

On a personal note, I almost fell off my chair when I saw the address. I've walked past the Victor Dol Building countless times on my way to Clifton's or a historic theater and NEVER knew it had a French connection. (By the way, I am VERY good at spotting new construction made to look older. The fact that the reconstructed Victor Dol Building looks just as old as Broadway's vintage theaters is a testament to the fact that Thomson cared enough to have it done right.)

Tuesday, February 6, 2018

Come Hear Me Speak!

As I've mentioned a few times over the last few months, I'm speaking at StaRGazing 2018, Greater Los Angeles Area Mensa's annual Regional Gathering. I'm scheduled for 3:15-4:30pm on Saturday, February 17. See you in San Pedro! (If you want to come, this Thursday, February 8, is the LAST day for online registration. If you're seeing this a little late, you can register in person at the RG, but you'll need to bring cash or a check.)

Can't make it to the RG? I'll be doing another LAVA Sunday Salon and walking tour in the spring, and will be re-tooling my "Frenchtown 101" talk from last September (we'll be visiting a different part of downtown). Sunday Salons are free and open to the public, but as space is limited (my previous salon sold out), RSVPs are required. Watch this space for more information...