Open Letter To All The Snobs Who Say SoCal Has No History

(Dear readers: permit me, if you will, to veer slightly off topic tonight. I've been wanting to get this off my chest for quite some time now.)

Dear Snobs:

Look, I GET it. Your East Coast hometowns look and feel like they've been around forever. You're proud of your roots. Unless you have a connection to someone or something absolutely despicable (i.e. slaveowning ancestors), you have every right to be proud.

You do not, however, have the right to loudly, nastily, and inaccurately claim that "Southern California doesn't have any history."

Our history may not look like yours, but that doesn't make it any less real. 

Some of you seem to think the history of North America didn't begin until the first English settlers landed. Wrong - there were already people living here. Southern California, which still has a large Native American population, knows this and doesn't pretend the world began when the Spanish invaded.

North Carolina famously has the lost colony of Roanoke. It's an intriguing story. But we famously have ghost towns (and they're still standing!).

The South has retained many of its historic plantations. Similarly, we have the missions established by Spanish Catholic priests. (I've seen historic homes in Virginia, Tennessee, and Georgia. Funny how I don't recall EVER seeing slave quarters on properties that definitely had them. Meanwhile, Californians don't kid ourselves about the fact that Native Americans in the mission system had miserable lives.)

You say Coney Island. I say Knott's Berry Farm (turning 100 next year!), Balboa Fun Zone, and the Santa Monica Pier. (Hey, remember the beautiful antique carousel from "The Sting"? The Looff Hippodrome has been on the Santa Monica Pier for over a century.)

New Yorkers are proud of Central Park. Bostonians are proud of Boston Common. Both are very nice urban parks. But Griffith Park - which has a very unusual history of its own - is nice too. And it has a beautiful Art Deco observatory.

Virginia has Jamestown and Williamsburg. I've been to both and they definitely have educational value. But so does Los Angeles' historic plaza. Ditto for Old Town State Historic Park in San Diego.

Virginia also gives us the heavily sanitized story of Pocahontas. The San Gabriel Valley gives us the true story of Toypurina, a powerful Kizh shaman who helped orchestrate a plot to overthrow the padres at Mission San Gabriel and take back the land occupied by the Spanish. (The plot failed, but the Spanish didn't dare to execute Toypurina when she was convicted.)

Are you from a town with a history of piracy? Cool. I'm not. BUT Southern California did have lots of rum runners and bootleggers during Prohibition (some of them with close ties to Los Angeles City Hall...you can't make this stuff up), along with all the other misbehaving characters you'll find in a classic noir film. There are tunnels under downtown Los Angeles to this day, although many have been blocked off over the years.

San Diego was founded in 1769. That makes San Diego older than Louisville (1778), Nashville (1779), and Montpelier (1781).

Los Angeles was founded September 4, 1781. Which makes Los Angeles older than Asheville (1785), Columbia (1786), Cincinnati (1788), Buffalo (1789), and Washington, D.C. (1790).  Not to mention older than Chicago (1803), Montgomery (1819), Indianapolis (1821), Kansas City (1838), and Atlanta (1843). Just saying...

New Yorkers have every right to appreciate Grand Central Terminal. It is a beautiful building. But so is Los Angeles Union Station, built in a style that perfectly combines both Mission Revival and Art Deco. (And Union Station has outdoor green space - an extreme rarity for a train station in a major city.)

Oh, your hometown has beautiful Victorian houses? Great! So does mine. It's true that many of SoCal's Victorians have vanished over the years, but there are still surviving specimens in Los Angeles (Carroll Avenue and Heritage Square in particular), Santa Monica, San Pedro, Santa Ana, San Diego, Orange, Anaheim (yes, really), and even sleepy old Riverside. (There are more, but it's late and I'm tired.)

You say your hometown has unique architecture - things you won't see anywhere else? That's very cool. But guess where else that holds true? Yup - here! Charles and Henry Greene elevated the humble Craftsman house to an art form, especially in Pasadena (two words: Gamble House). Frank Lloyd Wright designed houses completely unlike his earlier work, doing things with concrete blocks that no one else had ever done before. We have the Bradbury Building. And Los Angeles in particular has many of the earliest, and best, examples of fantasy architecture in the world. My personal favorites are the Snow White cottages in Los Feliz and the Coca-Cola building (full disclosure: my dad worked there).

Chicago has the Field Museum. New York has the American Museum of Natural History. Both are world-famous, and for good reason. But have you been to the Natural History Museum of Los Angeles County, which boasts four of the ten complete (or near-complete) Tyrannosaurus rex skeletons known to exist? (My favorite exhibit? "Becoming Los Angeles", beginning with the area's Native American roots and continuing until the present day. I have seriously considered becoming a museum member just so I can visit that exhibit whenever I want.)

East Coast cities (and Chicago) have excellent art museums. Someday I'd like to see them all. But Southern California has LACMA (don't underestimate LACMA, seriously), the Getty, the Broad, and the Huntington Library and Gardens (which has quite a lot of priceless art - Gainsborough, Fragonard, etc. in addition to the rare books and antiques). If you're a snob on a layover in LA, forget the tourist stuff and just spend the day at the Huntington. You'll thank me later.

The East Coast and the South have beautiful cemeteries (especially New Orleans). But Hollywood Forever, Angelus Rosedale, and the many iterations of Forest Lawn are beautiful too. I'm not thrilled about Evergreen Cemetery's shameful history of neglect, but there are neglected cemeteries in every part of the United States.

Does your hometown have a famous ghost story? We've got those too. San Diego's Whaley House is one of only two that the State of California acknowledges as "haunted". There are way too many other ghost stories for me to list, but suffice it to say that there are plenty of books on the subject. (This one is the best. You'll thank me later.)

Did something very, very bad happen in your hometown? Salem, Massachusetts has learned to live with its legacy as the site of North America's most infamous witch trials (coincidentally, my 10th great grandmother, Rebecca Nurse, was hanged in Salem). Los Angeles acknowledges, but is definitely not proud of, the 1871 Chinese Massacre. That's right - the deadliest race riot in 19th century America happened in Los Angeles. In fact, it was the first time most people around the world ever even heard of Los Angeles. (Los Angeles is also known for the Manson family murders and the creepy Hotel Cecil, which inspired "American Horror Story: Hotel". We're not proud of this stuff, but we don't pretend it never happened. You know what they say about learning from the past.)

When most people think of LGBT+ rights, the 1969 Stonewall riots immediately come to mind. While Stonewall was a major turning point, it wasn't the first such incident in the United States. Los Angeles experienced its own Stonewall on December 31, 1966/January 1, 1967, when the Black Cat bar was raided by police. The Stonewall Inn moved, burned down, and is now located in half of the original site; the Black Cat building is still intact (although these days it's a gastropub). Oh, and the Black Cat building just so happens to be a charming Art Deco specimen.

Any Art Deco in your hometown? We have tons of it - Los Angeles and Long Beach especially. Los Angeles exploded during Art Deco's heyday; Long Beach collapsed and burned in a 1933 earthquake and rebuilt itself as an Art Deco city. (And yes, the Queen Mary, in all her faded Art Deco glory, is dry-docked in Long Beach...and yes, I belong to the Art Deco Society.) We also have lots of surviving Googie architecture. (You call it "tacky", I call it "fun".)

Does your hometown have a beautiful old movie palace, preferably still screening films? We have lots of those. Some have been converted to retail spaces or houses of worship, some are closed, and some only screen films occasionally. But we love our surviving movie palaces. Los Angeles has its own Historic Theatre Foundation (I'm a member), and one downtown stretch of Broadway has the highest concentration of historic movie theaters in the world. (One of my bucket list items is to see a movie in every surviving SoCal movie palace that still does screenings. I'm working on it.)

Does your hometown have lots of maritime history? So does San Diego. (Full disclosure again: Dad did some work for the Maritime Museum.) Military history? San Diego, Coronado, Long Beach, Orange County, and Wilmington too. Long Beach even has the oldest tattoo parlor in the United States, due at least in part to the Navy's long tenure in the city.

Do you belong to a historic preservation society? The Los Angeles Conservancy is the largest such group in the United States (you guessed it...I'm a member). If the greater Los Angeles area didn't have any history worth preserving, there wouldn't BE a Conservancy in the first place.

Finally, if Southern California doesn't have any history...how, exactly, are you reading this on a niche local history blog?

"Our" history may not look like "your" history. But that doesn't mean we have no history at all. Shut the %&@# up!

Goodnight from Frenchtown,

C.C.

Early French Restauranteurs of Los Angeles: Jean La Rue (Laroux)

The French, whether in France or abroad, are known for a lot of things.

Sophistication. Military might (fight me on this, Google). Knowing how to beautify anything and everything.

The French are best known, however, for culinary prowess. It should come as no surprise that early Los Angeles' best restaurants were helmed by French chefs.

Today, we meet one of LA's earliest French restauranteurs, if not THE earliest: Jean La Rue (or Laroux).

In 1853, nineteen-year-old Harris Newmark, newly arrived in Los Angeles, was clerking for his merchant brother J.P. and sleeping on the premises. Cooking inside the store was impossible, so Newmark arranged to eat at a nearby restaurant instead.

Newmark gives the proprietor's name as John La Rue. If La Rue's establishment had a name, it certainly doesn't appear in Sixty Years in Southern California. (Nameless restaurants were not impossible in Los Angeles; Nick's Cafe near Chinatown didn't have a name for the first few decades of its existence.)

La Rue was born in France, came to California as a gold prospector, tried prospecting in Mazatlan, and returned to the United States after being robbed twice in Mexico. Upon arriving in Los Angeles, La Rue met and married an Irish woman, Bridget Johnson, in spite of the fact that he spoke no English and she spoke no French. He then opened his restaurant "on the east side of Los Angeles Street, about two hundred feet south of Bell's Row." (If it existed today, it would be roughly at the corner of Los Angeles and Aliso Streets, just west of the 101 in the Civic Center.)

In Newmark's own words:

Nothing in Los Angeles, perhaps, has ever been cruder than this popular eating-place. The room, which faced the street, had a mud-floor and led to the kitchen through a narrow opening. Half a dozen cheap wooden tables, each provided with two chairs, stood against the walls.

(A real dirt floor and a dining room facing the street? Hipsters would have loved La Rue's.)

 The tablecloths were generally dirty, and the knives and forks, as well as the furniture, were of the homeliest kind. The food made up in portions what it lacked in quality, and the diner rarely had occasion to leave the place hungry.

(Sounds like any greasy-spoon in America, to be honest.)

What went most against my grain was the slovenliness of the proprietor himself. Flies were very thick in the summer months; and one day I found a big fellow splurging in my bowl of soup. This did not, however, faze John La Rue. Seeing the struggling insect, he calmly dipped his coffee-colored fingers into the hot liquid and, quite as serenely, drew out the fly; and although one could not then be as fastidious as nowadays, I nevertheless found it impossible to eat the soup.

(I loathe and resent the "grubby French person" stereotype - indoor plumbing began at Versailles, you know - so it pains me to type this.)

Jean La Rue died five years later from smoke inhalation when a fire broke out on Main Street. Bridget Johnson La Rue inherited her husband's orange grove and (what else...) vineyard.

In spite of his critical eye toward La Rue's questionable hygiene and rather dirty café, Newmark notes "Although La Rue was in no sense an eminent citizen, it is certain that he was esteemed and mourned."

Stay tuned for entries on Victor Dol, Eugene Aune, and more...

Something is Rotten in Frenchtown

History should be presented fairly and honestly. Otherwise, we'll never learn a damn thing from it.

I strive to do that on this blog (barring the musical interludes).

I *could* petition the city of Los Angeles to turn a weedy vacant lot in the industrial core (formerly the original French Colony) into a French-themed tourist attraction à la Olvera Street...but I am not Christine Sterling and I don't think it's the best possible answer. There are still authentic surviving sites associated with the French in Los Angeles, and at least one of them would make a great museum.

And history museums, unlike tourist attractions, are expected to present the truth.

I've uncovered some uncomfortable truths in the course of my research (and the more research I do, the more I cringe at all of this):

• Seemingly reliable resources can conflict with each other. There are things I haven't blogged about yet because I'm not yet sure which version of a story is correct (and unlike some people, I actually care about getting the facts straight). 
• The city of Los Angeles itself is an unreliable source at best. The most glaring example: Damien Marchesseault was elected Mayor SIX TIMES. He was one of LA's most popular mayors of all time. Yet, he does not appear on the city's official list of former mayors, and the memorial plaque in the Plaza that bears his name includes incorrect information (two months ago, the venerable Jean Bruce Poole had me take her to the marker and show her what was wrong with it). He has been erased from LA's narrative so thoroughly that we don't even know what he looked like (no surviving pictures have ever been found). The fact that Marchesseault Street is slated for a return to the map is nothing shy of a miracle. (Part 2 of that story coming soon.) Was Marchesseault erased by political rivals after his death, or was he forgotten so readily because his final term ended under an ugly storm cloud of scandal and suicide? (I'm going to find out. I'm not sure how, but I know I'm going to do it.)
• Wikipedia can bite me. In spite of the fact that it's a nightmare to edit, anyone can edit Wikipedia, and it's just too easy for someone with incorrect information (or worse, an agenda) to misinform anyone gullible enough to take the site's content at face value. Example: The last time I checked, the site claimed that LA's New Chinatown was previously Little Italy. While there were significant numbers of Italian immigrants in the neighborhood, the article fails to note that it was part of Frenchtown first. In fact, that's WHY Italians were attracted to the area. LA's French welcomed Italian immigrants - two founding members of the French Benevolent Society were, in fact, Italian. St. Peter's Church, long linked to LA's Italian community, was originally a cemetery chapel built in honor of French-born André Briswalter (the current building is from the 1940s, and it isn't clear if Briswalter is still buried on the site). And the various French-owned vineyards already clustered in the area would have spelled job opportunities to Italian immigrants with winemaking skills. No one talks about any of this (except me)...yet the vast majority of people reading that entry are going to take it at face value (in spite of the fact that to local historians, it is glaringly incomplete).
• LA's various French organizations (and the French consulate) have never responded to any of my requests for information and/or interviews. At one point, I even asked my dad if his boss would mind sending my contact information to the consulate through a French government employee he knows (the French are formal; we like introductions). Yeah...that didn't work either. (I've had many a question about why I have yet to publish anything on current French entities in LA. Now you know. I'm used to being ignored - but not by people/organizations with whom I have a shared goal. It's indescribably frustrating.)
• I'm ALREADY getting pushback on my idea for a museum. Someone I met recently very pointedly told me (more than once!) that the Pico House hosted an exhibit on the French in LA "a couple of years back". That exhibit ran from late 2007 to early 2008 - TEN years ago. Also, it ran for less than six weeks, wasn't well executed (photos on a wavy plastic wall with no physical exhibits? Are you kidding me? The French are responsible for some of the finest museums in the world...we can do SO much better than that), and has been forgotten by pretty much everyone else. I realize getting a museum open can easily take 10+ years, cost an absolute fortune, and require dealing with a lot of red tape (the Historic Italian Hall Foundation, which was founded to restore the Italian Hall and reopen it as a museum, was founded in the 1980s...and the museum opened in 2016). But, given what we're constantly up against, shouldn't historians and other concerned Angelenos work together to keep the rare surviving scraps of Old Los Angeles alive instead of writing off ideas that don't necessarily fit into a personal agenda?
• I keep finding factual errors in other historians' work. I don't want to diminish the importance of their research and accomplishments. I really don't. However, LA's forgotten French community was filled with amazing people who did amazing things, and I believe we owe it to them to AT LEAST tell their stories correctly. 

There are times when researching and writing this blog makes me cry. There are times when I want to scream in frustration. 

But guess what? I'm never going to quit. True to my French roots, I'm a fighter. 

Southern California will once again know the names of Marchesseault, Garnier, Beaudry, Mascarel, Nadeau, Henriot, Lazard, Brousseau, and so many others. I'm going to make sure of that.

P.S. In the meantime, I'm speaking at StaRGazing 2018, Greater Los Angeles Area Mensa's annual Regional Gathering. I'm scheduled for 3:20-4:40pm on Saturday, February 17. See you in San Pedro! (Get your ticket NOW. Seriously.)

Thank You LAVA Attendees!

LAVA's September Sunday Salon was yesterday. I was absolutely thrilled to give my talk and participate in the walking tour (and with a sold-out audience!).

THANK YOU for coming.

Pictures from the Salon can be seen here, and when the video is available, I will update this with a link.

If you haven't yet heard my special guest appearance on You Can't Eat the Sunshine, you can find the episode here.

I had some questions regarding why certain details were left out of my talk. I gave a longer version of the same talk at a different event in May and the original draft was well over two hours long! I had to cut a LOT of content to get it to one hour, and had to trim it down again (omitting details like Damien Marchesseault's suicide note) to make it a 50-minute talk (and I was aiming for 40).

There is SO much information that if I could include everything, I'd probably still be talking.

That's the beauty of blogging: I can go into as much detail as I want with each entry instead of giving the Cliff's Notes version. (And I promise I'll pitch a book to publishers soon!)

On the subject of books, there were a few questions about one of my resources. Le Guide Francais de Los Angeles et du Sud de la Californie (aka The French in Southern California History and the Southland Today) was published just once, in 1932, in English and in French. It's not easy to find (I spent years looking for a copy), but Central Library has two English-language copies of the book (if I remember correctly, it's in the rare books collection).

I have had multiple requests for a transcript of my talk. If you would like a copy of my notes, you can email me at losfrangeles (at) gmail (dot) com.

However, I must make one request from everyone who requests a copy of my notes.

I have had someone take my blog's content, alter it, and pass it off as their own work (and still manage to make a horrifying number of factual errors...). This person has faced no consequences, and when I complained to the editor, I received no response.

If you wish to share my notes with someone else for any reason, I ask that you link to this blog and credit me.

Time, effort, and money go into this blog. I have limited spare time and spend much of it doing research. I do a lot of driving around (with the exception of the historical photographs, I take my own pictures). I don't make a lot of money, but I've spent a good amount on books (the old, rare ones aren't cheap) and gas.

All I want is to be credited for doing the actual work.

With that out of the way...

Thank you all for coming, and I'm looking forward to returning in the spring (we'll tour a different part of downtown).

Deed Restrictions and the Renaming of Frenchtown

Last weekend, I gave a presentation on the French in Southern California at San Diego Mensa's Regional Gathering in Palm Springs (video coming soon - IF I can get the darn thing uploaded).

The first, and most revealing, question in the Q&A concerned why LA's historically French neighborhoods are now associated with other ethnic groups.

The original Frenchtown - bordered by Main Street, 1st Street, Aliso Street, and the LA River - is now largely split between Little Tokyo and the industrial core, with the Civic Center bleeding into the northern end of the neighborhood.

As Frenchtown expanded to the north, it grew to include modern-day Chinatown. Why is Joan of Arc standing outside Chinatown's only hospital? Because it was the French Hospital until 1989, and until the 1930s, it was a French neighborhood. Naud Junction, the Fritz houses, and Philippe the Original (creators of the French Dip sandwich; in that location since 1951) are all in Chinatown for the very simple reason that it wasn't always Chinatown. (LA's original Chinatown was demolished in 1931 to build Union Station - long after the Sainsevain brothers lost their uncle's vineyard).

Pellissier Square is now called Koreatown. Why? Because much of central LA declined after the 1930s, making it an affordable place for Korean immigrants to live and start businesses by the time the Korean War ended.

They weren't the first Koreans in Los Angeles. Historically, Korean Angelenos tended to live in Bunker Hill.

(Incidentally, "Koreatown" is something of a misnomer. HALF of Koreatown residents are Latino, and only about one-third are Asian. Korean Angelenos do, however, account for most of the area's businesses.)

There are still clues to Koreatown's French origins. Normandie Avenue, one of the longest streets in Los Angeles County (stretching 22.5 miles between Hollywood and Harbor City), runs smack down the middle of Koreatown. The Pellissier Building, including the legendary Wiltern Theatre, proudly towers over Wilshire and Western. And if you look at the neighborhood's architecture - sure, it's largely Art Deco, but some of it is also French-influenced.

In the early days, Los Angeles was a fairly tolerant place. It wasn't a utopia by any means (case in point: the Chinese Massacre of 1871), but Los Angeles was more tolerant of non-WASPs than most North American cities.

By the 1920s, a plague began to infest Los Angeles on a grand scale.

Deed restrictions.

Sometimes called restrictive covenants, deed restrictions barred ethnic and/or religious groups from buying homes in particular areas.

Why? Who would do something so hateful?

Let's start by rewinding the clock to the 1850s.

In 1850, California became a state. Legally, Los Angeles should have started opening public schools at this point (due to separation of church and state), but LAUSD wasn't founded until 1853. By this time, there was a growing number of Protestant families - most of them Yankees - in town. The few schools that did exist in the area were all Catholic, and Protestant parents objected - loudly - to the idea of sending their kids to Catholic schools. (Many Catholic schools do accept non-Catholic students, and many non-Catholic parents may prefer them if the local public schools aren't good enough. But things were a little different 164 years ago.)

Fast-forward to the 1880s.

When railroads first connected Southern California to the rest of the United States, newcomers flooded the area. Most were WASPs, and the majority were from the Midwest.

Guess where else deed restrictions were common? That's right - the WASPy Midwest. (No offense to any WASPs or Midwesterners who may read this, but I don't believe in hiding the truth. I sure as hell have never pretended French Californians were perfect.)

Before too long, deed restrictions barred people of color from much of the city. Some even excluded Jews, Russians, and Italians. Homeowners' associations and realtors often worked together to keep restricted neighborhoods homogeneous. (My skin is crawling as I write this.)

Excluded ethnic and religious groups, therefore, tended to live in areas that weren't restricted against them.

French Angelenos, however, were a pretty tolerant bunch.

The first baker in the city to make matzo was Louis Mesmer, who was Catholic. His daughter Tina married a Protestant.

Harris Newmark - German and Jewish - was one of Remi Nadeau's best friends.

Prudent Beaudry's sometime business partner Solomon Lazard - French and Jewish - was so popular among Angelenos of all ethnicities that Spanish speakers called him "Don Solomon".

French Basque Philippe Garnier built a commercial building specifically to lease it to Chinese merchants, who weren't considered human beings by the United States government at the time.

No one batted an eye at the fact that quite a few of LA's earlier Frenchmen (including Louis Bauchet, Joseph Mascarel, and Miguel Leonis) married Spanish, Mexican, or Native American women.

Frenchtown didn't have deed restrictions. (It's true that we don't always get along with everyone, but you won't find many French people willing to do something that asinine.)

The original core of Frenchtown was largely taken over by the civic center and industry when the area was redeveloped in the 1920s (and when the 101 sliced through downtown). But part of it became Little Tokyo. Why? No deed restrictions.

In fact, when Japanese American internment emptied Little Tokyo during World War II, African Americans (many working in the defense industry) poured into the neighborhood, and for a time it was known as "Bronzeville". Again, it was still one of the few areas with no deed restrictions. (On a personal note, the original paperwork for my childhood home in Sherman Oaks - built in 1948 - included a restriction against selling to African Americans. No other ethnicities were excluded. Which should give my dear readers a rough idea of what African American home buyers faced at the time - and renters had even fewer choices. Deed restrictions were legally struck down in California in 1947 and nationwide in 1948, but in Los Angeles, they persisted into the 1950s. Nationwide, it was probably worse.)

LA's original Chinatown was emptied and razed to build Union Station. Where did all the Chinese Angelenos go? The area now known as Chinatown was full of French Angelenos first. Wikipedia incorrectly states that it was originally Little Italy. It's true that Italians did live in the neighborhood, but the French arrived before the first Italians did, and made up a larger percentage of the population. Why did the demographics change? No deed restrictions to keep out Chinese residents - or, for that matter, Italian residents. (Catholics of all origins occasionally clashed with Chinese Angelenos over religious differences, but the French community welcomed newcomers from Italy. Case in point: two of the French Benevolent Society's founding members were Italian. And the French Hospital did accept Chinese patients at a time when most hospitals wouldn't.)

LA's Jewish community was largely based in Boyle Heights for many years. Guess who else lived in Boyle Heights back in the day? There were Anglos, sure, but there were also Basque farmers. In fact, Simon Gless' big Victorian house was used as office space for the Hebrew Shelter Home and Asylum for many years (the last time I checked, it was a boarding house for mariachi musicians). Once again - no deed restrictions. (Why does Los Angeles County have so many Jewish residents? Because Jews have, historically, been more welcome in Los Angeles than in many other places. Los Angeles was a tiny frontier town when the first Jewish residents arrived, and in the Old West - where people had to work together to stay alive - how you treated people mattered more than what house of worship you attended.)

I haven't found anything on whether Pellissier Square ever had deed restrictions or not, but there's a reason Korean Angelenos originally clustered in Bunker Hill. Prudent Beaudry - who developed for everyone - developed Bunker Hill. Like Angelino Heights, Bunker Hill was unrestricted.

How did Frenchtown cease to be called Frenchtown?

Simple. As the city expanded westward, and as many French Angelenos moved west or left the city entirely in search of land for grazing livestock/farming/growing grapes, people who weren't welcome in other areas moved to the historically French - and historically unrestricted - neighborhoods.

If you were in the same situation, wouldn't you?

Come Hear Me Speak at uRGe!

I am thrilled to announce that I will be giving a presentation on Southern California's forgotten French roots at San Diego Mensa's uRGe Regional Gathering at the Ivy Palm Resort in Palm Springs on Memorial Day weekend.

In addition to the topics I've already covered in this blog, I will be talking about:

- The San Diego County settlement founded by two French families (unless you've lived there, you probably don't know this)
- The French Basque family whose orange grove took up much of modern-day Fullerton
- The most important French immigrant to Southern California you've never heard of (you will be shocked you don't already know this)
- How a first-generation French American unwittingly had a hand in shaping a very famous Southern California landmark
- Where the original Frenchtown was located (yes, I'm finally going to reveal The Map)
- Southern California's forgotten Francophone newspapers
- The forgotten Frenchman of early Riverside
- The French-speaking Swiss immigrant who founded California's oldest corporation
- The inventor of the French Dip sandwich (hint: it wasn't Cole's)
- French figures of early Hollywood
- Where to find the forgotten French today

...and who knows what else? Every story I find in the course of my research leads to more stories.

My talk is scheduled for Saturday morning. I can't wait!

Wake Up, Sheeple! Part 2: The Sentous Brothers and LA Live

It's hard to believe that the pocket of downtown containing the LA Convention Center, Staples Center, and LA Live was ever quiet and rural. Back in the pueblo days, this land was on the outskirts of town and populated by Californio families.

But that changed when two brothers arrived - separately - from the French region of Haute-Garonne in the 1850s.

Louis Sentous, born in 1840**, came to California in 1853 to do some gold prospecting (there were a few smaller gold rushes after the big one) before moving to LA. Before long, he was raising cattle, selling dairy products, and running a butcher shop.

Louis married Bernath "Bernadette" Lasere, who was also from Haut-Garonne, in 1871 or 1872 (it isn't clear which date is correct). Their son Julius John was born in December of that year, followed by Marie-Louise (1873), Narcisse (February 1880), and Adele (December 1880).

I should note that some sources cite Louis arriving in 1871. However, there is plenty of evidence he was in California in 1853 and for years after. I surmise Louis traveled home to France to get married (it's possible he needed to find a bride; there weren't many single women in LA back then) and the census taker may have mistakenly put down 1871 as the year of arrival for both Louis and Bernadette.

The Sentous Brothers Ranch was near modern-day Jefferson and Western and may have been established as early as 1860. Their cattle are long gone; today, two fried-chicken chains, a bus stop, and a car wash can be found at Jefferson and Western.

In 1874, Louis moved his family to a farm in Calabasas. They moved back in 1877 (given that Miguel Leonis controlled much of Calabasas in the 1870s, who can blame them?). Louis owned the farm until he sold it in 1884, retiring to his home on Olive Street opposite what is now Pershing Square (the exact address isn't clear, but he would most likely have lived next to Remi Nadeau).

The 1883 city directory lists the L. Sentous and Co. butcher shop at the corner of Aliso Street and Los Angeles Street. However, the business prospered well enough that Louis set up the first meatpacking house in Los Angeles. The Sentous meatpacking plant (close to modern-day Culver City) was large enough that it was a stop on the Pacific Electric Railway's fabled Balloon Route, and the plant was the subject of at least one postcard image (more info here). Sentous Station was demolished long ago, but its location is still used as the La Cienega/Jefferson stop on the Expo Line.

Louis Sentous Sr. died in 1911.

Jean Guillaume Sentous, born in 1836, was a dairy farmer and wool rancher. He arrived in Los Angeles in 1854, 1856, or 1860 (sources disagree) after a stint in mining up in Calaveras County.

In 1867, Jean married Maria Theodora Casanova, born in Costa Rica to Spanish parents, at the Plaza Church. They had eight children - Narcisse (born 1868), Louis Jr. (born 1869), Francois (born 1871), Camille (born 1873), Heloise (born 1873*), Louisa (born 1876), Emely (sometimes written as Emila; born 1878), and Adele (born 1880).

There were two more Sentous brothers - Alphonse, born in 1850, and Pierre-Marie, whose birth year seems to be lost to history. Alphonse likely arrived later (there is no record of him in California until 1873), and Pierre remained in France. Little else seems to be known about either of them.

Like many other early residents who were able to buy land before the real estate boom of the 1880s, the Sentous brothers had considerable holdings, including a building block. The Sentous Block at 617 N. Main Street, built by Louis in 1886, housed both apartments and shops. In fact, former governor Pio Pico spent his last few years in an apartment in the Sentous Block (needless to say, he'd had some money troubles).

Jean Sentous established a dairy farm in 1856, on land bordered by Main, Washington, Grand, and 21st Streets. The land exchanged hands a few times and eventually became Chutes Park, one of LA's first amusement parks, in 1900 (sadly, in typical fashion, LAist neglected to mention the French guy who owned the land before that hotelier did).

There was a Sentous Tract, divided by Jean in 1861 and bordered by Pico, Georgia, Eleventh, and Sentous Street. The Sentous Street School was built at 1205 W. Pico in 1912, and later renamed Sentous Junior High School (the campus doubled as a night school).

Although Jean preferred family life to public life, he served as President of the French Benevolent Society for many years.

Jean died in 1903 at age 67 in his home at 834 West 16th Street (the 800 block of West 16th Street no longer exists). His funeral was held at St. Vincent's and he was buried at Calvary Cemetery. The funeral procession was the largest Los Angeles had ever seen (at least as of 2007, when this fact was cited in historian Helene Demeestre's Pioneers and Entrepreneurs).

Jean's son Louis Sentous Jr., who was just as popular as his gregarious father and uncle, was educated in Los Angeles public schools and St. Vincent's College before spending five years in France, attending the Seminary of Polignan and the Government College in St. Gaudens. Upon returning, he re-enrolled in St. Vincent's (which we know today as Loyola Marymount University) and graduated. Louis Jr. married Louise Amestoy, also from a notable French family (I will cover the Amestoys at a later date) in 1895.

Louis Jr. was President of the Franco American Baking Company for some time, developed real estate with his brother Camille, and served as LA's French consul for many years. (Demeestre mistakenly - but understandably - lists Louis Jr. as Louis' son. Birth records and Jean's newspaper obituary make it clear that Louis Jr. was in fact Jean's son.) Louis Sentous Jr. held several offices in the French Benevolent Society and was the Society's President for thirteen years, during which time the Society's membership more than doubled. In 1912, the French government made him a decorated officer of the French Academy for his years of service.

The Sentous family wasn't immune to trouble. In 1907, Louis Jr. and Camille were threatened by a deranged laborer, Quentin Prima, who demanded their assistance in courting their wealthy widowed aunt. Fortunately, Prima was promptly arrested.

Of Jean's other children, we know that Frank became an engineer, Narcisse bounced back home after a divorce, Adele and Louisa got married but Heloise did not (in the grand tradition of French women living very long lives, Adele died at age 90 in 1971), and poor Emely died when she was only 15.

The Sentous Block - incredibly - managed to survive until 1957. When it was finally slated for demolition (to build - what else? - another parking lot), Christine Sterling, the "Mother of Olvera Street", was so heartbroken that she put on mourning attire and hung a huge black wreath on the building's center door (as you can see in the picture below).

(Image courtesy of USC's digital library.)

Mrs. Sterling lamented "I had always hoped that the Sentous Building would be included in the city, county and state's plans to restore the Plaza area. But it looks like another part of our past is going to be carried away in a truck." (Emphasis mine. If Mrs. Sterling could see modern-day LA, she would probably be inconsolable.)

Sentous Junior High School closed in 1932, after only 20 years of teaching children (and adults). As the city expanded westward in the 1930s, more and more families moved out of downtown. The school was not demolished until 1969.

The rest of the Sentous Tract was cleared out and demolished around the same time to build (drumroll please...) a parking facility for the Convention Center. The Staples Center and LA Live came later. (On a personal note, I was harassed at LA Live by a racist scumbag who took issue with my beret and my ethnicity. I felt threatened enough that I didn't stick around to say hi to second opening band The Dollyrots, even though I love them - I bolted for the parking garage and beat it straight back to my apartment across town. That was in 2010 and I still remember it like it was yesterday. I'm never, EVER going to a Screeching Weasel show again.)

As for Sentous Street, it was renamed LA Live Way.

A few of LA's streets still bear the family's name. City of Industry boasts both a Sentous Avenue and a Sentous Street, and West Covina has its own Sentous Avenue. (Given later freeway construction and the proximity of the two Sentous Avenues, they may at one time have been portions of one continuous street.)

*Camille and Heloise were, according to existing records, born just six weeks apart. It isn't clear if this is the result of a clerical error or unlikely medical circumstances, or if either child could have been adopted.

**Multiple sources say Louis was born in 1848, but others, including his grave marker, indicate a birth year of 1840. Since young children don't normally go to a faraway country alone at age five, 1840 seems far more likely. Emigrating alone as a younger teenager would not have been that unusual for the 19th century (case in point: one of my great-grandfathers emigrated alone at age 14, lived in boarding houses until he got married, and - if his birth family was even still alive - never saw any of them again).

Wake Up, Sheeple! Part 1: Germain Pellissier and the Wiltern

I love music more than life itself, and have been to many, MANY shows. Consequently, I know Southern California venues pretty well.

I was completely shocked - in the best possible way - to discover that two of them had French connections.

Germain Pellissier was born September 24, 1849 in Saint-Paul, France, and left at age 16 after his father died. Pellissier arrived in San Francisco in 1867 and soon moved to Los Angeles. Like so many other transplants, he was young - just 18 when he arrived.

Land was still plentiful and inexpensive at the time, allowing young Pellissier to set himself up in the sheep business, importing French and Australian breeds to improve wool production - and, in time, make real estate investments. He became a naturalized citizen in 1879.

Sources disagree over whether Pellissier owned 140, 156, 200, or 400 acres west of the original pueblo, but we do know that his considerable land holdings included the modern-day intersection of Wilshire Boulevard and Western Avenue, purchased in 1882. Wilshire and Western didn't even exist in those days, but Pellissier knew that Los Angeles proper, then several miles away and comprising much of modern-day downtown, would eventually need to expand. In the meantime, he used this land as a grazing pasture for some of his sheep (he also grazed sheep in Kern County and Ventura County).

In 1887, when the Southern California land boom hit, Pellissier was proven right, and parceled out some of his land. Developers called it "Pellissier Square." By the 1920s, Wilshire and Western was considered the busiest intersection in Los Angeles (the city traffic commission deemed it the busiest in the world). Today, the intersection is part of Koreatown.

Pellissier's descendants continued to own the land long after his death, and grandson Henry de Roulet commissioned the Pellissier Building - one of the city's most beautiful Art Deco buildings - which opened its doors in 1931. The Wiltern Theater, which is part of the Pellissier Building, was a movie theater for many years, and is now one of Southern California's most beloved live music venues.

On a personal note, when I went to my first Wiltern show, I could barely focus on the band (and THAT is saying something!) because the venue is SO beautiful. I have been to Versailles, the Louvre, Buckingham Palace, and St. Peter's Basilica, and to me, the Wiltern has them all beat.

According to Pellissier's death notice, there was an earlier Pellissier building, commissioned by Germain himself, standing at the corner of Seventh and Olive. Originally, it was a house, and Pellissier rented out the ground floor to a saloon. In 1887, he built a hotel on the site. Like so much of LA's history, it is long gone. I have been unable to find a reference to which corner it occupied. The intersection currently boasts jewelry stores, a 7-11, and (shocker) more parking.

Like so many other French transplants, Pellissier did have a few relatives join him in Los Angeles. His nephews Francois - "Frank" to his Yankee friends - and Anton got into the dairy business, with Frank eventually relocating to Whittier, where land was still plentiful. Frank's house on Workman Mill Road stood roughly where Rio Hondo College's athletic fields are today, and the Pellissiers owned much of modern-day Whittier and the Puente Hills before urban expansion put an end to the Pellissier Dairy in 1971. Today, Pellissier Place in City of Industry and Pellissier Road in Whittier still bear their name, as does a Rio Hondo College scholarship awarded in the name of Frank's wife, Marie Valla Pellissier.

Between sheep ranching and real estate, Germain Pellissier became one of California's richest men. He and his wife Marie (née Darfeuille) were known to be active in the French Benevolent Society. They had four children - Marie Louise (born in 1877), Léon (born in 1888), Louise (born and died in 1890), and Adelaide (born in 1892).

Léon Pellissier died in 1901 at age 12. His headstone at Calvary Cemetery, shared with Germain, is entirely in French and states "Il s'est envolé vers le ciel ayant a peine touché la terre." (In English, this means "He flew to heaven barely having touched the ground.")

Pellissier lived at 191 Olive Street, near the northeast corner of Olive and 2nd. In his later years, he lived at 697 Cahuenga Street.

Germain Pellissier died January 15, 1908 at his home on Cahuenga Street at the age of 58. He was survived by his wife and daughters Marie-Louise and Adelaide, and is buried in Calvary Cemetery with Léon. Louise, interred at the original Calvary Cemetery in 1890, was reburied with her father and brother.

The house on Olive Street is long gone. A multi-level parking garage takes up the entire block. I somehow doubt any of the people parking there and walking to the Walt Disney Concert Hall just across Grand Avenue have ANY clue about the shrewd sheep rancher who lived there.

Next time: another LA music venue with ties to a notable French family.

The Artist: Henri Penelon

Certain modern-day Angelenos say they're into their art (usually meaning they're auditioning for an art film so weird even I won't watch it) and grumble that no one appreciates them. They have nothing on Henri Penelon, the city's first artist.

Henri Joseph Penelon* was born in Lyon, France, around 1827. The exact date of his arrival in Los Angeles is unclear - he was not listed in the 1850 census, but Harris Newmark claimed Penelon was in the Pueblo by 1853, and tax records indicate he owned a property on Calle Principal (now Main Street) by 1856. (Surviving photographs indicate his studio was on the second floor of the Downey Block, also home to the Lafayette Hotel, on Main between First and Second.) Penelon had a business partner by the name of Adrien Davoust, who co-owned the Main Street property.

Penelon was one of the founding members of the French Benevolent Society, founded in 1860. Before the French Hospital was built in 1869, Society members helped care for the French community's ill and injured. Nowadays we'd say he did volunteer work in the community.

In 1861, heavy rains and flooding spelled disaster for the pueblo of Los Angeles. La Placita, the Plaza Church, was so badly damaged by a leaky roof that its front wall collapsed into the street. Penelon was contracted to paint the rebuilt church inside and out. And paint he did.

Henri Penelon most famously painted a mural of the Madonna and Child over the church's door, flanked by angels (probably the city's first public work of art). He lettered the church's marble tablets. He may have painted the church's ornately framed Stations of the Cross (which are consistent with his other work). He added an inscription to one of the walls: Los Fieles de Esta Parroquia á la Reina de los Angeles, 1861. (I have no idea what that means. Penelon could speak Spanish quite well, but I'm another story.)

In Harris Newmark's words, "he added some ornamental touches."(Ouch.) Supposedly, some of the Pueblo's more artistically inclined residents hated the mural and found the new church distasteful. (Ouch, again.)

To make matters worse, there was a persistent suggestion that Penelon, who made most of his living from photography, painted over photographs instead of starting with a blank canvas. While Penelon had little (if any) formal training, no one has ever produced any evidence of this ridiculous rumor being true. (And we think today's Twitter-feuding celebrities are childish jackasses...)

Surviving photographs indicate that the mural was painted over sometime between 1932 and 1937, and plastered over in 1950. A tile mosaic was installed in the same spot in 1981. The lettering on the marble tablets was visible at least as late as 1932; it isn't clear if it still dates to 1861 (the lettering would now be 155 years old; your guess is as good as mine). The Stations of the Cross are, to my knowledge, still on long-term loan to a church in Mexico. (Ouch...again and again.)

Painting murals is hard work, and Penelon was assisted at La Placita by a new arrival from France - Bernard Etcheverry, then 21 years old. We'll meet him again in a future entry.

Penelon was married to Emilia Herriot, twenty-five years younger than he was (sources disagree on whether Emilia was born in France or San Francisco, but she was certainly of French parentage). Their daughter Hortense was born in 1871, with son Honore following around 1874. 

It has been said that Penelon hand-tinted photographs (a common practice until color film made tinting obsolete). Supposedly, at least one other photographer contracted with Penelon to tint his pictures. The Museum of Natural History's archive of Penelon's known photographs shows no evidence of tinting. It is certainly possible, however, that he did tinting for other photographers without necessarily tinting his own pictures (or, alternately, that his surviving pictures just didn't happen to have been tinted). Without physical evidence, we may never be completely sure.

Still, Penelon was a working artist with a family to support. It is hard to imagine that he would turn down paying work, especially if it meant not having to take so many out-of-town photography jobs. (In a situation all too familiar to today's aspiring stars, Henri Penelon took pictures to pay the bills, but his true love was painting, and as photography replaced traditional portraiture, he worked as a photographer so he could also afford to keep working as a painter. The backs of his photographs bore the stamp "H. Penelon, Artistic Gallery, Los Angeles" - which could reference either trade - along with an artist's palette.)

In an interesting twist of fate, Penelon once turned down a young Swedish photographer who applied for a job, deeming him too young and inexperienced. The photographer, Valentin Wolfenstein, set out to prove Penelon wrong - and the two later took turns working for each other.

Henri Penelon was a portrait painter. In fact, the only known painting of his that is not a portrait is an idyllic scene called The Swan and the Rabbit (interestingly, it is signed "H. Penelon 1871"; his portraits weren't signed). His other subjects were all people - nearly all from well-to-do Californio families (Penelon was fluent in Spanish and friendly with Californios, which probably helped him secure patrons).

One portrait in particular may very well be suffering from a case of mistaken identity. Long assumed to be Concepcion Arguello of Monterey, it was later assumed that she must be Concepcion Arguello of San Diego, a relative of Pio Pico. To make things even more confusing, the portrait was later identified as Feliciana Yndart by an acquaintance. A picture of Sra. Yndart in the Natural History Museum's collection is said to strongly resemble the painting, and another surviving Penelon portrait is of Jose Miguel Yndart, Feliciana's husband.

Penelon's best-known portrait, however, is likely the equestrian portrait of José Andres Sepulveda (who owned most of modern-day Orange County), astride his winning racehorse Black Swan. That portrait now belongs to the Bowers Museum in Santa Ana (if making a trip, call ahead to confirm that it is on display). As of this writing, it is the only one of Penelon's surviving works that I have seen in person.

Penelon is also credited with introducing the carte de visite to Los Angeles. Cartes de visite were tiny prints or photographs used as calling cards. In Penelon's case, at least two surviving examples were hand-painted.

Henri Penelon traveled to Prescott, Arizona on a photography assignment in 1874. He died suddenly during the trip (none of my references list a cause of death) and is buried in Prescott.

The 1880 census lists Emilia and Hortense living with relatives, with Emilia keeping their house. Curiously, I could find no reference to Honore. The 1888 city directory lists Honore as a student living in Boyle Heights (which was, at the time, LA's first suburb).

In the 1950s, Penelon's granddaughter walked into the Museum of Natural History (which was also the county Museum of Art; LACMA wasn't a separate entity yet) looking to donate two of his paintings. Less than a century after his death, none of the Museum staff knew who Henri Penelon was (OUCH!). Today, thirteen of Penelon's surviving paintings belong to the appointment-only Seaver Center for Western History Research at the Los Angeles County Natural History Museum. I sincerely hope I will be able to see them myself one day.

If you have deep pockets (or at least deeper pockets than I do), please consider sponsoring Penelon's equestrian portrait of Don Vicente Lugo. I, unfortunately, don't have that kind of money.

Want to see one of Penelon's earliest photographs? Just look at the background image for this blog. Not only is it the earliest known photograph of Los Angeles, it is credited to Penelon.

Even though his surviving works are now prized by those in the know, LA's first artist remains forgotten.

*Penelon's first name is often incorrectly written as "Honore", "Horacio", and/or "Henry"; historians searching old records for the man should make a note of this. (As someone whose first AND last names have been brutally butchered too many times to count, I am acutely aware of spelling errors when researching my own people.)

One Clever Bastard: John C. Frémont in Early L.A.

At the dawn of the nineteenth century in Virginia, seventeen-year-old Anne Beverley Whiting, whose stepfather had squandered her family's fortune, was married off to Major John Pryor, a wealthy man in his early sixties.

In 1810, the Major hired a French Canadian immigrant, Charles Fremon, to tutor his young wife. By July of 1811, he discovered they were having an affair, confronted the couple, and filed for divorce.

In 2016, this isn't too surprising (for jaded Angelenos, anyway). But in 1811, it was extremely shameful. In spite of the scandal, the Virginia House of Delegates refused to grant the Major's divorce petition, meaning that Anne and Charles could not marry. Undaunted, they moved to Savannah, Georgia and lived together as a married couple. Their first child, John Charles Fremon, was born January 21, 1813.

Charles Fremon's real name was, in fact, Louis-René Frémont. He had escaped from a British prison and changed his name to evade British naval agents. John began using his father's true surname in 1838 at the age of 25.

Much has been written about Frémont's career as a military officer; for brevity's sake, this entry will only concern his actions in Southern California. I will, therefore, skip to the Mexican-American War, a few weeks after the famous Battle of San Pasqual. (Contrary to misconception, Frémont was not in that particular battle.)

Late in 1846, Frémont was ordered to lead 300 men from the California Battalion to capture Santa Barbara. Frémont's unit crossed the Santa Ynez mountains at San Marcos Pass on the night of December 24, 1846 - with great difficulty. It was raining heavily, and the mountains became so muddy and slippery that many horses, mules, and cannon were lost. Still, the men regrouped in the morning, bloodlessly taking the Presidio and the rest of the city.

In January 1847, Frémont and his men were entering the northern San Fernando Valley when an (unknown) Frenchman from Los Angeles rode up, carrying a message ordering Frémont to bring in his men as reinforcements for General Kearny, who had taken Los Angeles. Frémont ignored the message, electing to negotiate with the Californios himself.

A few months previously, Frémont had saved insurgent José de Jesús Pico, cousin of Pio Pico, from execution with the caveat that he accompany Frémont to Los Angeles. Once the troops had set up camp on Mission San Fernando's grounds, Frémont dispatched Pico to the defeated Californios' camp in the Verdugo Hills. (I told you he was clever!)

By this point in the war, just 120 Californio rebels remained, and they were running out of weapons and ammunition. The U.S. forces numbered 1,000, and were quite well-armed. The writing was on the wall. Commandante Flores (who was also a cousin of José de Jesús Pico) was none too happy with Pico for fighting alongside Americans, but agreed that the Californios could negotiate with Frémont as long as he treated them with honor (something Frémont's superior, Commodore Stockton, had refused to do).

A delegation of the remaining Californios met Frémont the following morning. They were prepared to end the war, provided they were treated respectfully and their leaders were included. If that did not happen, they were prepared to adopt guerrilla tactics and even destroy their own properties.

Having been privately promised the future governorship of California by Stockton, Frémont knew making friends with the Californios he would eventually govern would make his job much easier. He declared a détente and invited the Californios to bring their wounded to Mission San Fernando, where they could be attended to by his own surgeon. Negotiations commenced that afternoon, with three Battalion officers, prominent Californio José Antonio Carrillo, and former California Assembly secretary Agustín Olvera hammering out the terms of the agreement.

Andres Pico, brother of exiled Mexican governor Pio Pico, was the leader of the California Lancers and acting governor of Alta California. On January 13, he and Frémont sat down at the kitchen table in an aging adobe house in Campo de Cahuenga and signed the Treaty of Cahuenga. (That kitchen table can now be seen at the Natural History Museum of Los Angeles.)

The treaty, written in both English and Spanish, called for Californios to give up their weapons, refrain from taking up arms for the duration of the war, and obey the laws of the United States. The trade-off was that Californios were to be allowed the same rights and privileges as U.S. citizens, were to be allowed to return to their homes and ranchos, were not required to swear allegiance to the United States until a formal peace treaty was signed, and were permitted to leave the country if they so desired. (Remember, this was a time when people of color were not considered people in the eyes of U.S. law, and Catholics were eyed with great suspicion by the WASPy majority. Giving equal rights to Californios, some of whom were mixed race, was a major compromise for the time.)

In spite of his intelligence and remarkable abilities, Frémont had poor impulse control and a problem with authority. He finally contacted his superiors after the treaty was signed - his first contact with them since arriving in Southern California. Not only had this smart-assed upstart ignored instructions, he'd signed what they considered an extremely liberal treaty with the Californios - and all without consulting them!

They decided it was best to endorse it anyway.

Other Americans believed the Californios would take up arms against them again. But they didn't. Andres Pico, writing to his brother Pio, deemed the struggle over.

Stockton quickly named Frémont governor of occupied California. Frémont established a headquarters in the old Bell adobe mansion (formerly at the southwest corner of Aliso and Los Angeles Streets) and quickly set about winning the respect of the Californios, going so far as to adopt ranchero-style dress and invite local leaders to meet him at his quarters. This tactic didn't always work (some, like Jose Antonio Carrillo, refused to meet with him), but Frémont understood that when in Los Angeles, one does as Angelenos do. Americans strongly disapproved of Frémont's fraternizing with Californios, but in the end, locals often credited Frémont with saving their lives by peacefully ending the war. Many liked him, or at least respected him. If nothing else, at least he wasn't Commodore Stockton.

The American rumor mill was not kind to Frémont, and perhaps the nastiest rumors concern his (unproven) philandering in Los Angeles. Henry Hamilton, editor of the Los Angeles Star, even claimed to have proof of Frémont's alleged "harem", but never produced any of it. Those vicious allegations would resurface in 1856, when Frémont was nominated for the Presidency by the Republican Party. (Since Frémont respected women enough to demand that the members of the California Battalion swear not to violate their chastity, it seems unlikely that he would have had, as Hamilton put it, a "harem". Hamilton, by the way, was a Democrat and is known to have disliked Frémont's politics.)

Kearny had orders from President Polk and secretary of war William Marcy to serve as military governor. Frémont refused to give up the governorship, and Kearny had him court-martialed. His dishonorable discharge was commuted by President Polk owing to the extent of his services (having a prominent senator for a father-in-law probably helped).

Frémont resigned his commission, purchasing Rancho Las Mariposas in the Sierra Nevada foothills in 1847. When gold was discovered in the area, he hired Mexican laborers to mine for gold on his land for a percentage of the findings. This made him quite wealthy and allowed him to purchase properties in San Francisco.

When California became a state in 1850, Frémont was elected to the United States Senate. His re-election bid was defeated largely because he was opposed to slavery and did not want it to spread to the free Western states. (Frémont's opposition to slavery is especially notable since he and his siblings were raised with the assistance of a household slave known only as Black Hannah. In fact, Frémont's mother financed leaving her husband by selling some slaves she owned.)

Frémont went on to continue his military and political career in other parts of the United States...but that's a bit beyond the scope of this entry. There are several books on John Frémont and his wife Jessie. For those interested in the history of conflict and violence in early Los Angeles, I highly recommend John Mack Faragher's recent book Eternity Street.

Campo de Cahuenga, where the Treaty of Caheunga was signed, is in modern-day Studio City. The original adobe was demolished in 1900; the current building is a replica opened in 1950.

The Incredible Sainsevain Brothers

(Image courtesy of the California State Archives. View more here.)

There were four Sainsevain brothers in all, but two of them - Pierre and Jean-Louis - had a strong impact upon Los Angeles and other areas of California.

Their mother, Marie Vignes Sainsevain, was the sister of Jean-Louis Vignes. In 1838, thirteen years after her brother was compelled to leave France, she sent twenty-year-old Pierre, a carpenter, to California to see if his uncle was even still alive. Eight months after the ship left France, Pierre landed in Santa Barbara and continued on to Los Angeles.

Jean-Louis Vignes was doing quite well, in fact - so much so that much of the extended Vignes/Sainsevain family relocated to Los Angeles.

Within a year of arriving at the El Aliso vineyard, Pierre was traveling to Santa Barbara, Monterey, and San Francisco by ship, seeking new buyers for Uncle Jean-Louis' popular wine and brandy. He succeeded in making the very first wholesale wine transactions in the history of California. The following year, he was running Uncle Jean-Louis' sawmill near San Bernardino.

Bigger things were in store for Pierre: in 1843, Governor Manuel Micheltorena granted him Rancho Cañada del Rincon en el Rio San Lorenzo - nearly 6,000 acres in what is now Santa Cruz County. California was still part of Mexico, and normally land grants were only given to Mexican citizens. Pierre did become a naturalized Mexican citizen in 1844 (he is sometimes referred to as "Pedro Sainsevain"), and Governor Pio Pico confirmed the grant in 1846.

In 1843, Pierre built a sawmill near the rancho with another French carpenter, Charles Roussillon, as a business partner. In 1844, he opened a flour mill. In 1845, he married Paula Suñol, daughter of Antonio Maria Suñol (owner of Rancho Los Coches in modern-day Santa Clara County). In 1846, Pierre and Roussillon built a schooner, the Antonita, on the beach at Santa Cruz (and sailed her to Hawaii to have a copper bottom installed). Pierre and Paula's son Jose Miguel was also born that year.

Every schoolkid in California knows that gold was discovered near Coloma in 1848. Pierre went to the mines with his father-in-law and Roussillon. Although the mining town of Don Pedro Bar was named for Pierre (he was nicknamed "Don Pedro" as a mark of respect by Spanish-speaking friends), the party soon tired of mining, and moved to Stockton to sell supplies to Gold Rush miners.

The town of Don Pedro Bar no longer exists, but the Don Pedro Dam and Don Pedro Reservoir still bear Pierre's name.

In 1849, Pierre and Roussillon went to San Jose, the original state capital of California, and built a large two-story adobe on Market Square. They intended to run a hotel, but instead, the building became California's first State House. Ever the achiever, Pierre also served as a delegate to the California Constitutional Convention that year.

In 1855, Jean-Louis, an engineer, joined his brother and uncle in Los Angeles, and the family expanded production at El Aliso. The brothers had their own storefront selling Sainsevain Brothers wine in San Francisco by 1857, with a wine cellar producing Champagne (well, California's first sparkling wine, anyway). Pierre even hired Monsieur Debanne, a former Champagne maker for Veuve Clicquot, to make Sainsevain Brothers Champagne. The following year, El Aliso was leading the state in wine production, turning out 125,000 gallons of wine and brandy.

Jean-Louis also had a personal accomplishment in 1855. He went to France to visit his two sons, who he had not seen for nearly seven years (remember, international travel was significantly harder, longer, and more expensive then than it is now). During this trip, he met and married the widow of a sea captain (I can only assume Jean-Louis' first wife had died at some point). Jean-Louis left his younger son, Paul, and his stepson, Charles Lepaon, in France to complete their schooling (many of LA's earlier French families sent their sons to school in France, so this was hardly unusual), but returned to Los Angeles with his older son, Michel, his new wife, and his stepdaughter, Honorine.

Meanwhile, on the business front, Champagne/sparkling wine production is always risky. It's often more cost-intensive than still wine, San Francisco does not get as cold in the winter as the Champagne region does (Champagne's cold winters create a dual fermentation process, which means more bubbles), and in those days it was MUCH more common for Champagne bottles to break or explode.

To make matters worse, the Sainsevains used Mission grapes (which weren't quite acidic enough to get the desired result), the Champagne was only aged for one year (five or six years is customary), and during the first year of production, one out of every five bottles exploded. While it's true that Champagne bottles have always had some risk of exploding, this level of loss is extremely high, and Sainsevain Brothers' employees had to wear protective gear in the wine cellars to avoid being badly injured by flying shards of glass. The Champagne experiment, while seemingly successful at first, ended up costing the brothers $50,000 (about $1.4 million today) and had to be shut down by 1862.

It wasn't all bad news while the experiment lasted - the brothers sold 300 cases a month, shipping some of them to New York and Philadelphia. They sent Champagne to President James Buchanan, who praised its taste and thanked them generously for it in a letter. When the French government opened its Los Angeles consulate in 1860, Sainsevain Brothers Champagne was served.

In 1859, Pierre sold his rancho. Uncle Jean-Louis sold his nephews the El Aliso vineyard for $42,000 - about $1.06 million in 2016 dollars - by far the highest price ever paid for a single property in California at the time. In 1861, with California wines being sold on the East Coast for the first time, another Sainsevain Brothers shop opened - this one on Broadway in New York.

Unfortunately, there were more financial problems: Jean-Louis Vignes' adult children sued their own cousins, accusing Pierre and Jean-Louis of underpaying for their father's vineyard. This may sound hard to believe, considering the brothers paid more for it than anyone else had ever paid for land in California at a time when Los Angeles was still a dusty pueblo, but it did indeed happen, and the brothers lost in court. Pierre and Jean-Louis dissolved their winemaking business and sold El Aliso in 1869. The brothers were so financially devastated by the Champagne failure and the lawsuit that the county sheriff auctioned off their possessions and remaining wine stock to cover their debts. (Trademark documents in the California State Archives suggest that the San Francisco wine store and the rights to the name Sainsevain Brothers were likely sold to another team of vintners, Mercado and Marsh.)

Jean-Louis was a Mason, and according to one source, was the first Grand Master of the city's first Masonic lodge, located in the original pueblo. A different source conflicts with this; the facts may well be lost to history. We do know, however, that he was a major player in Los Angeles' eternal struggle: water.

In 1863, Jean-Louis was awarded a contract to improve the city's primitive water system (and I do mean primitive; zanjas, or open ditches, were still in use). However, it proved so difficult and costly that he quit. Two years later, when another contractor gave up after only eight months, Jean-Louis was offered the contract again.

This time, Jean-Louis called for help: Damien Marchessault, former mayor and Water Overseer, partnered with him. In an area called "The Cornfield", now Los Angeles State Historic Park, Jean-Louis built a dam and water wheel to feed one of the city's first backup supplies of water, the Sainsevain Reservoir (long since replaced by Radio Hill Gardens). He and Marchessault also began replacing the city's first pipes - hollowed-out logs - with iron pipes. Unfortunately, in 1868, severe flooding undid all of their hard work. This final failure would be a factor in Marchessault's tragic death. An improved water system would eventually succeed under Prudent Beaudry, Solomon Lazard (both French), and John S. Griffen (more on that later).

It may be difficult for modern-day Californians to imagine a time when the state didn't have one out of every eight U.S. residents crammed into its boundaries, but in the 1860s, California had a seemingly endless supply of wide open spaces presenting new opportunities. One of them was Rancho Cucamonga.

Pierre bought the Rancho Cucamonga vineyard in 1860, and Jean-Louis began managing it in 1867. The brothers introduced "new and better" varieties of grapes, according to Harris Newmark. However, their vines were destroyed by grasshoppers in 1870 and 1871, causing more financial trouble. Despite several ownership changes, Jean-Louis was kept on as the vineyard's manager. A bottle of his own sweet white wine won first place at the 1877 Southern California Horticultural Fair.

The brothers, undaunted, also built houses in San Bernardino (it isn't clear whether any of these houses still exist; they'd be well over a century old by now).

Pierre moved back to Santa Clara County and produced wine (under the Menlo Park label) successfully. His claret won "Best Wine" at the county fair in 1868. By 1870, he was making 20,000 gallons of wine per year, but he closed the operation in 1874. That year, Pierre and Jean-Louis bought land in Hawker Canyon, building a large stone house and reservoir.

Jean-Louis owned a lumberyard at the corner of Alameda and Jackson Streets, although the dates are unclear (much of Jackson Street is now gone, meaning the corner itself no longer exists). The brothers shipped lumber up and down the California coast via schooner. In 1869, Jean-Louis sold a different property to Eugene Meyer (despite the German-sounding name, Meyer was also French), who built the Aliso Tract on it.

The ever-restless Pierre went to Central America (some sources say Peru) in 1874 or 1875, returning to San Jose in 1880. He began producing wine again, and invented a steam-powered stemmer crusher (a device that de-stems and crushes grapes) in 1882. When Paula died in 1883, Pierre returned to France.

Although I can find no record of Jean-Louis marrying for a third time (hell, I can't even find a record of his first marriage), a court record from 1882 suggests he was married to a Florence Matilda Sainsevain (another source suggests she was Charles Roussillon's sister). The Los Angeles Herald described him as an "old pioneer" in his death notice (2/17/1889).

Jean-Louis died in Pasadena in 1889. Pierre died in France in 1904.

The 1883 Los Angeles City Directory lists an "M. Sainsevain" operating a feed store at the corner of Turner and Alameda Streets. However, there were already so many Sainsevains in Los Angeles by 1883 that it isn't clear who exactly this was. Pierre's son Jose Miguel was sometimes called Michael, and Jean-Louis had a son named Michel (to complicate things further, in French, "M." is an abbreviation of "Monsieur"). I had considerable difficulty fact-checking this entry because there were multiple Jean-Louis Sainsevains in the Sainsevain family, nearly all living in Southern California.

Multiple old maps list Sainsevain family property in Fontana (the city gave it the official address of 14804 E. Summit Ave.). The Sainsevain surname, albeit with a savagely butchered spelling, is sprinkled across the Inland Empire. Etiwanda, Fontana, Jurupa Valley, and Rancho Cucamonga all have places named after the brothers. There was a Sainsevain (spelled correctly) station on the Southern Pacific rail line near Rancho Cucamonga, but I have not yet been able to determine its precise location or its fate.

The Sainsevain brothers led incredible lives - and incredibly, no one remembers them. Case in point: Los Angeles used to have a Sainsevain Street*, but now it's a distant memory just like its namesakes.

*An 1868 map shows Sainsevain Street ran between Aliso and Commercial Streets, with Alameda and Vignes as cross streets. Comparing that map to modern maps, it appears that Sainsevain Street was realigned and incorporated into Commercial Street. As the original location runs very close to what are now freeway ramps, the street was most likely moved/destroyed to make room for the 101.

Emergency Edition: Doughboy in Danger! Tell Everyone!

Just last month, I wrote about Humberto Pedretti's Doughboy statue - the World War I memorial anchoring Pershing Square. (Or what passes for Pershing Square these days, anyway. It looks nothing like it did when the statue was installed.)

I found the time to visit Pershing Square this week. Believe me, I completely understand why everyone hates it so much. Raising the park above street level (even if it was to add some desperately needed parking) made it uninviting at best. The steps to get into the park are not pleasant to climb (I wish to add that I climbed those steps in a pencil dress and it was the most physically challenging thing I've done all week). There is far too much concrete, which makes the park both hideous and extremely hot. The underground parking garage has made it impossible for the park's few trees to grow enough to provide a decent amount of shade, which just makes the heat worse.

And, off in a corner surrounded by unattractive succulents, Pershing Square's historic monuments are all but forgotten.

Besides the Doughboy, there is a Spanish-American War monument, a plaque honoring Gen. Pershing, and - inexplicably - Beethoven. All four monuments have been in the park for decades. All of them may as well be invisible, since it is surprisingly difficult to see them from inside much of Pershing Square itself, let alone from the street (I checked).

But there is something we can all do.

I stumbled upon a Change.org petition to save Pershing Square's historic monuments - those listed above as well as several more that are currently absent. As of this writing, the petition has 262 supporters (myself included). That means at least 238 more are needed.

And I know we can make that happen.

Send this petition to Angelenos and other Southern Californians. Send it to people in the armed forces and their families. Send it to preservationists. Send it to historians. Send it to musicians, your friend with season passes to the LA Philharmonic, and your piano teacher from childhood (Beethoven matters too). Send it to people in France whose families can still remember World War II (I know some French women live to be well over 100, but I'm going to be realistic about the possibility of many living people remembering World War I). Send it to anyone who would at least consider signing it. If you know anyone who can make this petition go viral, please ask for their help. 

The statues all appeared to be clean, well-maintained, and in good condition (especially for being 84 to 116 years old!). It would be a terrible waste not to incorporate them into the redesigned square.

I had a few other things to do downtown. The traffic, incredibly, wasn't bad, and with AFI playing on the car stereo, I didn't really mind. Due to a combination of road work and one-way streets, at one point I had to make a detour near Aliso Street to turn around, and immediately noticed I was at the intersection of Vignes and Ducommun Streets.

"Such a promising past...Mayday!"

Although those streets bear the names of two very prominent figures, no one would ever guess the neighborhood was thriving in Vignes' and Ducommun's day. Because I have been researching Frenchtown for so long, I knew what I'd find there, but even Google Street View couldn't quite prepare me for the shock of having to actually see it in person.

"Down with the heroes before me...What did I tell you? I promised I'd give you a story."

That part of Frenchtown has been replaced by a creepy-looking strip club, aging industrial buildings, and a vacant lot taken over by weeds so tall that I, at 5'5", could probably hide in them unnoticed. The traffic island that stands on the former site of El Aliso is crumbling, weedy, and strewn with trash. The only people I saw were two LAPD officers doing paperwork in a parked patrol car.

"I saw this alone. The city was aflame. Did I turn right in or turn away?"

THIS replaced the once-thriving French quarter? I wanted to throw up.

"Summertime is long. In God's name who would stay? God left yesterday but I remain."

Before I pulled my little car onto the 101, I swore that, for as long as I'm alive, I will do everything I can to keep Frenchtown from being forgotten.

"Disappear, disappear, disappear..."

Not on my watch. 

Where Was Frenchtown? Mapping a Lost Community

In the fall of 2014, I bought an old, well-worn copy of The French in Southern California History and the Southland Today, published in 1932. The book lists no author, but credits Fernand Loyer and Charles Beaudreau (assisted by Catherine Beaudreau) as editors, publishers, and holders of the book's copyright. (A French-language version was also published, but 1. I have never been able to find a copy, and 2. my French is rather limited. So, I only have the English edition.)

I have a tendency to think spatially. So, as I read, I wanted to keep track of who did what and where. I decided to create a Google map documenting the French community - where they lived, where they worked, where important events took place, where they socialized, and even where they are buried.

I have been adding to this map for eighteen months and am nowhere near ready to reveal it to the public (I have SO much more research to do). The focus is on Los Angeles proper, but California's Frenchmen didn't always stay put in LA (farming, ranching, and making wine - three of the more common professions in the community - all require land, which tends to mean moving out of the city). So, while the bulk of the pins are in Los Angeles proper, the map extends from Santa Barbara in the northwest to Ramona in the southeast.

As of this writing, I have 345 different sites mapped. No, that's not a typo.

I began with the one thing I knew I could find: the French Hospital, which still exists under a different name. (Don't worry, the hospital will get its own entry. It's had quite a history.)

Mapping sites in Old Los Angeles is quite a bit harder than it seems. Houses have been re-numbered, streets have been renamed, and some streets have ceased to exist. (Note to self: go to Central Library and see if the maps librarian can help me find Date Street, New High Street, and Requena/Market Street. And, for that matter, help me figure out why Bauchet Street is so strange.) To make matters worse, the aforementioned book rarely gives a specific address, often describing something as close to an intersection or a landmark. I realize that the oldest parts of the city have seen considerable redevelopment, and that in the earliest days, house numbering may not even have been required. But it can still be a bit of a headache.

In some cases, I have had to look at the existing street grid, compare it to old photos, determine the most likely path of a former street or most likely location of something that is not there anymore (in the case of the Long Wharf and Venice Pier, this meant studying the shoreline as well), and make an educated guess. I dislike having to guess at all, but in a city whose 235 years of history have been eradicated by natural disaster, fire, politics, development and redevelopment, etc. over and over again, this is the best I can do.

Thankfully, not too far into the book, its authors give a rough boundary for Frenchtown: Main Street, 1st Street, Aliso Street, and the Los Angeles river. Not surprisingly, this abuts Jean-Louis Vignes' El Aliso vineyard, and is still pretty close to Bauchet Street. (At the time of the book's publication, much of Aliso and Commercial Streets were, incredibly, still French-owned.)

About fifty markers fall within this area (so far; there will probably be more). More are scattered throughout downtown Los Angeles, with the highest concentration around the original plaza.

I hasten to add that the book is not my only source for locations. Old city directories, newspaper ads and articles, a few other books, old maps, and census records (thank you, Ancestry.com) have proven very helpful.

When I was mapping the "original Frenchtown" area, I had to put an extra point at the intersection of 1st and Central, due to the street's unusual obtuse angle. Then I realized I had seen - and for that matter walked - the same angle the previous weekend. I had gone to see the Hello Kitty exhibit at the Japanese American National Museum, which now stands at that corner.

Most of the sites associated with the French community in Los Angeles proper, at least in the 19th century, fall within the modern-day neighborhoods of Little Tokyo, Chinatown, the Historic Core, the Plaza, and the Civic Center.

In previous entries, I have noted what now stands where something or someone French used to be, and I will do so whenever possible. I believe it is important to do this in order to provide context for modern-day readers - especially if they are not very familiar with long-ago Los Angeles (and in 2016, hardly anyone is).

The French and the Old Plaza Church

Los Angeles proper has never had its own mission (200+ years ago, the San Gabriel and San Fernando missions were about a day's journey from the pueblo, which almost makes modern LA traffic seem less atrocious). Most people don't know that.

In many cities, the oldest building is likely to be a house of worship. There is some debate over what LA's oldest building is, but La Placita, or the Old Plaza Church, is certainly one of the oldest.

Before the church's dedication in December 1822, the pueblo's residents had to rely on visiting priests from the San Gabriel and San Fernando missions to have their spiritual needs met (non-Catholics began to arrive in the 1840s).

La Placita's first resident priest, believe it or not, was a Frenchman. Jean-Augustin Alexis Bachelot was born and educated in France, becoming a priest in 1820 at the age of 24. In 1827, he led the first Catholic mission to Hawaii (besides Catholicism, Bachelot introduced bougainvillea* and mesquite plants to the islands). Bachelot and his fellow priests were well-received by locals (the fact that Bachelot learned the Hawaiian language well enough to translate a prayer book and write a Hawaiian-language catechism probably helped), but they faced persecution by the Protestant regent, Queen Ka'ahumanu, who deported them from Hawaii in December 1831.

Bachelot and fellow priest Patrick Short landed near San Pedro in January 1832, traveling to Mission San Gabriel. Not only did Bachelot become La Placita's first resident priest, he served as the mission's assistant minister, temporarily led the mission when its head priest was reassigned in 1834 (turning down the substantial salary he was offered), and taught in one of LA's first schools during a teacher shortage. Besides French and Hawaiian, Bachelot spoke Spanish well (the Autry Museum of the American West has, in its collection, a photostat of a letter Fr. Bachelot wrote in 1836 - in Spanish). He was, by all accounts, well-liked by Angelenos.

Bachelot ministered in Los Angeles until 1837, when he had the opportunity to return to Hawaii. Sadly, things did not go well in Hawaii (see above), his health suffered, and he passed away later that year while at sea. Bachelot was buried off the coast of Pohnpei, Micronesia. Because of the way their priests had been treated in Hawaii, the French government intervened, and King Kamehameha III finally granted religious freedom to Catholics in Hawaii.

In Los Angeles, Bachelot was succeeded by another French priest - Reverend Anaclet Lestrade. Like Bachelot before him, he doubled as a teacher - in 1852, he taught twenty students due to lack of a proper school system (public, private, or parochial - LAUSD didn't exist until 1853). Lestrade is credited with helping to establish the first boys' boarding school in Southern California. For a time, he also held claim to the Rancho Rosa Castilla in El Sereno.

As for the building itself...the original church was destroyed due to severe flooding in 1859-1860 (the LA River burst its banks a few times - which is quite a thing to contemplate if, like me, you have only ever seen it as a tiny trickle in a vast concrete ditch). La Placita was rebuilt under the leadership of LA's popular French-Canadian mayor, Damien Marchesseault (more on him later...stock up on tissues, it's a sad story).

Henri Penelon, LA's first commercial artist and photographer, painted a mural of the Madonna and Child with two angels over the door in 1861, assisted by a new arrival, 21-year-old Bernard Etcheverry (both hailed from France, and don't worry, you'll read more about them later). Sadly, the mural - probably the first outdoor mural in Los Angeles - is long gone. In yet another example of Los Angeles erasing its own history, the mural was plastered over in 1950 (there is now a mosaic on that part of the facade, installed in 1981). The church's marble tablets bore Penelon's lettering at least as late as 1932, and the Stations of the Cross are consistent with his other work.

Although a bit beyond the topic, but worth noting, are La Placita's bells. They were cast by George Holbrook, apprentice to Paul Revere - whose father was a French Huguenot.

Let's not forget the surrounding neighborhood. In Fr. Bachelot's day, French transplant Pierre Domegue and his wife (a Chumash woman named Maria Dolores Chihuya) baked French-style sourdough bread in a low adobe that stood next to the church's courtyard. Domegue also partnered with another French baker, Andre Mano, in a bakery just around the corner (Angelenos weren't afraid of carbs yet).

La Placita is still an active parish church. Do take the time to visit, but please be respectful of those who are there for spiritual reasons.**

*Edited to add (7/1/17): A friend who reads this blog lived on Kauai for 25 years. She told me that Fr. Bachelot brought bougainvillea plants to Hawaii because they're thorny, and the Catholic Church was trying to get Native Hawaiians to wear shoes (and, for that matter, other Western garments). She describes Bachelot as "a bad, bad man" and tells me he's widely disliked in Hawaii. In the interest of presenting history in a fair and truthful manner (Native Hawaiians' stories matter too), I felt I should add the dark side of Bachelot's story. (And honestly, it sounds exactly like something the Church would have done back then.)

**Edited to add (11/9/17): I was finally able to visit La Placita when there wasn't a wedding, baptism, or other ceremony taking place. I will not, however, be adding any pictures of the interior...because I didn't take any. In spite of it being a Wednesday afternoon, there were still about 15 parishioners praying inside the church, and I refuse to disrupt someone else's religious practice. The church's interior, while on the humble side, is still beautiful and well worth seeing. Just keep any noise to an absolute minimum - this is a VERY small church with relatively high ceilings for its modest size and even the slightest noise will carry through the space. (And my sincere apologies to anyone who may have been distracted by my boot heels clicking on the tile floor. I tiptoed as much as I could.)